Pérez Galdós Theater. Alfredo Kraus Auditorium 23 May 2024 - Roberto Devereux | GoComGo.com

Roberto Devereux

Pérez Galdós Theater. Alfredo Kraus Auditorium, Pérez Galdós Theater, Las Palmas, Spain
All photos (7)
Thursday 23 May 2024
8 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Las Palmas, Spain
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The story is set in England, in the year 1600. Essex (Roberto Devereux) has had a terrible performance as head of the English army in Ireland, preferring to sign a compromise with his enemy Tyrone instead of confronting him with the 16,000-man army he had brought from London.

Tragic opera, in three acts with music by Gaetano Donizetti and a libretto in Italian by Salvatore Cammarano, based on Elisabeth d'Angleterre by FranÇois Andelot. It premiered on October 29, 1837 at the Teatro San Carlo in Naples.

NEW ACO PRODUCTION

History
Premiere of this production: 28 October 1837, Teatro San Carlo, Naples

Roberto Devereux (or Roberto Devereux, ossia Il conte di Essex [Robert Devereux, or the Earl of Essex]) is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy Elisabeth d'Angleterre (1829), and based as well on the Historie secrete des amours d'Elisabeth et du comte d'Essex (1787) by Jacques Lescéne des Maisons, although Devereux was the subject of at least two other French plays: Le Comte d'Essex by Thomas Corneille and Le Comte d'Essex by Gauthier de Costes, seigneur de la Calprenède.

Synopsis

Place: London, England
Time: 1601, during the reign of Queen Elizabeth I

Robert Devereux, 2nd Earl of Essex, favorite of Queen Elisabeth, has been removed from office as Governor of Ireland because, acting on his own initiative, he has agreed to a ceasefire with the rebels. Following an attempted uprising, he is awaiting his trial for high treason in London.

Act 1
Scene 1: The Great Hall at Westminster

Sara, Duchess of Nottingham, is trying in vain to hide her tears from the eyes of the Court, as she reads the sad story of Fair Rosamond, the unfortunate lover of King Henry II of England, and therein recognizes a very similar situation to her own. She is in love with Robert Devereux, her husband's closest friend. The Ladies of the court express concern, but she replies that she is happy, while privately revealing her sadness (All'afflitto è dolce il pianto). Elizabeth enters and states that, at the insistence of Nottingham, she has agreed to see Robert once again, now that he has returned from Ireland accused of treason (Duchessa..Alle fervide preci). The Queen is willing to release him without charges if she can be sure of his continued loyalty. To Sara's gradual dismay, the Queen reveals her love for Robert (L'amor suo mi fe' beata). Cecil enters and announces that Parliament is waiting for an answer from the Queen regarding the charges against Robert, since it considers her as being too lenient towards him, but she refuses to sign the death warrant proposed by the Royal Council.

Robert enters and, in a conversation overheard by the increasingly distraught Sara, Elizabeth declares her love for him. Now alone together, Elizabeth promises Robert that the ring she once gave him will always be the pledge of his safety should he ever return it to her. The dream of bygone happy days is shattered by an inappropriate comment by Robert, who assumes that Elizabeth knows the secret of his love for Sara. The Queen, increasingly jealous, demands that Robert name the woman he loves. He denies that he loves anyone (Nascondi, frena i palpiti), and then the Queen leaves.

Nottingham, Robert's friend and supporter, enters and the two men discuss Robert's situation and Nottingham's concerns about his wife's behaviour after he has observed her embroidering a blue shawl (Forse in quel cor sensible, Qui ribelle ognum ti chiama). The two men are interrupted by Cecil demanding that Nottingham attend a meeting of the Peers of the Realm.

Scene 2: Sara's Apartments at Nottingham House

Sara is alone when Robert enters, declaring her to be faithless because she has married Nottingham while he was in Ireland. She defends herself saying that it was the Queen's idea and that she was forced to do her bidding. At the same time, seeing the ring on Robert's finger, she assumes it to be a love token from the Queen, and tells him that they must never see each other again, giving him the blue shawl as a love token. In a final duet (Dacchè tornasti, ahi misera) each declares love for the other and they accept that they must say goodbye. Robert makes plans to escape.

Act 2
The Great Hall at Westminster

The Queen approaches Cecil to find out what has been decided. Cecil declares that the sentence is death. The Queen, asking Raleigh why the whole process took so long, learns that Robert had a shawl in his possession which he resisted giving over. It is handed to her. Nottingham enters and pleads for Robert's life (Non venni mai si mesto), insisting that he is innocent, but the Queen continues to describe how she knows that Robert has been unfaithful and, when he is brought in, confronts him, showing him the scarf. Nottingham sees it as well and recognizes it. Furious, he declares that he will have vengeance; while at the same time, Elizabeth offers Robert his freedom if he reveals the name of her rival. He refuses and she signs the death warrant, announcing that a cannon shot will be heard as the axe falls. Nottingham fumes that the axe is not a suitable punishment.

