Opera de Monte-Carlo tickets 30 October 2024 - La Rondine (Opera in concert version) | GoComGo.com

La Rondine (Opera in concert version)

Opera de Monte-Carlo, Salle Garnier, Monaco, Monaco
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8 PM
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US$ 137

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera in Concert
City: Monaco, Monaco
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Pretty Yende
Choir: Choir of the Opéra de Monte-Carlo
Soprano: Deanna Breiwick
Conductor: Giacomo Sagripanti
Tenor: Juan Francisco Gatell
Orchestra: Orchestra of Opera Carlo Felice
Baritone: Roberto de Candia
Creators
Composer: Giacomo Puccini
Chorus Master: Stefano Visconti
Overview

Opera in three acts

Magda, a kept woman and heroine of La rondine, entertains a dream of flying like a swallow from her superficial life in mundane Paris across a vast sea, towards the sun and true love. The work was commissioned as an operetta by the Vienna Carltheater but the First World War prevented a production. In the end, the world premiere took place in 1917, in Monte Carlo. The authors were Alfred Maria Willner – who had written two libretti for Franz Lehár – and Hans Reichert. This explains why much of the subject matter resembles Lehár’s stories, but also Die Fledermaus, and most evidently, La traviata. Puccini, however, never intended to write a Viennese operetta. If anything, he wanted to follow Richard Strauss, not Johann. And thus, one of the most memorable elements of his music is the perfumed, sentimental and melancholic waltz. But he also made use of fashionable American dances which were conquering Europe at the time, such as the fox-trot or one-step. These elements tie up La rondine with another famous opera that was premiered at our theatre and which we also present during the 2024/25 season: Ravel’s L’Enfant et les Sortilèges.

"It is an absolute joy and privilege for me as an artist to have the pleasure of giving voice to the remarkable compositions of Giacomo Puccini. An absolute treasure in the Italian repertoire and one of the most exciting discoveries for me has been one of his quotes where he talks about how God dictated Madama Butterly to him and allowing himself to be merely instrumental in getting it on paper. That resonated a lot with me as I truly believe that my gift is from God and I’m just His entrusted instrument to share with all souls under the sun. Very excited for my debut in La rondine as well as Mimì in the near future…an exciting beginning for my journey with Puccini.”  Pretty Yende

Venue Info

Opera de Monte-Carlo - Monaco
Location   Place du Casino

The Opéra de Monte-Carlo is an opera house, which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des Bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it During the renovation of the Salle Garnier in 2004–05, the company presented operas at the Salle des Princes in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform.

Salle Garnier

The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524, compared to about 2,000 for the Palais Garnier, and unlike the Paris theatre, which was started in 1861 and only completed in 1875, the Salle Garnier was constructed in only eight and a half months. Nevertheless, its ornate style was heavily influenced by that of the Palais Garnier, and many of the same artists worked on both theatres. Although the Monte Carlo theatre was not originally intended for opera, it was soon used frequently for that purpose and was remodeled in 1898–99 by Henri Schmit, primarily in the stage area, to make it more suitable for opera.

The hall was inaugurated on 25 January 1879 with a performance by Sarah Bernhardt dressed as a nymph. The first opera performed there was Robert Planquette's Le Chevalier Gaston on 8 February 1879, followed by three additional operas in the first season.

With the influence of the first director, Jules Cohen (who was instrumental in bringing Adelina Patti) and the fortunate combination of Raoul Gunsbourg, the new director from 1892, and Princess Alice, the opera-loving American wife of Charles III's successor, Albert I, the company was thrust onto the world's opera community stage. Gunsbourg remained for sixty years, overseeing such premiere productions as Hector Berlioz's La damnation de Faust in 1893, and the first appearances in January 1894 of the heroic Italian tenor Francesco Tamagno in Verdi's Otello, whose title role he had created for the opera's premiere in Italy. Conductor Arturo Vigna served as music director of the Monte Carlo Opera from 1895-1903.

By the early years of the twentieth century, the Salle Garnier was to see such great performers as Nellie Melba and Enrico Caruso in La bohème and Rigoletto (in 1902), and Feodor Chaliapin in the premiere of Jules Massenet's Don Quichotte (1910). This production formed part of a long association between the company and Massenet and his operas, two of which were presented there posthumously.

Other famous twentieth-century singers to appear at Monte Carlo included Titta Ruffo, Geraldine Farrar, Mary Garden, Tito Schipa, Beniamino Gigli, Claudia Muzio, Georges Thill, Lily Pons, and Mary McCormic.

Apart from Massenet, composers whose works had their first performances at Monte Carlo included: Saint-Saëns (Hélène, 1904); Mascagni (Amica, 1905); and Puccini (La rondine, 1917). Indeed, since its inauguration, the theatre has hosted 45 world premiere productions of operas. René Blum was retained to found the Ballet de l'Opéra. The "Golden Age" of the Salle Garnier has passed, since small companies with small houses are not able to mount highly expensive productions. Nonetheless, the present day company still presents a season containing five or six operas.

Gala Events in Salle Garnier

Twice in its 130-year history the Opéra was transformed into a spectacular venue to host gala-dinners. The first occasion was in 1966 for the celebration of centenary of Monte-Carlo hosted by Grace Kelly and Rainier III; the second was for the royal wedding of Prince Albert II and Princess Charlene. The Opéra was transformed for the third time on 27 July 2013 to host the Love Ball, a fundraising gala event organised by the Naked Heart Foundation.

Important Info
Type: Opera in Concert
City: Monaco, Monaco
Starts at: 20:00
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