Vienna State Opera tickets 4 June 2024 - Turandot | GoComGo.com

Turandot

Vienna State Opera, Vienna, Austria
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Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 30min
Cast
Performers
Soprano: Asmik Grigorian (Princess Turandot)
Conductor: Axel Kober
Bass: Dan Paul Dumitrescu (Timur)
Tenor: Fabio Sartori (Calaf)
Tenor: Jörg Schneider (The Emperor Altoum)
Soprano: Kristina Mkhitaryan (Liù)
Creators
Composer: Giacomo Puccini
Dramaturge: Carlo Gozzi
Director: Claus Guth
Librettist: Giuseppe Adami
Librettist: Renato Simoni
Overview

Director Claus Guth heightens the surrealism of this initially extremely cruel fairy tale, which he prefers to see as a "parable", into the grotesque.

Guth sees Calaf, son of the fugitive Tartar king Timur, "thrown into a world that he cannot understand". It is a system that functions according to its own logic: Princess Turandot, in order to protect herself, has built a bureaucratic apparatus around her that is as brutal as it is effective. For director Claus Guth, it is clear that Turandot is describing her own experience when she speaks of the terrible things done to her ancestor Lu-o-lin; the terror state is her reaction. The stage by Etienne Pluss, the costumes by Ursula Krdina and the choreography by Sommer Ulricksen show it from the outside as well as the inside - and also its decay, which is the necessary prerequisite for Turandot and Calaf's happy ending.

Puccini encoded his score with sound symbols that his audience would undoubtedly assign to a Far Eastern cultural area: a pentatonic-based tonal language and the pointed use of percussion. Embedded in Puccini's own world of sound, they create a new context of meaning, a Puccini-Peking that seems to transport us to distant worlds, but in fact does not exist outside the theater space.

A famous source for Turandot was a music box owned by Baron Edoardo Fassini-Camossi, from which Puccini took the themes that mark Turandot, the Emperor and Ping, Pang and Pong. Puccini stylizes his hero Calaf with music familiar to European ears as a figure of identification and as a romantic hero, exemplified by "Nessun Dorma", probably the most famous tenor aria in the history of opera.

Puccini's composition ends with the death of Liù, at which point the composer died. The new production performs the original version of the post-composed ending, which Franco Alfano produced after Puccini's death on behalf of the Ricordi publishing house.

Turandot poses three riddles. Three ministers warn of the death that awaits those who fail to solve the riddles. And three artists attempt to complete Giacomo Puccini's unfinished work in the spirit of the late composer.

In the score of the great musical narrator Puccini, the individual and society confront each other in a highly irritating way. The implacable system that Turandot has erected around herself bears traits of ceremony and grotesquerie, of total organization and controlled mass hysteria: a world that spans between the impenetrable, deadly attraction of Turandot and seemingly incessant rituals of application, warning, trial and murder. Shadows and priests populate it. Garishly overdrawn ministers speak their warnings in a tone that also oscillates musically between provocation and mockery - you believe them at their word that they are preparing a wedding and a funeral at the same time. The basis of all this - the score as well as the state - is the crowd, which alternately screams for blood and begs for mercy for the condemned. An unpredictable, uncanny force.

Short Summary
When Calaf, the dethroned Mongolian prince who has fled to Beijing, falls in love with Princess Turandot, he puts himself in mortal danger: For only he who solves the princess's three riddles can become her bridegroom. Anyone who fails will be executed - like all previous suitors. Calaf's father Timur and Liù, whom Calaf loves without his knowledge, summon him in vain. He accepts the challenge.

 

History
Premiere of this production: 25 April 1926, Teatro alla Scala, Milan

Turandot is an opera in three acts by Giacomo Puccini, completed by Franco Alfano, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 30min
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