The Église de Verbier hosts morning, afternoon and evening concerts. It is the Verbier Festival’s primary venue for solo, chamber music and vocal recitals.
Daniel Lozakovich and David Fray
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
From violin sonatas to the solo keyboard partita, violinist Daniel Lozakovich and pianist David Fray explore Bach’s groundbreaking and multifaceted instrumental works of the 1720s.
Bach’s six violin and keyboard sonatas broke new ground for raising the keyboardist’s status from mere accompanist to melodic conversationist, the two instruments even sometimes swapping roles, over close dialogue playing to their respective strengths. Features of tonight’s three include nos 1 and 5’s fugal second movements, and the beautiful moment in No. 3’s slow third movement where the keyboard suddenly leaves its chords to converse with the violin. The six solo violin sonatas and partitas meanwhile were a revolutionary experiment in creating multi-voiced music from a melodic instrument, the biggest surprise of all being the climax of Partita No. 2 – a gargantuan Chaconne spinning 64 variations over a four-bar choral progression. By contrast, Bach published his keyboard partitas,‘For music-lovers, to refresh their spirits.’ Six-movement No. 2 concludes on a Capriccio with jauntily jazzy syncopations.