Lithuanian National Opera and Ballet Theatre 2 April 2021 - Manon | GoComGo.com

Manon

Lithuanian National Opera and Ballet Theatre, Main Stage, Vilnius, Lithuania
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Friday 2 April 2021
6:30 PM
Important Info
Type: Opera
City: Vilnius, Lithuania
Starts at: 18:30
Acts: 5
Duration:
Sung in: French

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Overview

Along with Gounod’s Faust and Bizet’s Carmen, Jules Massenet’s Manon is one of the most famous and beloved French operas in the repertoires of opera theatres. 

At the LNOBT the premiere of Manon was presented on 18 September, 2015. The production immediately attracted everyone’s attention and was greeted with very positive reviews from both the audience and the critics. According to the theatre’s general manager Gintautas Kėvišas, the main criterion for choosing creative team for Manon was its relation to the French operatic tradition. Thus, on the stage one can see the authentic chatter from the streets of Paris and the spellbinding charm of La Belle Époque.  

What makes this opera so attractive, even after 130 years have passed since its premiere at the Opéra Comique theatre in Paris on 19 January, 1884? The storyline of Manon itself contains a great amount of historical, psychological and social meanings that reach out to the consciousness of a contemporary human being, appealing to everyone’s personal feelings. And still, the central element of this opera is one woman’s drama, the “score” of her ambivalent experiences that never seems to change even as the ages pass. Massenet, the talented creator of melodies and lyricism, was also a profound psychologist who was capable of expressing a wide palette of emotions with which he painted impressive portraits of women. His sensitively nuanced music, filled with honest intimacy, still stirs the hearts of audiences around the world.

Massenet manages to create an effective sound with a relatively modest amount of instruments. In his operas French text is masterfully combined with supple melodies, and the music itself is kind to the voices of opera soloists. It is gentle, peaceful, refined and subtle, overflowing with emotions and orchestral virtuosity, which combines scintillating velocity with transparency and an undeniable theatrical instinct. All operas by Massenet also serve as the most beautiful and intelligent examples of the culturally rich historical time La Belle Époque. The most popular of such operas, Manon, was unbelievably successful – its premieres followed one after another in the most important theatres of Europe and America. The opera was presented in Liverpool and New York (1885), London’s Royal Opera House (1891), Metropolitan Opera (1895; the theatre welcomed more than 300 different stagings of Manon!), San Francisco Opera Theatre (1924). Today, there exist thousands of performances and productions of Manon. Up to our days the number of productions of Manon are counted by thousands: until 1919 Opéra-Comique performed the opera 1000 times, by 1952 – 2000 times. In Lithuania Manon was presented in 1939 in Kaunas, and later, in 1964, it was welcomed in the city of Vilnius. According to Operabase, in 2012-2013 Massenet was the 20th most popular opera composer in the world, and the 4th creator among his French colleagues, following G. Bizet, J. Offenbach and Ch. Gounod.

History
Premiere of this production: 19 January 1884, Opéra-Comique, Paris

Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost.

Synopsis

Act 1

The courtyard of an inn at Amiens

De Brétigny, a nobleman, has just arrived, in the company of Guillot, an aging rake who is the Minister of Finance, along with three flirtatious young actresses. While the innkeeper is serving dinner to the party, the townspeople collect to witness the arrival of the coach from Arras. Among them is Lescaut, a guardsman, who tells his comrades that he plans to meet a kinswoman. The coach appears, and among the crowd Lescaut quickly identifies his fragile young cousin, Manon, who appears to be somewhat confused ("Je suis encore tout étourdie") since this is her first journey, one which is taking her to the convent.

Manon is accosted by the opportunistic Guillot, who tells her that he has a carriage waiting, in which they can leave together. His heavy-handed seduction is undermined by the return of Lescaut, who then lectures the young woman ("Regardez-moi bien dans les yeux") on proper behavior. He leaves her unattended once more and she admires the three fashionably-dressed actresses, but reproaches herself ("Voyons, Manon"), unconvincingly vowing to rid herself of all worldly visions.

