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About
Gail Skrela grew up in Toronto, Canada, and studied at the National Ballet School. She was a permanent member of the National Ballet of Canada, the Ballet British Columbia, the Toronto Dance Theater and the National Theatre of Mannheim. Gail Skrela also appeared at the Frankfurt ballet. Since 2005 she has been a freelance dancer and choreographer. With Constanza Macras / DorkyPark she created "Brickland", " Sure, shall we talk about it?"I'm not the only one – Part 2 "and with Thomas Ostermeier at the Schaubühne am Lehniner Platz" Ein Sommernachtstraum", Martin Crimp's" Die Stadt "and Mark Ravenhill's"der Schnitt". As a choreographer, she worked with opera directors David Hermann on the productions "Combattimenti" at the Frankfurt Opera and "Eugen Onegin" at the Luzerner Theater and with Pierre Audi Hans Werner Henze's " Gisela!"at the Ruhrtriennale," Parsifal "at De Nationale Opera in Amsterdam and Rob Zuidam's" Troparion " at the Holland Festival. For the Salzburg festival in 2015, she worked as a choreographer for the production "Dido and Aeneas" of the Balthasar Neumann ensemble, under the direction and musical direction of Thomas hengelbrock. At the Staatsoper Unter den Linden, she has already worked on the productions of Gluck's "Orfeo ed Euridice", Puccini's "Manon Lescaut", Schumann's " directed by Jürgen Flimm for the moment say: stay! Scenes from Goethe's Faust "and beyond with Purcell's "King Arthur", directed by Sven-Eric Bechtolf, as a choreographer.