Oper Leipzig 14 November 2020 - Sleeping Beauty | GoComGo.com

Sleeping Beauty

Oper Leipzig, Opernhaus, Leipzig, Germany
All photos (14)
Select date and time
Saturday 14 November 2020
7 PM
Request for Tickets

Leave a request to get notified when tickets become available

We'll send you an email as soon as tickets are available with a link directly to the event. You will get up to 5% advance booking discount and will be the first to book the best selection of tickets.

Save5%
Important Info
Type: Ballet
City: Leipzig, Germany
Starts at: 19:00
Duration:

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

What is dream and what is reality? In Jeroen Verbruggen’s interpretation of Tchaikovsky’s ballet,
the hundred-year sleep plays a central role. The Belgian choreographer leads us ever deeper into the psyche of a young girl on the threshold of adulthood. Verbruggen creates a modern coming-of-age drama that invokes dreams, shudders, and laughs.

History
Premiere of this production: 03 January 1890, Mariinsky Theatre in St. Petersburg

The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa.

Synopsis

Time: Baroque
Place: Europe

Prologue (The Christening)

King Florestan XXIV and his Queen have welcomed their first child, Princess Aurora, and declare a grand christening ceremony to honor her. Six fairies are invited to the ceremony to bestow gifts on the child. Each fairy brings a gift of a virtue or positive trait, such as beauty, courage, sweetness, musical talent, and mischief. The most powerful fairy, the Lilac Fairy, arrives with her entourage, but before she can bestow her gift, the evil fairy Carabosse arrives with her minions. Carabosse furiously asks the King and Queen why she had not received an invitation to the christening. The blame falls on Catalabutte, the Master of Ceremonies who was in charge of the guest list. Carabosse gleefully tears his wig off and beats him with her staff, before placing a curse upon the baby princess as revenge: Aurora will indeed grow up to be a beautiful, healthy, delightful young lady, but on her sixteenth birthday she will prick her finger on a Spindle and die. The King and Queen are horrified and beg Carabosse for mercy, but she shows none. However, the Lilac Fairy intervenes. Though she does not have enough power to completely undo the curse, she alters it, allowing the spindle to cause a peaceful 100-year sleep for the princess, rather than death. At the end of those 100 years, she will be woken by the kiss of a handsome prince. Relieved that Aurora's life will ultimately be spared, the court is set at ease.

Act I (The Spell)

It is the day of Princess Aurora's sixteenth birthday. Celebrations are underway, though the King is still unsettled by Carabosse's omen. The master of ceremonies discovers several peasant ladies frolicking about with knitting needles and alerts the King, who initially sentences the women to a harsh punishment. The Queen gently persuades him to spare the innocent citizens, and he agrees. An elaborate waltz is performed and Princess Aurora arrives. She is introduced to four suitors by her doting parents. Aurora and the suitors perform the famous Rose Adagio. Presently, a cloaked stranger appears and offers a gift to the princess: a spindle. Having never seen one before, Aurora curiously examines the strange object as her parents desperately try to intervene. As predicted, she pricks her finger. While initially appearing to recover quickly, she falls into a swoon and collapses. The cloaked stranger reveals herself to be Carabosse, who believes that her curse still stands and that the princess is dead. Once again, the Lilac Fairy quells the hubbub and reminds the King and Queen that Aurora is merely asleep. The princess is carried off to bed, and the Lilac Fairy casts a spell of slumber over the entire kingdom, which will only be broken when Aurora awakens. A thick layer of thorny plants grows over the palace, hiding it from view.

Act II (The Vision)

One hundred years later, Prince Désiré is attending a hunting party. Though his companions are lighthearted, the prince is unhappy and eventually asks to be left alone. On his own in the forest, he is met by the Lilac Fairy, who has chosen him to awaken Aurora. She shows him a vision of the beautiful princess, and the prince is immediately smitten. The Lilac Fairy explains the situation, and Désiré begs to be taken to the princess. The Lilac Fairy takes him to the hidden castle. Carabosse makes one last attempt to cement her vengeful curse, but the Lilac Fairy and the prince manage to defeat her together at last. Once inside the castle, Désiré awakens Aurora with a kiss. The rest of the court wakes as well, and the King and Queen heartily approve when the prince proposes marriage and the princess accepts.

Act III (The Wedding)

The royal wedding is underway. Guests include the Jewel Fairies: Diamond, Gold, Silver and Sapphire, and of course the Lilac Fairy. Fairytale characters are in attendance, including Puss in Boots and The White Cat, Princess Florine and the Bluebird, and others. Aurora and Désiré perform a grand Pas de Deux, and the entire ensemble dances. The prince and princess are married, with the Lilac Fairy blessing the union.

Structure

Titles of all of the numbers listed here come from Marius Petipa's original scenario, as well as the original libretto and programs of the first production of 1890. Major changes which were made to the score for Petipa's original production are mentioned, and help explain why the score is often heard in different versions in theatres today.

All libretti and programs of works performed on the stages of the Imperial Theatres were titled in French, which was the official language of the Emperor's Court, as well as the language in which balletic terminology is derived.

Prologue — Le baptême de la Princesse Aurore

Venue Info

Oper Leipzig - Leipzig
Location   Augustusplatz 12

Oper Leipzig is one of the most famous and oldest opera houses in Europe. Oper Leipzig stands for the highest musical and craft quality. It is based on active ensemble culture and the promotion of young singers. The program ranges from opera, opera, operetta, musical to classic and modern ballet. There are also numerous offers and in-house productions for children, young adults and families.

Oper Leipzig forms the roof for a three-division house consisting of an opera, Leipzig ballet and musical comedy. Located in the Opera House (Opera & Leipzig Ballet) in the center of Leipzig and in the Dreilinden House (Musical Comedy) in the Lindenau district, it has a tradition of more than 325 years of musical theater care in Leipzig. In 1693 the first opera house on Brühl was opened as the third bourgeois music theater in Europe after Venice and Hamburg. Since 1840, the world-famous Gewandhaus Orchestra has played on all performances of opera and ballet. Prof. Ulf Schirmer has been General Music Director of the Leipzig Opera since the 2009/10 season. Under his musical direction, Richard Wagner and Richard Strauss' works in particular become the focus of the repertoire.

Performances of opera in Leipzig trace back to Singspiel performances beginning in the year 1693. The director of many of those early operas at the original Opernhaus auf dem Brühl was Telemann.

The Leipzig Opera does not have its own opera orchestra – the Leipzig Gewandhaus Orchestra performs as its orchestra. This relationship began in 1766 with performances of the Singspiel Die verwandelten Weiber, oder Der Teufel ist los by Johann Adam Hiller.

The previous theater (the "Neues Theater") was inaugurated on 28 January 1868 with Jubilee Overture by Carl Maria von Weber and the overture for Iphigénie en Aulide by Gluck and Goethe's play Iphigenia in Tauris. From 1886 to 1888, Gustav Mahler was the second conductor; Arthur Nikisch was his superior. During an air raid in the night of 3 December 1943, part of the bombing of Leipzig in World War II, the theater was destroyed, as were all Leipzig's theatres.

Construction of the modern opera house began in 1956. The theater was inaugurated on 8 October 1960 with a performance of Wagner's Die Meistersinger von Nürnberg.

Since 2009, Ulf Schirmer is the Generalmusikdirektor (General Music Director, or GMD); he was elected artistic director in 2011 for a five-year term.

Important Info
Type: Ballet
City: Leipzig, Germany
Starts at: 19:00
Duration:
Top of page