Act 3
Scene 1: Sara's Apartments

Alone, Sara receives Robert's ring along with a letter from him. In it, he tells her to take the ring to Elizabeth and beg for mercy. Before she can leave, Nottingham arrives and reads the letter (Non sai che un nume vindice). Although she protests her innocence, he prevents her from leaving. They both hear the funeral march for Robert as he is led to the Tower, and Nottingham leaves to exact his revenge on Robert. She faints.

Scene 2: The Tower of London

In his cell, Robert ponders as to why it appears that his ring has not been received by the Queen. But he refuses to betray Sara (Come uno spirto angelico... Bagnato il sen di lagrime), and when Cecil arrives at the door of the cell, it is not to free Robert but to take him to his execution. He is led away.

Scene 3: The Great Hall at Westminster

Elizabeth is mournful about the pending death of her lover and wonders why Sara is not there to give her comfort (Vivi ingrato, a lei d'accanto). Cecil announces that Robert is on his way to the block, and Sara arrives disheveled. She gives Elizabeth the ring along with confessing her guilt at being the Queen's rival. In vain, the Queen tries to stop the execution, but they hear the cannon announcing Robert's death. After Nottingham has arrived, Elizabeth demands to know why he prevented the ring from being brought to her. He replies: "Blood I wanted, and blood I got!" Elizabeth is haunted by the headless corpse of Robert, and longs for her own death, announcing that James VI of Scotland (son of Mary Queen of Scots) will be king. Alone, she kisses Robert's ring.

Venue Info

Pérez Galdós Theater. Alfredo Kraus Auditorium - Las Palmas
Location   Plaza de Stagno

The Fundación Canaria Auditorio and Teatro de Las Palmas de Gran Canaria is the result of the initiative of the City Council of Las Palmas de Gran Canaria and the Cabildo de Gran Canaria, which after years of study decided to merge the Fundación Auditorio de Las Palmas de Gran Canaria and the Pérez Galdós Theater Foundation, in one, to jointly manage the Alfredo Kraus Auditorium and the Pérez Galdós Theater.

The Auditorio Alfredo Kraus (Alfredo Kraus Auditorium) is an auditorium in Spain located in Las Palmas de Gran Canaria and is one of the most unique buildings in the capital of Gran Canaria. Created by Óscar Tusquets, it was built between 1993 and 1997 with the idea of erecting a lighthouse to protect Las Canteras beach.

It was opened on 5 December 1997. The Auditorium bears the name of Alfredo Kraus in homage and gratitude to the work of the tenor from Gran Canaria. In its main hall, behind the orchestra, there is an enormous window of around 100 m2 that allows a view of the Atlantic Ocean while attending a concert.

The Alfredo Kraus Auditorium hosts the annual Las Palmas de Gran Canaria International Film Festival and the Canary Islands Music Festival, among other festivals, as well as promoting competitions, exhibitions, congresses and conventions. It is the headquarter of the Philharmonic Orchestra of Gran Canaria.

The Symphony Hall has a capacity to accommodate 1,656 people. Measuring 1,650 m2 , its hexagonal shape was designed for extraordinary acoustics.

In the Hall, apart from the enormous window that opens between the stalls and the sea, there is a spectacular organ which, with its 2,750 pipes, is one of the largest in the Canary Islands and the only secular organ on the island of Gran Canaria.

The organ was inaugurated on 21 October 1999 with a concert in the presence of Princess Irene of Greece. The recital, given by organist Wolfgang Seifen, was in aid of the Fundación Mundo en Armonía.

In November 2002 the Auditorium was extended with two new halls: San Borondón and Alegranza. Eight years later, on 3 November 2010, the range of venues was completed with the inauguration of a multi-purpose hall, also designed by Óscar Tusquets, which incorporates a mechanism for collecting the seats and thus accommodating all kinds of events.

At the Pérez Galdós Theater, past and present come together to offer a space that has been since its inception and continues to be a reference for the cultural life of Las Palmas de Gran Canaria today.

On December 6, 1890, it opened its doors as the Tirso de Molina Theater. Since then, and despite all kinds of vicissitudes - a name change, a fire and its reconstruction, a remodeling and expansion - the most important national and international artists and groups have walked on its boards.

The Pérez Galdós Theater, which currently hosts music, theater and dance shows, as well as the Opera season, has been the venue for the Gran Canaria Philharmonic Orchestra, the Canary Islands Music Festival, as well as the stage where It developed most of the cultural activity of the capital of Gran Canaria until the launch of the new facilities.

Important Info
Type: Opera
City: Las Palmas, Spain
Starts at: 20:00
Top of page