Warsaw Grand Theatre - Polish National Opera (Teatr Wielki) tickets 22 June 2024 - Così fan tutte | GoComGo.com

Così fan tutte

Warsaw Grand Theatre - Polish National Opera (Teatr Wielki), Warsaw, Poland
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Important Info
Type: Opera
City: Warsaw, Poland
Starts at: 19:00
Acts: 2
Sung in: Italian
Titles in: Polish,English
Cast
Performers
Soprano: Aleksandra Orłowska (Fiordiligi)
Chorus: Chorus of the Polish National Opera
Baritone: Hubert Zapiór (Guglielmo)
Orchestra: Orchestra of the Polish National Opera
Conductor: Yaroslav Shemet
Mezzo-Soprano: Zuzanna Nalewajek (Dorabella)
Tenor: Łukasz Kózka (Ferrando)
Creators
Composer: Wolfgang Amadeus Mozart
Librettist: Lorenzo Da Ponte
Director: Wojciech Faruga
Overview

Do we really need the specter of catastrophe to make the effort to imagine and create other realities and other loves?

A frivolous comedy or an immoral farce? Controversies have accompanied Così fan tutte almost from the beginning of the opera's creation. The work of Wolfgang Amadeus Mozart, whose premiere took place in 1790 in Vienna, was supposedly inspired by a real moral scandal in Paris at that time. Lorenzo da Ponte's libretto focuses on one theme. Don Alfonso challenges his younger colleagues: he makes a bet with Ferrand and Guglielmo that their lovers - Dorabella and Fiordiligi - will not be able to remain faithful when they unexpectedly leave, leaving their fiancées behind. The intrigue is made more credible by the fact that Austria was then involved in a war with Turkey. Despina's maid is also involved in the men's plot. After a wistful farewell to their loved ones, Ferrando and Guglielmo disguised themselves as Albanians to test female constancy.

Così fan tutte is an opera buffa that sparkles with wit but also strikes with lyrical tones. Da Ponte's story has been accused of artificiality, cynicism, and immorality, but paying attention to the eighteenth-century theatrical convention, it can be interpreted as an Enlightenment parable about human nature, in which: A happy man who takes everything from the right side [...] What usually makes others tears, for him it is a reason to laugh da Ponte ends his libretto. The composer creates fast-paced action, combining solo numbers, duets, and larger ensembles so that entire acts seem to be a dramatic uninterrupted whole. Thanks to the music, the paper characters at first glance turn into full-blooded heroes who are irresistible: the feisty Fiordiligi, the carefree Dorabella, the tender Ferrando, the impatient Guglielmo, the cynical Alfonso, and the temperamental Despina.

After the success of Piazzolla's Maria de Buenos Aires, Wojciech Faruga will present his new spectacle on the grand opera stage. The director decided to treat Mozart's work - Così fan tutte - seriously's not just a funny adventure of lovers, the comedy convention is just a smokescreen for real problems. The action takes place in America at the turn of the 1960s and 1970s. The story revolves around a high-ranking middle-class family. The protagonists are Despina and veteran Don Alfonso. They look at each other in the vicissitudes of Dorabella, Fiordiliga, Guglielmo, and Ferrand. Parallel to the story of love, there is a war going on, i.e. a space of disintegration and negation of all orders other than those based on force. In our story, the war is not only the pretext that allows Ferrando and Guglielmo to initiate the remodeling, but it is also the experience with which Alfonso enters the story.

Ferrando and Guglielmo pretend to go to war, but in a moment they return in disguise - in Wojciech Faruga's staging, they are rebels liberated from conventions. Is it a real transformation or just a costume? The game that was supposed to be innocent fun turns into a dangerous game between the heroes, in which hidden fantasies come to the fore. The concept of reading Mozart's work through references to the panorama of a specific place and time opens the possibility of interpreting the phenomena of the present in the context of lost opportunities and unfinished moral and social revolutions of the previous century. How will this adventure end? Is it possible to return to the world of traditions and rules after this journey?

History
Premiere of this production: 26 January 1790, Burgtheater, Vienna

Così fan tutte, ossia La scuola degli amanti (All Women Do It, or The School for Lovers), is an Italian-language opera buffa in two acts by Wolfgang Amadeus Mozart first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote Le nozze di Figaro and Don Giovanni.

Venue Info

Warsaw Grand Theatre - Polish National Opera (Teatr Wielki) - Warsaw
Location   plac Teatralny 1

The Grand Theatre in Warsaw is a theatre and opera complex situated on the historic Theatre Square in central Warsaw. The Warsaw Grand Theatre is home to the Polish National Ballet and is one of the largest theatrical venues in the world.

The Theatre was built on Theatre Square between 1825 and 1833, replacing the former building of Marywil, from Polish classicist designs by the Italian architect Antonio Corazzi of Livorno, to provide a new performance venue for existing opera, ballet and drama companies active in Warsaw. The building was remodeled several times and, in the period of Poland's political eclipse from 1795 to 1918, it performed an important cultural and political role in producing many works by Polish composers and choreographers.

It was in the new theatre that Stanisław Moniuszko's two best-known operas received their premieres: the complete version of Halka (1858), and The Haunted Manor (1865). After Frédéric Chopin, Moniuszko was the greatest figure in 19th-century Polish music, for in addition to producing his own works, he was director of the Warsaw Opera from 1858 until his death in 1872.

While director of the Grand Theatre, Moniuszko composed The Countess, Verbum Nobile, The Haunted Manor and Paria, and many songs that make up 12 Polish Songbooks.

Also, under Moniuszko's direction, the wooden Summer Theatre was built close by in the Saxon Garden. Summer performances were given annually, from the repertories of the Grand and Variety (Rozmaitości) theatres. Józef Szczublewski writes that during this time, even though the country had been partitioned out of political existence by its neighbors, the theatre flourished: "the ballet roused the admiration of foreign visitors; there was no equal troupe of comedians to be found between Warsaw and Paris, and Modrzejewska was an inspiration to drama."

The theatre presented operas by Władysław Żeleński, Ignacy Jan Paderewski, Karol Szymanowski and other Polish composers, as well as ballet productions designed by such choreographers as Roman Turczynowicz, Piotr Zajlich and Feliks Parnell. At the same time, the repertoire included major world opera and ballet classics, performed by the most prominent Polish and foreign singers and dancers. It was also here that the Italian choreographer Virgilius Calori produced Pan Twardowski (1874), which (in the musical arrangement first of Adolf Sonnenfeld and then of Ludomir Różycki) has for years been part of the ballet company's repertoire.

During the 1939 battle of Warsaw, the Grand Theatre was bombed and almost completely destroyed, with only the classical façade surviving. During the Warsaw Uprising of 1944 the Germans shot civilians in the burnt-out ruins. The plaque to the right of the main entrance commemorates the suffering and heroism of the victims of fascism.

Important Info
Type: Opera
City: Warsaw, Poland
Starts at: 19:00
Acts: 2
Sung in: Italian
Titles in: Polish,English
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