Deutsche Oper Berlin tickets 20 June 2024 - Madame Butterfly | GoComGo.com

Madame Butterfly

Deutsche Oper Berlin, Berlin, Germany
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Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 45min
Sung in: Italian
Titles in: German,English
Cast
Performers
Soprano: Asmik Grigorian (Cio-Cio-san (Madama Butterfly))
Chorus: Chorus of the Deutsche Oper Berlin
Baritone: Dong-Hwan Lee (Sharpless)
Mezzo-Soprano: Irene Roberts (Suzuki)
Tenor: Joshua Guerrero (B.F. Pinkerton)
Orchestra: Orchestra of the Deutsche Oper Berlin
Conductor: Yi-Chen Lin
Creators
Composer: Giacomo Puccini
Librettist: Giuseppe Giacosa
Author: John Luther Long
Librettist: Luigi Illica
Costume designer: Pier Luigi Samaritani
Director: Pier Luigi Samaritani
Sets: Pier Luigi Samaritani
Overview

Only after the opera had been modified a number of times by the composer did it begin to garner public acclaim. The revised version, extended from two acts to three, was performed in Brescia on May 28, 1904. The interlude between the second and third act with the famous “humming chorus” was also new. The Deutsche Oper Berlin production has at its centre the tragedy of young woman who remains true to her love, even when it seems hopeless to everyone else. The atmospheric yet never folkloristic scenery provides an impressive backdrop to this magical work.

“The world of theatre is full of opposites - surprises, emotions, the sparking of interest. What use do I have for heroes or immortal beings? I feel uneasy in such an environment. I am no musician for the grand occasion. My feel is for the small things in life; I only love to explore small things. This is why I liked Manon. She was all heart, nothing more, nothing less ... And this is why I liked Butterfly, because she is such a transparent, feminine thing yet capable of loving even unto death.” All his life Puccini declared MADAME BUTTERFLY to be his favourite work, as well as his best. The work is a perfect reflection of his maxim of “the music of little things”. Intricately chiselled musical details, captivating melodies for the singing roles, discreet exotic elements and a sensitive blend of tones in the orchestra have assured this opera's immortality not only for audiences; the work has also served as a model for many composers of subsequent generations, as have the other Puccini operas.

American Lieutenant Pinkerton's ship has dropped anchor in Nagasaki harbour. Seeking distraction, he has been courting Geisha Cio-Cio-San, named Butterfly, a girl of 15 from an aristocratic family that has fallen on hard times. Young Butterfly takes her love for Pinkerton very seriously. Pinkerton desires a “short marriage”, not uncommon between Europeans and Geishas at the time, and even selects a little house for their honeymoon with the help of Goro, the marriage broker. Sharpless, the American consul, tries to warn him, but Pinkerton mocks his friend and even pronounces a toast to the day when he will celebrate a “real” wedding with an American woman.For the young Japanese girl, who has proved her love for Pinkerton to the point of converting to Christianity, the alliance with the foreigner has painful consequences: her family disowns her after the wedding. Pinkerton has a hard time consoling his “butterfly”.

Three years have passed. Cio-Cio-San leads an isolated existence with Suzuki, her loyal servant, and her little child. In her unshakeable belief that Pinkerton will return she has resisted all attempts by Prince Yamadori to win her hand in marriage. Sharpless finally arrives with a message from Pinkerton in which he is asked to prepare Butterfly for his imminent return and break the news to her that he has now married Kate, an American. He is shocked to learn that she has a child. Not daring to carry out his task, he simply informs her of Pinkerton's arrival. Cio-Cio-San is happy. Together with Suzuki she decorates her house, dons her wedding dress and awaits her beloved Pinkerton.

When Pinkerton arrives on Butterfly's doorstep with his wife Kate and the consul Suzuki discovers the truth of the matter. Suzuki is asked to persuade Butterfly to part with her child. Pinkerton does not want a face-to-face encounter and leaves. Butterfly discovers the strange woman and suddenly realizes that Pinkerton has not come back to her – he only wants to take the child away with him. She asks for half an hour to herself and bids her little son farewell. Then she ends her life.