Des Grieux, traveling home to see his father, catches sight of Manon, and instantly falls in love. When he approaches, she is charmed by his chivalrous address ("Et je sais votre nom"), and their exchange rapidly becomes a mutual avowal of love. Both their planned journeys, hers to the convent and des Grieux's to his home, are swiftly abandoned, as they decide to flee together ("Nous vivrons à Paris"). But there are hints of incompatible aspirations: while he returns, over and again, to "tous les deux" (together), the phrase she fondly repeats is, "à Paris". Making good use of the carriage provided by the disappointed Guillot, the lovers escape.

Act 2

Manon and des Grieux's apartment in Paris

With little hope, des Grieux writes to his father, imploring permission to marry Manon. Lescaut enters intent on creating a scene and accompanied by de Brétigny, who is masquerading as a fellow-guardsman. But his concern for offended family honor is only camouflage for his alliance with his friend. Trying to prove his honorable intentions, des Grieux shows Lescaut the letter to his father. Meanwhile, de Brétigny warns Manon that des Grieux is going to be abducted that evening, on the orders of his father, and offers her his protection and wealth, trying to persuade her to move on to a better future.

After the two visitors depart, Manon appears to vacillate between accepting de Brétigny's offer and warning des Grieux. When her lover goes out to post his letter, her farewell to the humble domesticity she has shared ("Adieu, notre petite table") makes clear she has decided to go with de Brétigny. Unaware of her change of heart, des Grieux returns and conveys his more modest vision of their future happiness ("En fermant les yeux", the "Dream Song"). Going outside to investigate an apparent disturbance, he is seized and hustled away, leaving Manon to voice her regrets.

Act 3

Scene 1: Paris, the promenade of the Cours-la-Reine on a feast-day

Among the throng of holiday-makers and vendors of all kinds are Lescaut and Guillot, the latter still flirting with the young actresses, while Lescaut expresses the joys of gambling ("À quoi bon l'économie ?"). De Brétigny arrives, soon joined by Manon, now sumptuously dressed and with a retinue of admirers. She sings about her new situation ("Je marche sur tous les chemins"), following it with a gavotte ("Obéissons quand leur voix appelle") on the joys of love and youth.

Des Grieux's father, the Comte, greets de Brétigny and Manon overhears that her former lover is Chevalier no longer, but Abbé, having entered the seminary of Saint-Sulpice. Approaching the Comte, Manon tries to discover whether his son still loves her. Guillot then attempts to win Manon over by bringing the ballet dancers of the Académie Royale de Musique, which she had expressed a desire to see. However Manon is seized by the desire to see des Grieux once more, and admits, to Guillot's annoyance when asked, that she paid no attention to the dancers. She hurries off to Saint-Sulpice.

Scene 2: Saint-Sulpice

From the chapel, the congregation is leaving, enthusiastic over the sermon of the new abbé ("Quelle éloquence !"). Des Grieux enters, in clerical garb, and his father adds his voice to the chorus of praise, but tries to dissuade his son from this new life, so that he can perpetuate the family name ("Epouse quelque brave fille").

He leaves, having failed to shake his son's resolve and, alone, des Grieux relives memories of Manon ("Ah ! Fuyez, douce image"). As he prays, Manon herself appears, to implore his forgiveness for her faithlessness. Furiously, he attempts to reject her, but when (in "N'est-ce plus ma main ?") she recalls their past intimacies, his resistance is overcome, and their voices join in an impassioned avowal of love.

Act 4

A gaming salon at the Hôtel de Transylvanie

Lescaut and Guillot are among the gamblers, and the three young actresses are prepared to attach themselves to any winner. Manon arrives with des Grieux who declares his total love: ("Manon ! Manon ! Sphinx étonnant"). He is persuaded to gamble, in hopes of gaining the wealth she craves. He plays at cards with Guillot and continually wins, as Guillot doubles and redoubles the wager. As Manon exults, Guillot accuses des Grieux of cheating. Des Grieux denies the charge and Guillot leaves, returning shortly with the police, to whom he denounces des Grieux as a cheat and Manon as dissolute.

