About
Named "Revelation of the Adami 2019" and recently graduated from the Conservatoire national Supérieur de Musique et Danse de Paris where he studied in the singing class of Élène Golgvit, young baritone Edwin Fardini was quickly offered engagements as a soloist with orchestras and prestigious institutions.
This is reflected in his great debut in the 2019/2020 season at prestigious Teatro alla Scala di Milano (role of Paris in Gounod's Roméo et Juliette) and Glyndebourne Festival (Second Commissioner in Poulenc's Dialogues des Carmélites and Second Prisoner in Beethoven's Fidelio), but also Brahms' Requiem conducted by Raphaël Pichon, Kurt Weil's Les Sept péchés capitaux at Théâtre du Châtelet, or his recent appearances in Schumann's Manfred with the Orchestre de Paris conducted by Daniel Harding and Brahms' Requiem with the Webern Symphony Orchestra and the Orchestre du Conservatoire de Paris conducted by Patrick Davin.
In 2016, he was a laureate of the Royaumont Abbey Foundation as well as the Daniel and Nina Carasso Foundation, which he and his artistic team supported through artistic explorations around Gustav Mahler.
At the 2017 edition of the Academy of the Aix-en-Provence International Festival of Opera, he participated in the Pinocchio Residence and worked as a cover for the World Premiere of the latest opera by composer Philippe Boesmans and playwright Joël Pommerat.
In April 2018, he founded L'Archipel with Mariamielle Lamagat (soprano), Adèle Charvet (mezzo-soprano) and Mathys Lagier (tenor), an ensemble with variable geometry, which has been, since september 2018, "resident artists" at the Singer-Polignac Foundation.
During masterclasses, he had the opportunity to enrich his training with artists such as Thomas Quasthoff, Bernarda Fink and Regina Werner. He is particularly fond of the repertoire of melody, song and oratorio, which he creates with pianists Anne Le Bozec and Susan Manoff, as well as with baritone Stephan Genz and mezzo-soprano Janina Baechle.
In recital, he has been heard with Anne le Bozec, Tanguy de Williencourt and Clément Mao-Takacs and the Secession Orchestra at the Grand Salon du Musée de l'Armée in Paris, the Théâtre de l'Athénée, the Festival "Les Athénéennes" de Genève in very different programmes, the Festival de Royaumont in a Berg/Mahler program alongside Tanguy de Wiiliencourt.