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Odessa National Academic Theatre of Opera and Ballet (Odessa, Ukraine)

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Odessa National Academic Theatre of Opera and Ballet

Odessa National Academic Theatre of Opera and Ballet

The Odessa National Academic Theatre of Opera and Ballet is the oldest theatre in Odessa, Ukraine. The Theatre and the Potemkin Stairs are the most famous edifices in Odessa. The first opera house was opened in 1810 and destroyed by fire in 1873. The modern building was constructed by Fellner & Helmer in neo-baroque (Vienna Baroque) style and opened in 1887. 

History

The Saint Petersburg architect Thomas de Thomon designed the first opera theatre, it opened on 10 February 1810. This last theatre is in almost exactly the same spot as the first theatre 200 years ago. The main entrance with its colonnade faced the sea. There was no foyer.

In 1831, Michael Vorontsov, governor-general of the Russian empire, Novorossia Kray (currently part of Ukraine) decided to assign the old instituted quarantine fees to the Odessa Theatre. Historian Charles King explains that one of the medical inspectors in Odessa was also the owner of the Odessa Theatre. When ticket sales were low, he would announce the discovery of infection among newly arrived passengers and ordered them to be quarantined at their own cost. The expenses of the lazaretto, where the passengers that stayed would be used to hire a major performer for the theatre.

On the night of 2 January 1873, the building was gutted by fire.

A fundraising campaign began immediately. The city announced an international contest for the best theatre design. Forty designs were submitted, but none was chosen. Finally, the project was drafted along the lines of Dresden Semperoper built in 1878, with its nontraditional foyer following the curvatures of the auditorium.

Two Viennese architects, Ferdinand Fellner and Hermann Helmer began to construct the larger replacement in 1883. The foundation stone was laid on 16 September 1884. On 1 October 1887, the theatre was completed, costing 1,300,000 rubles to build. It was named the Odessa City Theatre.

The theatre was the first building in Odessa to employ the Edison Company with electric illumination.

To keep theatre patrons comfortable in the summers, workers would lower wagon loads of ice and straw down a 35-foot shaft, then would carry it through a tunnel to a basement beneath the hall, where cool air rose up from vents beneath the seats.

In 1925, the building was burnt again in a fire. The fireteam localized the burning, but the stage and orchestra pit were destroyed. During the fire of 1925, the original curtain of the theater stage burned, which was never restored.

There is a story that, when the Odessa people learned that the construction cost 1.3 million gold rubles, they gasped, but when they saw the new theatre, they gasped again, this time in admiration.

In August 1941, when the Romanian army was dangerously close to Odessa, the command of the Odessa defensive area appointed a special anti-aircraft unit, which was given the task of protecting the theater building from bombing. On the roofs of the houses adjacent to the theater, guns have been installed that shot all 73 days of the city defending. During World War II, Nikita Khrushchev, concerned about the condition of the city, visited Odessa immediately after it was liberated. Khrushchev reported that only one corner of the building had been damaged by an enemy shell.

The theatre was remodeled in the 1960s.

The theatre sits upon shifting ground and is in danger of collapse. The first cracks in the foundation appeared almost as soon as the theatre opened. The theatre's eastern half sagged almost seven inches in its first three years, and the six walls began to tilt. Gleb Dranov, a former opera singer who sang at the theatre for 25 years, and who worked five years as a geologist, is helping repair the building.

Construction

The building's façade is decorated in the Italian baroque style. In the niches are the busts of Mikhail Glinka, Nikolai Gogol, Alexandr Griboyedov and Alexander Pushkin. The large hall was modeled after the style of Louis XVI and is richly decorated with gilded stucco figures and designs. The architects provided the foyer with twenty-four exits, to avoid tragedy in the case of a fire. On the side of the theatre is a lawn with fresh flowers and shrubs.

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