The world premiere of Les Sylphides as part of the first Paris season of Serge Diaghilev’s Ballets Russes in 1909 caused a great stir, with Tamara Karsavina, Anna Pavlova, Alexandra Baldina and Vaslav Nijinsky as the soloists. Its choreographer, Michel Fokine, had created the world’s first “ballet blanc” – a ballet without a clear narrative – to a score of music by Frédéric Chopin. In a highly poetic atmosphere, as if sleepwalking, he revealed images of a young man who meets the wondrous sylphides in a mystic wood. In the extended version of the work that had been performed in St. Petersburg in 1907 as Chopiniana, Fokine succeeded in discovering the foundation stone for contemporary dance in the fairytale magic of Romantic ballet.

Company member Adi Hanan introduced herself with such an impressive ballet in the Plattform Choreographie 2022/23 that Martin Schläpfer decided to commission the Israeli artist to produce another world premiere for the Vienna State Ballet. In Eden, the young choreographer tackles one of the most famous stories in the Bible – Adam and Eve in the garden of Eden – and confronts wild, animalistic visions of paradise with an inquiry into the loss of innocence and human beings’ awareness of our own bodies.

Uwe Scholz is one of the most significant German choreographers and in his relatively brief working life – cut short by his early death at the age of 45 – he created a wide-ranging body of work. The ballets of this empathetic visionary have one thing in common: Scholz’s reverence for music. Dance and composition interact closely and in their shared rhythm they create unique ballet worlds. Jeunehomme, choreographed in 1986 for Les Ballets de Monte-Carlo, is still considered one of the choreographer’s most important creations. In timeless classical dance to Mozart’s Piano Concerto No. 9 in E-flat major KV 271, the ballet presents images of surrender and doubt, intimacy and distance and combines powerful drama with a lightness of touch. Here it will be seen again for the first time since its world premiere with the stage and costume designs by Karl Lagerfeld, which beautifully capture the spirit of Mozart’s time from the perspective of the contemporary couturier

Chopiniana, staged by Fokine, had a different musical composition. Also, Chopiniana was originally a compilation of dramatic or character dances set to Chopin's piano music. The Glazunov suite upon which this original version was based had only four Chopin pieces; Fokine wanted to use a waltz as an addition to the suite and was able to get Glazunov to orchestrate this to create his ballet, also called Chopiniana.