The elder des Grieux enters, and tells his son that, while he will intercede on his behalf, he will do nothing to save Manon. In a big ensemble, with Guillot exulting over his revenge, Manon lamenting the end of all joy, des Grieux swearing to defend her, and the rest expressing consternation and horror, the arrested pair are led away.

Act 5

A desolate spot near the road to Le Havre

Convicted as a woman of ill-fame, Manon has been condemned to be deported. Des Grieux, freed by his father's intervention, and a penitent Lescaut, now his ally, wait to waylay the convoy in which Manon is being marched to the port. A detachment of soldiers arrives with their prisoners. The would-be rescuers recognize the hopelessness of attacking so strong an escort, but Lescaut succeeds in bribing their sergeant to allow Manon to stay behind till evening. The convoy moves on, and a sick and exhausted Manon falls to the ground at des Grieux's feet.

In his arms, near delirium, she relives their former happiness. Des Grieux tells her the past can exist again but Manon, now calm, knows that it is too late. With the words "Et c'est là l'histoire de Manon Lescaut" she dies.

Venue Info

Lithuanian National Opera and Ballet Theatre - Vilnius
Location   A. Vienuolio st. 1

Lithuanian National Opera and Ballet Theatre (LNOBT) is an opera house and ballet theatre in Vilnius. It is the largest theatre of the country, committed to organising the creation and production of scenic works for musical theatre and assuring their public performance on the highest artistic level.

LNOBT aims to nurture, initiate and cultivate traditions of national musical theatre, develop traditions of contemporary musical theatre and present them to the wide community, seek the artistic embodiment of values treasured in the world's musical culture. Also, to capacitate young talented and recognised artists and performers, both from Lithuania and abroad, to participate in the theatre's activities. The theatre shapes the image of country's artistic culture by presenting the accomplishments of national musical culture abroad, as well as cultivating, instigating and satisfying the need for professional scenic art in the wide society.

Lithuanian national opera and ballet theatre is currently led by general manager Jonas Sakalauskas, artistic director of opera Sesto Quatrini and artistic director of ballet Martynas Rimeikis. The chief conductor of LNOBT’s symphony orchestra is Ričardas Šumila.

Recent decades brought a particular boost in the Company’s activity and new developments in the repertoire. At the present, the LNOBT is a modern, forward-thinking institution that strives to present its audiences with best versions of both opera and ballet productions. The repertoire of the theatre consists of classical and modern pieces produced by some of today’s best directors. Latest highlights include “Madama Butterfly” (dir. Anthony Minghella), “Turandot” (dir. Robert Wilson), “The Bluebeard’s Castle” (dir. Csaba Káel), “Ernani” (dir. Jean-Claude Berutti), “Idomeneo” (dir. Graham Vick), “Don Carlo” (dir. Gunter Kramer), “La boheme” (dir. Cristina Muti), “Piaf” (chor. Mauro Bigonzetti), “Le Corsaire” (chor. Manuel Legris), “Der Prozess” (chor. Martynas Rimeikis), etc. The LNOBT collaborates in co-productions with some of the world’s leading theatres, such as the Metropolitan Opera New York, San Francisco a, Teatro Real in Madrid, Houston Grand Opera, English National Opera, Israeli Opera and other prominent institutions.

The LNOBT has also set up a tradition of Summer Season performances in the courtyard of Trakai Castle. Ever since the Company first welcomed its audiences in Trakai in 2001, these open-air events proved immensely popular with local viewers and visitors alike.

The Lithuanian Opera and Ballet Theatre often provides a venue for official state events, various festivals and festivities, celebrations and concerts. It is the biggest theatre and one of the most important cultural centres in Lithuania.

Important Info
Type: Opera
City: Vilnius, Lithuania
Starts at: 18:30
Acts: 5
Duration:
Sung in: French
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