Metropolitan Opera tickets 30 October 2024 - Ainadamar | GoComGo.com

Ainadamar

Metropolitan Opera, Metropolitan Opera, New York, USA
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7 PM
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US$ 99

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: New York, USA
Starts at: 19:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Mezzo-Soprano: Daniela Mack (Federico García Lorca)
Soprano: Elena Villalón (Nuria)
Soprano: Gabriella Reyes (Margarita Xirgu)
Conductor: Miguel Harth-Bedoya
Creators
Composer: Osvaldo Golijov
Librettist: David Henry Hwang
Director: Deborah Colker
Overview

Argentinian composer Osvaldo Golijov’s Grammy Award–winning first opera dramatizes the life and work of poet-playwright Federico García Lorca, who was assassinated by Fascist forces at the start of the Spanish Civil War for his socialist politics and homosexuality.

His story emerges through the memories of Catalan actress Margarita Xirgu, Lorca’s muse—sopranos Angel Blue and Gabriella Reyes—who reminisces to her student Nuria, portrayed by soprano Elena Villalón. Lorca himself makes a dreamlike appearance, sung as a trouser role by mezzo-soprano Daniela Mack, and flamenco singer Alfredo Tejada completes the principal cast as the Falangist politician Ramón Ruiz Alonso, who arranged Lorca’s execution. Combining features of both an opera and a passion, Ainadamar, conducted by Miguel Harth-Bedoya in his Met debut, crackles with the energy and rhythms of flamenco and rumba, as well as the violent backdrop of civil war, all of which springs forth on the Met stage in a vivid company-debut production by Brazilian director and choreographer Deborah Colker, renowned for her work with Cirque du Soleil.

Production a gift of the Walter and Leonore Annenberg Endowment Fund, and the Edgar Foster Daniels Foundation, in memory of Richard Gaddes

Ainadamar is part of the Neubauer Family Foundation New Works Initiative

A co-production of the Metropolitan Opera, Opera Ventures, Scottish Opera, Detroit Opera, and Welsh National Opera

History
Premiere of this production: 10 August 2003, Tanglewood

Ainadamar or An Opera in Three Images (Arabic for 'Fountain of Tears') is the first opera by Argentinian composer Osvaldo Golijov. The libretto was written by American playwright David Henry Hwang and translated from English into Spanish by the composer. It premiered in Tanglewood on 10 August 2003 and, after major revisions, the new version was given its premiere at the Santa Fe Opera on 30 July 2005.

Synopsis

Xirgu prepares to go onstage at the Solís Theatre in Montevideo. She has spent her career portraying Mariana Pineda in Lorca's play of the same name. Xirgu fled to Uruguay in the unrest before the Spanish Civil War. Lorca refused to leave and was assassinated by the Falange in 1936. Like his muse Pineda, Lorca died young. Xirgu has been playing Pineda on stage for almost forty years.

Xirgu tells her student Nuria of her friendship with Lorca. The poet emerges from the past to sing of the pure love Pineda represented to him even as a child, when he would see her statue in Granada. Xirgu blames herself for Lorca's fate, since she could not convince the young man to abandon Spain. In Xirgu's memories, she dreams of freedom in Cuba, but Lorca insists that he must witness suffering and memorialize the dead. Falangist officer Ruiz Alonso arrests Lorca, accusing him of conspiracy. Lorca to the Fountain of Tears alongside a teacher and a bullfighter. After the Falangist guard José Tripaldi takes their confessions, the three prisoners are shot.

In the present, an exhausted Xirgu insists she must tell Pineda's story one more time. A vision of Lorca interrupts her. He thanks her for immortalising his spirit on stage and in the hearts of her students as she dies.

Venue Info

Metropolitan Opera - New York
Location   30 Lincoln Center

The Metropolitan Opera is an opera company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The Metropolitan Opera is the largest classical music theatre in North America. It presents about 27 different operas each year from late September through May. As of 2018, the company's current music director is Yannick Nézet-Séguin.

The Metropolitan Opera Company was founded in 1883 as an alternative to New York's old established Academy of Music opera house. The subscribers to the Academy's limited number of private boxes represented the highest stratum in New York society. By 1880, these "old money" families were loath to admit New York's newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Opera's founding subscribers determined to build a new opera house that would outshine the old Academy in every way. A group of 22 men assembled at Delmonico's restaurant on April 28, 1880. They elected officers and established subscriptions for ownership in the new company. The new theater, built at 39th and Broadway, would include three tiers of private boxes in which the scions of New York's powerful new industrial families could display their wealth and establish their social prominence. The first Met subscribers included members of the Morgan, Roosevelt, and Vanderbilt families, all of whom had been excluded from the Academy. The new Metropolitan Opera House opened on October 22, 1883, and was an immediate success, both socially and artistically. The Academy of Music's opera season folded just three years after the Met opened.

The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.

The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs.

The Met's performing company consists of a large symphony-sized orchestra, a chorus, a children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others, such as Renée Fleming and Plácido Domingo, long maintained a close association with the Met, appearing many times each season until they retired.

Important Info
Type: Opera
City: New York, USA
Starts at: 19:00
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