History
Premiere of this production: 17 February 1904, La Scala, Milan

Madama Butterfly is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti. Long's version was dramatized by David Belasco as the one-act play Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year.

Venue Info

Deutsche Oper Berlin - Berlin
Location   Bismarckstraße 35

Venue's Capacity: 1698

The Deutsche Oper Berlin is an opera company located in the Charlottenburg district of Berlin, Germany. The resident building is the country's second-largest opera house and also home to the Berlin State Ballet. Since 2004 the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation.

The company's history goes back to the Deutsches Opernhaus built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on November 7, 1912 with a performance of Beethoven's Fidelio, conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to Städtische Oper (Municipal Opera).

With the Nazi seizure of power in 1933, the opera was under control of the Reich Ministry of Public Enlightenment and Propaganda. Minister Joseph Goebbels had the name changed back to Deutsches Opernhaus, competing with the Berlin State Opera in Mitte controlled by his rival, the Prussian minister-president Hermann Göring. In 1935, the building was remodeled by Paul Baumgarten and the seating reduced from 2300 to 2098. Carl Ebert, the pre-World War II general manager, chose to emigrate from Germany rather than endorse the Nazi view of music, and went on to co-found the Glyndebourne opera festival in England. He was replaced by Max von Schillings, who acceded to enact works of "unalloyed German character". Several artists, like the conductor Fritz Stiedry and the singer Alexander Kipnis, followed Ebert into emigration. The opera house was destroyed by a RAF air raid on 23 November 1943. Performances continued at the Admiralspalast in Mitte until 1945. Ebert returned as general manager after the war.

After the war, in what was now West Berlin, the company, again called Städtische Oper, used the nearby Theater des Westens; its opening production was Fidelio, on 4 September 1945. Its home was finally rebuilt in 1961 but to a much-changed, sober design by Fritz Bornemann. The opening production of the newly named Deutsche Oper, on 24 September, was Mozart's Don Giovanni.

Past Generalmusikdirektoren (GMD, general music directors) have included Bruno Walter, Kurt Adler, Ferenc Fricsay, Lorin Maazel, Gerd Albrecht, Jesús López-Cobos, and Christian Thielemann. In October 2005, the Italian conductor Renato Palumbo was appointed GMD as of the 2006/2007 season. In October 2007, the Deutsche Oper announced the appointment of Donald Runnicles as their next Generalmusikdirektor, effective August 2009, for an initial contract of five years. Simultaneously, Palumbo and the Deutsche Oper mutually agreed to terminate his contract, effective November 2007.

On the evening of 2 June 1967, Benno Ohnesorg, a student taking part in the German student movement, was shot in the streets around the opera house. He had been protesting against the visit to Germany by the Shah of Iran, who was attending a performance of Mozart's The Magic Flute.

In 1986 the American Berlin Opera Foundation was founded.

In April 2001, the Italian conductor Giuseppe Sinopoli died at the podium while conducting Verdi's Aida, at age 54.

In September 2006, the Deutsche Oper's Intendantin (general manager) Kirsten Harms drew criticism after she cancelled the production of Mozart's opera Idomeneo by Hans Neuenfels, because of fears that a scene in it featuring the severed heads of Jesus, Buddha and Muhammad would offend Muslims, and that the opera house's security might come under threat if violent protests took place. Critics of the decision include German Ministers and the German Chancellor Angela Merkel. The reaction from Muslims has been mixed — the leader of Germany's Islamic Council welcomed the decision, whilst a leader of Germany's Turkish community, criticising the decision, said:

This is about art, not about politics ... We should not make art dependent on religion — then we are back in the Middle Ages.

At the end of October 2006, the opera house announced that performances of Mozart's opera Idomeneo would then proceed. Kirsten Harms, after announcing in 2009 that she would not renew her contract beyond 2011, was bid farewell in July of that year.

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 45min
Sung in: Italian
Titles in: German,English
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