Metropolitan Opera tickets 29 November 2024 - Die Frau ohne Schatten | GoComGo.com

Die Frau ohne Schatten

Metropolitan Opera, New York, USA
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Important Info
Type: Opera
City: New York, USA
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 4h 30min
Sung in: German
Titles in: English,German,Spanish
Cast
Performers
Soprano: Elza van den Heever (The Empress)
Soprano: Lise Lindstrom (The Dyer`s Wife)
Baritone: Michael Volle (Barak, the Dyer)
Soprano: Nina Stemme (The Nurse)
Tenor: Russell Thomas (The Emperor)
Bass-Baritone: Ryan Speedo Green (The Messenger of Keikobad)
Creators
Composer: Richard Strauss
Costume designer: Herbert Wernicke
Director: Herbert Wernicke
Librettist: Hugo von Hofmannsthal
Overview

Met Music Director Yannick Nézet-Séguin takes the podium to lead Strauss’s grand mythological epic, a tour de force for orchestra and soloists alike. A spectacular trio of sopranos lead the ensemble cast, with Elza van den Heever as the otherworldly Empress, Lise Lindstrom as the Dyer’s Wife, and Nina Stemme as the Nurse. Following recent triumphs in Wagner’s Ring cycle and Die Meistersinger von Nürnberg, baritone Michael Volle is Barak, with tenor Russell Thomas as the Emperor and bass-baritone Ryan Speedo Green as the Spirit Messenger.

Premiere: Staatsoper, Vienna, 1919
The fourth collaboration of Richard Strauss and librettist Hugo von Hofmannsthal was in many ways their most ambitious: a heavily symbolic morality tale about love and marriage that unfolds in a fairy-tale world of multiple dimensions. Its five lead roles are daunting even by Strauss’s demanding standards, while the orchestral requirements and staging challenges alone assure this opera a unique spot in the repertory.

Richard Strauss (1864–1949) composed an impressive body of orchestral works and songs before turning to opera. After two early failures, Salome (1905) caused a theatrical sensation, and the balance of his long career was largely dedicated to the stage. His next opera, Elektra (1909), was his first collaboration with Hugo von Hofmannsthal (1874–1929), a partnership that became one of the most remarkable in theater history.

The opera takes place in the mythical Empire of the South Eastern Islands. The story moves between the humble dwelling of the Dyer and his Wife, in and around the palace of the Emperor and the Empress, in the forest, and in a grotto beneath the realm of the spirit god Keikobad.

Strauss’s score calls for extraordinarily large musical forces, including an onstage orchestra of winds and brass (plus thunder machine and organ), in addition to a large pit orchestra with such augmentations as glass harmonica, two celestas, and an extravagant percussion section that features a slapstick, castanets, and Chinese gongs. The vocal writing is likewise remarkable, and all five lead roles require great strength, stamina, and musicality: beyond penetrating the dense orchestration, the singers are also expected to produce elegant and even delicate passages.

History
Premiere of this production: 10 October 1919, Vienna State Opera

Die Frau ohne Schatten (The Woman without a Shadow) is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered in Vienna on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire.

Venue Info

Metropolitan Opera - New York
Location   30 Lincoln Center

The Metropolitan Opera is an opera company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The Metropolitan Opera is the largest classical music theatre in North America. It presents about 27 different operas each year from late September through May. As of 2018, the company's current music director is Yannick Nézet-Séguin.

The Metropolitan Opera Company was founded in 1883 as an alternative to New York's old established Academy of Music opera house. The subscribers to the Academy's limited number of private boxes represented the highest stratum in New York society. By 1880, these "old money" families were loath to admit New York's newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Opera's founding subscribers determined to build a new opera house that would outshine the old Academy in every way. A group of 22 men assembled at Delmonico's restaurant on April 28, 1880. They elected officers and established subscriptions for ownership in the new company. The new theater, built at 39th and Broadway, would include three tiers of private boxes in which the scions of New York's powerful new industrial families could display their wealth and establish their social prominence. The first Met subscribers included members of the Morgan, Roosevelt, and Vanderbilt families, all of whom had been excluded from the Academy. The new Metropolitan Opera House opened on October 22, 1883, and was an immediate success, both socially and artistically. The Academy of Music's opera season folded just three years after the Met opened.

The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.

The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs.

The Met's performing company consists of a large symphony-sized orchestra, a chorus, a children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others, such as Renée Fleming and Plácido Domingo, long maintained a close association with the Met, appearing many times each season until they retired.

Important Info
Type: Opera
City: New York, USA
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 4h 30min
Sung in: German
Titles in: English,German,Spanish
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