Oslo Opera House tickets 3 May 2024 - Evening of clasical ballets: Swan Lake - Act 2. Swan Lake – Black Swan pas de deux. Balcony-pas de deux from Romeo and Juliet. New Work by Samantha Lynch. Raymonda Suite | GoComGo.com

Evening of clasical ballets: Swan Lake - Act 2. Swan Lake – Black Swan pas de deux. Balcony-pas de deux from Romeo and Juliet. New Work by Samantha Lynch. Raymonda Suite

Oslo Opera House, Oslo, Norway
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Important Info
Type: Ballet
City: Oslo, Norway
Starts at: 19:00
Intervals: 2
Duration: 2h 30min
Cast
Performers
Ballet company: Norwegian National Ballet
Orchestra: Norwegian National Opera Orchestra
Conductor: Vello Pähn
Creators
Composer: Pyotr Tchaikovsky
Composer: Alexander Glazunov
Composer: Sergei Prokofiev
Choreographer: Kaloyan Boyadjiev
Choreographer: Natalia Makarova
Choreographer: Xander Parish
Librettist: Ivan Vsevolozhskiy
Author: Lidiya Pashkova
Choreography: Marius Petipa
Librettist: Marius Petipa
Overview

For first-timers and ballet lovers alike. The essence of classical ballet meets new dance with the Norwegian National Ballet on stage.

Beneath the surface of the story 
Swan Lake and Raymonda are among the greatest masterpieces in ballet history. In this full-length production, part of these classics and duets from the classical repertoire will be danced – together with a new ballet.

Makarova’s Swan Lake
Dazzling white and beautiful best describe the second act of the most classical of all classical ballets: Swan Lake, choreographed to Tchaikovsky’s brilliant music. The version to be performed was created by the legendary dancer Natalia Makarova based on Petipa’s and Ivanov's original choreography from 1895. Her reconstructions of classical ballets reflect Makarova’s unique elegance and raise the stories to a new level.

The evening also features the outstanding Black Swan pas de deux from Makarova's Swan Lake and other duets from the classical repertoire.

Ballet of today and classical duets
Samantha Lynch debuted as a choreographer with A Boléro on the Main Stage in 2020. Several leading ballet companies have since commissioned work by this National Ballet soloist. Lynch has created a completely new work for this night of dance which shows what ballet can look like today. 

Petipa’s major hit
Marius Petipa has treated us to many of the classical ballets and his Raymonda became an audience favorite after premiering in 1898. It includes roles considered to be choreographic masterpieces – which you now get to enjoy in a version with excerpts compiled by Norwegian National Ballet soloist Xander Parish.

Raymonda was one of Petipa’s final, most successful ballets to be staged during the golden years of his career. The 1890s had seen some of the biggest highlights of Petipa’s career, which first emerged with the creation of The Sleeping Beauty. This late-era saw Petipa taking a slightly different step from what he had previously produced for the Saint Petersburg Imperial Ballet. He was now creating ballets that lacked dramatic plots and character development and were, instead, presenting new ballets that represented the grand spectacle. The ballet-féerie made its impact on the Imperial Ballet following the success of The Sleeping Beauty and materialized again in other ballets such as Cinderella and Bluebeard.

History
Premiere of this production: 04 March 1877, Bolshoi Theatre, Moscow

Swan Lake is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. Swan Lake is the ballet which embodies the soul of Russian art. The combination of brilliant music and choreography creates a special kind of magic; what the great 20th century choreographer George Balanchine had in mind when he famously said, “One should call every ballet Swan Lake because then people would come.”

Premiere of this production: 19 January 1898, Imperial Mariinsky Theatre, Saint Petersburg, Russia

Raymonda  is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. First presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.

Venue Info

Oslo Opera House - Oslo
Location   Kirsten Flagstads Plass 1

The Oslo Opera House is the home of The Norwegian National Opera and Ballet, and the national opera theatre in Norway. The building is situated in the Bjørvika neighbourhood of central Oslo, at the head of the Oslofjord. It is operated by Statsbygg, the government agency which manages property for the Norwegian government. The structure contains 1,100 rooms in a total area of 38,500 m2 (414,000 sq ft). The main auditorium seats 1,364 and two other performance spaces can seat 200 and 400. The main stage is 16 m (52 ft) wide and 40 m (130 ft) deep. The angled exterior surfaces of the building are covered with marble from Carrara, Italy and white granite and make it appear to rise from the water. It is the largest cultural building constructed in Norway since Nidarosdomen was completed circa 1300.

In 1999, after a long national debate, the Norwegian legislature decided to construct a new opera house in the city. A design competition was held and, of the 350 entries received, the judges chose that of Snøhetta. Construction started in 2003 and was completed in 2007, ahead of schedule and 300 million NOK (~US$52 million) under its budget of 4.4 billion NOK (~US$760 million). The gala opening on 12 April 2008 was attended by His Majesty King Harald, Queen Margrethe II of Denmark and President Tarja Halonen of Finland and other leaders. During the first year of operation, 1.3 million people passed through the building's doors.

The Opera House won the culture award at the World Architecture Festival in Barcelona in October 2008 and the 2009 European Union Prize for Contemporary Architecture.

The roof of the building angles to ground level, creating a large plaza that invites pedestrians to walk up and enjoy the panoramic views of Oslo. While much of the building is covered in white granite and La Facciata, a white Italian carrara marble, the stage tower is clad in white aluminium, in a design by Løvaas & Wagle that evokes old weaving patterns.

The lobby is surrounded by 15 m (49 ft) tall windows with minimal framing and special glass that allows maximum views of the water. The roof is supported by thin angled columns also designed not to interfere with views.

Interior surfaces are covered in oak to bring warmth to spaces in contrast to the coolness of the white exterior. The main auditorium is a horseshoe shape and illuminated by an oval chandelier containing 5,800 handmade crystals. Seats include monitors for the electronic libretto system, allowing audiences to follow opera libretti in Norwegian and English in addition to the original language.

Several art projects were commissioned for the interior and exterior of the Opera House. The most notable is She Lies, a sculpture constructed of stainless steel and glass panels by Monica Bonvicini. It is permanently installed on a concrete platform in the fjord adjacent to Opera House and floats on the water moving in response to tides and wind to create an ever-changing face to viewers. The work was unveiled by Her Majesty Queen Sonja on 11 May 2010.

A perforated wall panel which covers roof supports in the lobby was designed by Olafur Eliasson. It features hexagonal opening and is illuminated from below and behind to create the illusion of melting ice. Other artists involved in the construction include Kristian Blystad, Jorunn Sannes and Kalle Grude, who designed the shape of the pavers on the forecourt and roof; Bodil Furu and Trine Lise Nedreaas, who created a film and video project; Marte Aas, Talleiv Taro Manum, Tom Sandberg, Gerd Tinglum and Nina Witoszek Fitzpatrick, who created the art book Site Seeing; and Linus Elmes and Ludvig Löfgren, who created the foundation stone.

The main stage curtain is the work of Pae White who designed it to look like crumpled aluminum foil. White scanned a crumpled piece of foil into a computer which translated the information to a loom that wove the curtain from wool, cotton and polyester to create a three-dimensional effect. The curtain was manufactured by the German-based theatrical equipment company Gerriets GmbH. The finished curtain measures 74 ft (23 m) wide and 36 ft (11 m) and weighs 1,100 lb (500 kg).

Important Info
Type: Ballet
City: Oslo, Norway
Starts at: 19:00
Intervals: 2
Duration: 2h 30min
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