Oper Leipzig 14 April 2021 - Das Rheingold | GoComGo.com

Das Rheingold

Oper Leipzig, Opernhaus, Leipzig, Germany
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Wednesday 14 April 2021
5 PM
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Important Info
Type: Opera
City: Leipzig, Germany
Starts at: 17:00
Duration:
Sung in: German
Titles in: German,English

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Overview

Prelude to the scenic festival Der Ring des Nibelungen. To coincide with the Wagner anniversary in 2013, the Oper Leipzig kicks off a new staged production of the Ring des Nibelungen, together with the Gewandhaus Orchestra under the direction of Intendant and General Music Director Prof. Ulf Schirmer. Das Rheingold isn’t just the shortest of the four operas, but also the most comical. Gods are, after all, just like men…

Conceived as a preliminary evening to Wagner’s interpretation of world mythology, "Das Rheingold" introduces the central themes of this tetralogy: "Only he who renounces the power of love" can form the Rheingold into a ring that promises its bearer power over the world. It is the low E-flat in the strings that gives us the musical manifestation of the idea of a natural primitive state. But once Alberich steals the Rheingold, a chain of events are set in motion: Wotan’s megalomaniacal plan to build a structure representative of gods’ long-lost authority is followed by Alberich’s betrayal at Wotan and Loge’s hand and Alberich’s subsequent curse. The murder of Fasolt by his brother Fafner ensues. Not even Erda, with her wisdom and warning, can stop the chain of events from unfurling.

History
Premiere of this production: 22 September 1869, National Theatre Munich

Das Rheingold is the first of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus, on 13 August 1876.

Synopsis

Scene 1

At the bottom of the Rhine, the three Rhinemaidens, Woglinde, Wellgunde, and Floßhilde, play together. Alberich, a Nibelung dwarf, appears from a deep chasm and tries to woo them. The maidens mock his advances and he grows angry – he chases them, but they elude, tease and humiliate him. A sudden ray of sunshine pierces the depths, to reveal the Rhinegold. The maidens rejoice in the gold's gleam. Alberich asks what it is. They explain that the gold, which their father has ordered them to guard, can be made into a magic ring which gives power to rule the world, if its bearer first renounces love. The maidens think they have nothing to fear from the lustful dwarf, but Alberich, embittered by their mockery, curses love, seizes the gold and returns to his chasm, leaving them screaming in dismay.

Scene 2

Wotan, ruler of the gods, is asleep on a mountaintop, with a magnificent castle behind him. His wife, Fricka, wakes Wotan, who salutes their new home. Fricka reminds him of his promise to the giants Fasolt and Fafner, who built the castle, that he would give them Fricka's sister Freia, the goddess of youth and beauty, as payment. Fricka is worried for her sister, but Wotan is confident that Loge, the demigod of fire, will find an alternative payment.

Freia enters in a panic, followed by Fasolt and Fafner. Fasolt demands that Freia be given up. He points out that Wotan's authority is sustained by the treaties carved into his spear, including his contract with the giants, which Wotan therefore cannot violate. Donner, god of thunder, and Froh, god of sunshine, arrive to defend Freia, but Wotan cannot permit the use of force to break the agreement. Hoping that Loge will arrive with the alternative payment he has promised, Wotan tries to stall.

When Loge arrives, his initial report is discouraging: nothing is more valuable to men than love, so, there is apparently no possible alternative payment besides Freia. Loge was able to find only one instance where someone willingly gave up love for something else: Alberich the Nibelung has renounced love, stolen the Rhine gold and made a powerful magic ring out of it. A discussion of the ring and its powers ensues, and everyone finds good reasons for wanting to own it. Fafner makes a counter-offer: the giants will accept the Nibelung's treasure in payment, instead of Freia. When Wotan tries to haggle, the giants depart, taking Freia with them as hostage and threatening to keep her forever unless the gods ransom her by obtaining, and giving them, the Nibelung's gold, by the end of the day.

Freia's golden apples had kept the gods eternally young, but in her absence they begin to age and weaken. In order to redeem Freia, Wotan resolves to travel with Loge to Alberich's subterranean kingdom to obtain the gold.

Scene 3

In Nibelheim, Alberich has enslaved the rest of the Nibelung dwarves with the power of the ring. He has forced his brother Mime, a skillful smith, to create a magic helmet, the Tarnhelm. Alberich demonstrates the Tarnhelm's power by making himself invisible, the better to torment his subjects.

