Prince Regent Theatre tickets 22 July 2024 - Pelléas et Mélisande | GoComGo.com

Pelléas et Mélisande

Prince Regent Theatre, Munich, Germany
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Important Info
Type: Opera
City: Munich, Germany
Starts at: 19:00
Acts: 5
Sung in: French
Titles in: German,English
Cast
Performers
Baritone: Christian Gerhaher (Golaud)
Soprano: Sabine Devieilhe (Mélisande)
Orchestra: Bavarian State Orchestra
Tenor: Ben Bliss (Pelléas)
Chorus: Chorus of the Bavarian State Opera
Bass: Franz-Josef Selig (Arkel)
Mezzo-Soprano: Sophie Koch (Geneviève)
Creators
Composer: Claude Debussy
Director: Jetske Mijnssen
Librettist: Maurice Maeterlinck
Festival

Munich Opera Festival 2024

The tradition of the Munich Opera Festival dates back to 1875, when a "Festive Summer" was organized for the first time. This tradition will continue under the directorship of Serge Dorny. The 2024 Munich Opera Festival will showcase the new productions of the season, based on the central theme of "A Fountain That Looks to Heaven."

Overview

Pelléas et Mélisande is a tragedy of the inner self, enigmatic, morbid, deeply sad and full of beauty. Appearing for the first time at the Bayerische Staatsoper with this production, Dutch director Jetske Mijnssen directs.

Dutch director Jetske Mijnssen stages productions at opera houses right across Europe. The psychological intensity of the characters is front and centre in her work, emanating from an intensive investigation of the music. Most recently she has presented IdomeneoOrlando paladino (Joseph Haydn) and Hippolyte et Aricie (Jean-Philippe Rameau) at the Opernhaus Zürich, Eugen Onegin and Don Carlo at the Oper Graz, L’Orfeo (Claudio Monteverdi) at Det Kongelige Teater in Copenhagen, Katja Kabanowa at the Komische Oper Berlin and Maria Stuarda (Gaetano Donizetti) at De Nederlandse Opera Amsterdam. She shares a long-standing collaboration with stage and costume designer Ben Baur. La Traviata was already produced at Theater Bern in 2013 with conductor Mirga Gražinytė-Tyla. The Lithuanian native has been Musical Director of the City of Birmingham Symphony Orchestra since the 2016/2017 season. In 2022, she made her conductor’s debut at the Bayerische Staatsoper with The Cunning Little Vixen and now returns for Pelléas et Mélisande.

The opera Pelléas et Mélisande, world premiere in 1902 in Paris, is based on the eponymous play by Flemish symbolist Maurice Maeterlinck, a tragically ending fairy-tale love triangle surrounding the stepbrothers Golaud and Pelléas and the mysterious Mélisande loved by both. For him the external plot is not the core of the drama, says Maeterlinck – for him is far more about trying to, “go deeper into the human consciousness.” The model for this is Allemonde Castle, a grim, oppressive place without light. The actual plot remains vague, so in his opera Claude Debussy also plumbs psychological depths and topicalises subliminal emotional processes. His music is always “reticent”, approaching silence again and again. The composition dazzles in the most diverse colours, which subtly illuminate the characters.

Coprodution with The Dallas Opera

History
Premiere of this production: 30 April 1902, Opéra-Comique, Paris

Pelléas et Mélisande (Pelléas and Mélisande) is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play Pelléas et Mélisande. It was premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.

Venue Info

Prince Regent Theatre - Munich
Location   Prinzregentenpl. 12

The main building of the Prinzregententheater is an impressive combination of Art Nouveau and Classical architectural elements: eyes and ears are pampered, decoration and function merge into a sensual unity. From all seats in the magnificent auditorium there is an ideal view of the proscenium and the stage. The acoustics of the Prince Regent Theater are highly praised and come into their own at concerts. The amphitheatrical auditorium has 1029 seats in the stalls and six boxes, each with nine seats. The height-adjustable orchestra pit offers space for up to 95 musicians.

From 1900 to 1901, the Prince Regent Theater was built by Max Littmann based on the Bayreuth Richard Wagner Festival Hall and opened on August 21, 1901 with "Die Meistersinger von Nürnberg" by Richard Wagner. Over time, the stage was used in a variety of ways, in the summer months for the Richard Wagner Festival, from 1919 to 1944 also by the Bavarian State Theater as spoken theater. 

A great era of the house began after the Second World War, when it housed the Bavarian State Opera from 1944 to 1963. Unforgettable names such as Hans Knappertsbusch and Sir Georg Solti, Astrid Varnay, Erika Köth and Hans Hotter are inextricably linked with the Prinzregententheater. The Munich people's love of their "democratic" opera also stems from this period, as there is excellent visibility and acoustics from all seats. In 1963 the house was closed due to dilapidation. 

With the help of many private donations and above all thanks to the initiative of August Everding, it was able to be reopened in January 1988 with a partial repair designed as a "small solution" - a playing area in front of the iron curtain - and the restoration of all areas accessible to spectators. However, the stage consisted only of a makeshift small playing platform. In 1996 the stage area was renovated and a retractable orchestra pit was added. Finally, on November 10, 1996, there was a ceremonial reopening with "Tristan und Isolde".

Since 1993, the Prinzregententheater has been home to the Bavarian Theater Academy August Everding with courses in acting, musicals, opera, direction, dramaturgy, theater, film and television criticism, stage design and costumes and make-up. In addition to the Big House, the Academy's up to 50 productions per year are shown in the Academy Theater, which can accommodate a maximum of 300 visitors, and in the Academy Studio, which can accommodate a maximum of 100 visitors.

Important Info
Type: Opera
City: Munich, Germany
Starts at: 19:00
Acts: 5
Sung in: French
Titles in: German,English
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