Cello in ’Fire‘




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Beethovenfest Bonn 2021
No poet could resist the silvery glow of the earth’s satellite, still less any composer. It transforms the shape of our world. ‘Moonlight’ is a romantic theme par excellence. It was made to order for the new subjectivity of experience that emerged around the year 1800 and led, in the course of the 19th century, to ever-deeper probes of pleasure and pain in feeling and orchestral colour.
With this program cellist Isang Enders presents himself as a musician in search for traces and daring new concepts.
He shows the width of his repertoire, his versatility and his talent to merge works from different eras into a whole. Here is Beethoven’s last cello sonata, the final fugue of which is an arc to the forward striving, radiant D major suite by Johann Sebastian Bach. There an electronic sound experience called ‘Fire’ by Vassos Nicolaou, which takes up the Prometheus myth – in creative contrast to the baroque aesthetics of the room. Finally, Mendelssohn Bartholdy’s second piano trio takes account of the motto ‘Resurrection’ – after all, it quotes the chorale ‘I hereby stand before your throne’.