Wotan and Loge arrive and happen upon Mime, who tells them of the dwarves' misery under Alberich's rule. Alberich returns, driving his slaves to pile up a huge mound of gold. He boasts to the visitors about his plans to conquer the world using the power of the ring. Loge asks how he can protect himself against a thief while he sleeps. Alberich replies the Tarnhelm will hide him, by allowing him to turn invisible or change his form. Loge expresses doubt and requests a demonstration. Alberich complies by transforming himself into a giant snake; Loge acts suitably impressed, and then asks whether Alberich can also reduce his size, which would be very useful for hiding. Alberich transforms himself into a toad. Wotan and Loge seize him, tie his hands, and drag him up to the surface.

Scene 4

Back on the mountaintop, Wotan and Loge force Alberich to exchange his wealth for his freedom. He summons the Nibelungen, who bring up the hoard of gold. He then asks for the return of the Tarnhelm, but Loge says that it is part of his ransom. Alberich still hopes he can keep the ring, but Wotan demands it, and when Alberich refuses, Wotan tears it from Alberich's hand and puts it on his own finger. Crushed by his loss, Alberich lays a curse on the ring: until it should return to him, whoever possesses it will live in anxiety, and will eventually be robbed of it and killed.

The gods reconvene. Fasolt and Fafner return with Freia. Fasolt, reluctant to release her, insists that the gold be piled high enough to hide her from view. Wotan is forced to relinquish the Tarnhelm, to help cover Freia completely. However, Fasolt spots a remaining crack in the gold, through which one of Freia's eyes can be seen. Loge says that there is no more gold, but Fafner, who has noticed the ring on Wotan's finger, demands that Wotan add it to the pile, to block the crack. Loge protests that the ring belongs to the Rheinmaidens, and Wotan angrily declares that he intends to keep it for his own. As the giants seize Freia and start to leave, Erda, the earth goddess, appears and warns Wotan of impending doom, urging him to give up the cursed ring. Troubled, Wotan calls the giants back and surrenders the ring. The giants release Freia and begin dividing the treasure, but they quarrel over the ring itself. Fafner clubs Fasolt to death. Wotan, horrified, realizes that Alberich's curse has terrible power.

Donner summons a thunderstorm to clear the air, after which Froh creates a rainbow bridge that stretches to the gate of the castle. Wotan leads the gods across the bridge to the castle, which he names Valhalla. Loge does not follow; he says in an aside that he is tempted to destroy the treacherous gods by fire – he will think it over. Far below, the Rhine maidens mourn the loss of their gold, and condemn the gods as false and cowardly.

Venue Info

Oper Leipzig - Leipzig
Location   Augustusplatz 12

Oper Leipzig is one of the most famous and oldest opera houses in Europe. Oper Leipzig stands for the highest musical and craft quality. It is based on active ensemble culture and the promotion of young singers. The program ranges from opera, opera, operetta, musical to classic and modern ballet. There are also numerous offers and in-house productions for children, young adults and families.

Oper Leipzig forms the roof for a three-division house consisting of an opera, Leipzig ballet and musical comedy. Located in the Opera House (Opera & Leipzig Ballet) in the center of Leipzig and in the Dreilinden House (Musical Comedy) in the Lindenau district, it has a tradition of more than 325 years of musical theater care in Leipzig. In 1693 the first opera house on Brühl was opened as the third bourgeois music theater in Europe after Venice and Hamburg. Since 1840, the world-famous Gewandhaus Orchestra has played on all performances of opera and ballet. Prof. Ulf Schirmer has been General Music Director of the Leipzig Opera since the 2009/10 season. Under his musical direction, Richard Wagner and Richard Strauss' works in particular become the focus of the repertoire.

Performances of opera in Leipzig trace back to Singspiel performances beginning in the year 1693. The director of many of those early operas at the original Opernhaus auf dem Brühl was Telemann.

The Leipzig Opera does not have its own opera orchestra – the Leipzig Gewandhaus Orchestra performs as its orchestra. This relationship began in 1766 with performances of the Singspiel Die verwandelten Weiber, oder Der Teufel ist los by Johann Adam Hiller.

The previous theater (the "Neues Theater") was inaugurated on 28 January 1868 with Jubilee Overture by Carl Maria von Weber and the overture for Iphigénie en Aulide by Gluck and Goethe's play Iphigenia in Tauris. From 1886 to 1888, Gustav Mahler was the second conductor; Arthur Nikisch was his superior. During an air raid in the night of 3 December 1943, part of the bombing of Leipzig in World War II, the theater was destroyed, as were all Leipzig's theatres.

Construction of the modern opera house began in 1956. The theater was inaugurated on 8 October 1960 with a performance of Wagner's Die Meistersinger von Nürnberg.

Since 2009, Ulf Schirmer is the Generalmusikdirektor (General Music Director, or GMD); he was elected artistic director in 2011 for a five-year term.

Important Info
Type: Opera
City: Leipzig, Germany
Starts at: 17:00
Duration:
Sung in: German
Titles in: German,English
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