Metropolitan Opera tickets 23 May 2025 - The Queen of Spades | GoComGo.com

The Queen of Spades

Metropolitan Opera, New York, USA
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Important Info
Type: Opera
City: New York, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 3h 35min
Sung in: Russian
Titles in: English,German,Spanish
Cast
Performers
Soprano: Sonya Yoncheva (Liza)
Baritone: Alexey Markov (Count Tomsky)
Tenor: Brian Jagde (Herman)
Baritone: Igor Golovatenko (Prince Yeletsky)
Conductor: Keri-Lynn Wilson
Mezzo-Soprano: Maria Barakova (Polina)
Mezzo-Soprano: Violeta Urmana (Countess)
Creators
Composer: Pyotr Tchaikovsky
Choreographer: John Meehan
Poet: Alexander Pushkin
Producer: Elijah Moshinsky
Sets & costumes designer: Mark Thompson
Librettist: Modest Ilyich Tchaikovsky
Lighting Designer: Paul Pyant
Overview

Tchaikovsky’s macabre thriller, set against the backdrop of Tsarist Russia, is back in the Met’s atmospheric staging.

Soprano Sonya Yoncheva makes her highly anticipated role debut as Lisa, the young woman who embarks on a deadly love affair with the gambling-obsessed officer Hermann, sung by tenor Brian Jagde, also in his role debut. Baritone Igor Golovatenko reprises his moving portrayal of Lisa’s fiancé, Prince Yeletsky, alongside mezzo-soprano Violeta Urmana as the spectral Countess and baritone Alexey Markov as Count Tomsky. Keri-Lynn Wilson conducts the sweeping score.

World Premiere: Mariinsky Theater, St. Petersburg, 1890. A work of extreme moods and colors, The Queen of Spades explores life’s frivolities as well as the darkest impulses of obsession, addiction, madness, and self-destruction. The gripping plot is set against the vast elegance and macabre allure of St. Petersburg, which functions almost as a character itself. Tchaikovsky’s lyric mastery is equally apparent throughout the whole of this remarkable score, which moves deftly from the most elegant to the most harrowing situations.

Pyotr Ilyich Tchaikovsky (1840–93) enjoyed tremendous fame during his lifetime as a composer of symphonic music and ballets. Today, his operas also enjoy growing popularity. The composer’s brother Modest (1850–1916) adapted the libretto for The Queen of Spades, with many passages created by Tchaikovsky himself, from a short story by esteemed Russian writer Alexander Pushkin (1799–1837).

The story unfolds in the czarist capital of Russia, St. Petersburg, during the later years of the Empress Catherine the Great, who reigned from 1762 to1796. In The Queen of Spades, the beautiful city of rivers and canals is both a mystical place where elements of fantasy can burst forth at any moment and a very real, modern city that provides an opportunity to satirize contemporary society.

Tchaikovsky’s skills as a great symphonist and undisputed master of the ballet are apparent in the many superb orchestral touches throughout this opera’s score. The opera’s great vocal solos, most of them considered concert standards in Russia, are excellent surprises for American audiences, and notable for their diversity. Ensembles punctuate the work at key moments of interaction—most notably in the first scene’s quintet, in which each of the drama’s lead characters expresses fear of another character.

History
Premiere of this production: 29 March 1890, Mariinsky Theatre, St. Petersburg

The Queen of Spades is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 in St. Petersburg (at the Mariinsky Theatre), Russia.

Venue Info

Metropolitan Opera - New York
Location   30 Lincoln Center

The Metropolitan Opera is an opera company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The Metropolitan Opera is the largest classical music theatre in North America. It presents about 27 different operas each year from late September through May. As of 2018, the company's current music director is Yannick Nézet-Séguin.

The Metropolitan Opera Company was founded in 1883 as an alternative to New York's old established Academy of Music opera house. The subscribers to the Academy's limited number of private boxes represented the highest stratum in New York society. By 1880, these "old money" families were loath to admit New York's newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Opera's founding subscribers determined to build a new opera house that would outshine the old Academy in every way. A group of 22 men assembled at Delmonico's restaurant on April 28, 1880. They elected officers and established subscriptions for ownership in the new company. The new theater, built at 39th and Broadway, would include three tiers of private boxes in which the scions of New York's powerful new industrial families could display their wealth and establish their social prominence. The first Met subscribers included members of the Morgan, Roosevelt, and Vanderbilt families, all of whom had been excluded from the Academy. The new Metropolitan Opera House opened on October 22, 1883, and was an immediate success, both socially and artistically. The Academy of Music's opera season folded just three years after the Met opened.

The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.

The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs.

The Met's performing company consists of a large symphony-sized orchestra, a chorus, a children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others, such as Renée Fleming and Plácido Domingo, long maintained a close association with the Met, appearing many times each season until they retired.

Important Info
Type: Opera
City: New York, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 3h 35min
Sung in: Russian
Titles in: English,German,Spanish
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