Lithuanian National Opera and Ballet Theatre 22 April 2021 - La traviata | GoComGo.com

La traviata

Lithuanian National Opera and Ballet Theatre, Main Stage, Vilnius, Lithuania
All photos (7)
Select date and time
Thursday 22 April 2021
6:30 PM
Important Info
Type: Opera
City: Vilnius, Lithuania
Starts at: 18:30
Acts: 3
Duration: 3h 10min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

G. Verdi’s La Traviata is one of the most popular and most produced operas in the world.

This work also marked the beginning of Lithuanian opera, which celebrates its centenary on the 31 December 2020. In the repertoire of LNOBT, since the establishment of the theater, it has not been performed for only a couple of years, so we often call it “national Lithuanian opera”. Throughout the 20th century and until 2002 we greeted the New Year by raising champagne glasses together with Violetta and Alfredo. For a while, this tradition was gone, but on 31 December 2020, while celebrating the 100th anniversary of Lithuanian opera, we shall once again spend New Year’s Eve with the sound of La Traviata. This will be the ninth production of this opera at the LNOBT.

The director of the new production Fabio Ceresa says: “First of all, in the production I am looking for the effect of surprise, which we experience when we see beautiful scenes, well-groomed costumes. It is of course important to focus on the ideas of dramaturgy and the essence of the performance, but the aesthetic beauty only enhances the value of art, the eye-catching image conveys the true magic of opera. The costumes of my production are infused with luxury, history, fantasy – it contributes to the creation of that magic. The same is true of the scenography: it is rich, luxurious, evoking sense of aesthetic satisfaction. This is very important to me indeed. It is an integral part of the opera, which I believe is important to preserve and convey.“

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Lithuanian National Opera and Ballet Theatre - Vilnius
Location   A. Vienuolio st. 1

Lithuanian National Opera and Ballet Theatre (LNOBT) is an opera house and ballet theatre in Vilnius. It is the largest theatre of the country, committed to organising the creation and production of scenic works for musical theatre and assuring their public performance on the highest artistic level.

LNOBT aims to nurture, initiate and cultivate traditions of national musical theatre, develop traditions of contemporary musical theatre and present them to the wide community, seek the artistic embodiment of values treasured in the world's musical culture. Also, to capacitate young talented and recognised artists and performers, both from Lithuania and abroad, to participate in the theatre's activities. The theatre shapes the image of country's artistic culture by presenting the accomplishments of national musical culture abroad, as well as cultivating, instigating and satisfying the need for professional scenic art in the wide society.

Lithuanian national opera and ballet theatre is currently led by general manager Jonas Sakalauskas, artistic director of opera Sesto Quatrini and artistic director of ballet Martynas Rimeikis. The chief conductor of LNOBT’s symphony orchestra is Ričardas Šumila.

Recent decades brought a particular boost in the Company’s activity and new developments in the repertoire. At the present, the LNOBT is a modern, forward-thinking institution that strives to present its audiences with best versions of both opera and ballet productions. The repertoire of the theatre consists of classical and modern pieces produced by some of today’s best directors. Latest highlights include “Madama Butterfly” (dir. Anthony Minghella), “Turandot” (dir. Robert Wilson), “The Bluebeard’s Castle” (dir. Csaba Káel), “Ernani” (dir. Jean-Claude Berutti), “Idomeneo” (dir. Graham Vick), “Don Carlo” (dir. Gunter Kramer), “La boheme” (dir. Cristina Muti), “Piaf” (chor. Mauro Bigonzetti), “Le Corsaire” (chor. Manuel Legris), “Der Prozess” (chor. Martynas Rimeikis), etc. The LNOBT collaborates in co-productions with some of the world’s leading theatres, such as the Metropolitan Opera New York, San Francisco a, Teatro Real in Madrid, Houston Grand Opera, English National Opera, Israeli Opera and other prominent institutions.

The LNOBT has also set up a tradition of Summer Season performances in the courtyard of Trakai Castle. Ever since the Company first welcomed its audiences in Trakai in 2001, these open-air events proved immensely popular with local viewers and visitors alike.

The Lithuanian Opera and Ballet Theatre often provides a venue for official state events, various festivals and festivities, celebrations and concerts. It is the biggest theatre and one of the most important cultural centres in Lithuania.

Important Info
Type: Opera
City: Vilnius, Lithuania
Starts at: 18:30
Acts: 3
Duration: 3h 10min
Top of page