Vienna State Opera tickets 1 November 2024 - Madama Butterfly | GoComGo.com

Madama Butterfly

Vienna State Opera, Vienna, Austria
All photos (18)
Select date

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 45min
Cast
Performers
Soprano: Marina Rebeka (Cio-Cio-san (Madama Butterfly))
Mezzo-Soprano: Daria Sushkova (Suzuki)
Conductor: Giampaolo Bisanti
Tenor: Joshua Guerrero (B.F. Pinkerton)
Baritone: Stefan Astakhov (Sharpless)
Creators
Composer: Giacomo Puccini
Director: Anthony Minghella
Librettist: Giuseppe Giacosa
Author: John Luther Long
Librettist: Luigi Illica
Overview

The poetic production by the Hollywood director Anthony Minghella, who died in 2008, worked with Japanese stylistic elements and was co-produced by the Metropolitan Opera New York, the English National Opera and the Lithuanian National Theater for Opera and Ballet.

Carolyn Choa took over the elaborate new production for the premiere at the Vienna State Opera on September 7, 2020. Choa, who was married to Anthony Minghella, has created choreographies for numerous opera productions and also staged them herself; she received an Olivier Award together with the director for the choreography in Minghella's production of Madama Butterfly.

To musically portray Japan in conflict with its opening and westernization forced by the American navy in 1853, Puccini alienated his musical language by enriching it with material from original or mediated Far Eastern sources: In addition to borrowing from transcriptions of Japanese music by Bruckner's pupil Rudolf Dittrich, he used melodies from a music box made in Switzerland for export to China, employed percussion augmented by Japanese instruments and also drew inspiration from a Kabuki theater performance. The exoticism in Puccini's Butterfly score is more than just folkloristic decoration. It stages a critique of colonialism that makes the work fruitful for post-colonial questions and readings.

When taking a critical look at exoticist tendencies in Madama Butterfly, one should not forget that Lieutenant Pinkerton also belonged to a foreign culture for Puccini and his initially Italian audience. Just as the Japanese official is introduced with the Japanese anthem, "The Star-Spangled Banner", today the American national anthem and already the official anthem of the US Navy at the time the opera was written, is played at the mention of the United States, naturally orchestrated in the manner of a brass band. Puccini was particularly interested in depicting the two foreign worlds of Japan and America, which is one of the reasons why an act set in the American embassy was planned. During the work, Puccini wrote to Ricordi that he was trying "to make Mr. F. B. [sic] Pinkerton sing as American as possible" (Ann-Christine Mecke).

Short Summary
For the naval lieutenant Benjamin Franklin Pinkerton, his marriage to Cio-Cio-San, known as Butterfly, is a non-committal convenience during his stay in Nagasaki. Cio-Cio-San, on the other hand, takes the marriage very seriously. She converts to the Christian faith and accepts the break with her family. Pinkerton returns to the USA. When he returns three years later, he is accompanied by his new wife. They come to take the child that Cio-Cio-San gave birth to after Pinkerton's departure. She prepares the child for departure and takes her own life.

History
Premiere of this production: 17 February 1904, La Scala, Milan

Madama Butterfly is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti. Long's version was dramatized by David Belasco as the one-act play Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 45min
Top of page