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Venues in Baden-Baden

Baden-Baden

The Baden culture, c. 3600–2800 BC, is a Chalcolithic culture found in Central and Southeast Europe. It is known from Moravia (Czech Republic), Hungary, Poland, Slovakia, northern Serbia, western Romania and eastern Austria. Imports of Baden pottery have also been found in Germany and Switzerland (Arbon-Bleiche III), where it could be dated by dendrochronology.

History of research

The Baden culture was named after Baden near Vienna by the Austrian prehistorian Oswald Menghin. It is also known as the Ossarn group or Pecel culture. The first monographic treatment was produced by J. Banner in 1956. Other important scholars are E. Neustupny, Ida Bognar-Kutzian and Vera Nemejcova-Pavukova.

Baden has been interpreted as part of a much larger archaeological complex encompassing cultures at the mouth of the Danube (Ezero-Cernavoda III) and the Troad. In 1963, Nándor Kalicz had proposed a connection between the Baden culture and Troy, based on the anthropomorphic urns from Ózd-Centre (Hungary). This interpretation cannot be maintained in the face of radiocarbon dates. The author himself (2004) has called this interpretation a "cul-de-sac", based on a misguided historical methodology.

Chronology

Baden developed out of the late Lengyel culture in the western Carpathian Basin. Němejcová-Pavuková proposes a polygenetic origin, including southeastern elements transmitted by the Ezero culture of the early Bronze Age (Ezero, layers XIII-VII) and Cernavoda III/Coțofeni. Ecsedy parallelises Baden with Early Helladic II in Thessaly, Parzinger with Sitagroi IV. Baden was approximately contemporaneous with the late Funnelbeaker culture, the Globular Amphora culture and the early Corded Ware culture. The following phases are known: Balaton-Lasinya, Baden-Boleráz, Post-Boleráz (divided into early, Fonyod/Tekovský Hrádok and late, Červený Hrádok/Szeghalom-Dioér by Vera Němejcová-Pavuková) and classical Baden.

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Venues in Baden-Baden (8)

Beim Alten Bahnhof 2
Festspielhaus Baden-BadenGermany’s largest opera and concert house, with a 2,500 seat capacity.
Marktplatz 15
The Collegiate Church was built in the 13th century and is the oldest church in Baden-Baden. In the 15th century, the Romanesque building was expanded into a Gothic hall church, which repeatedly underwent structural changes over the following centuries.
Bernhardusplatz 2
The St. Bernhard Church is a Roman Catholic parish church in neo-Gothic style in Karlsruhe. It is located in the east of the city at Durlacher Tor, where the foundation stone for it as the third Catholic parish church in the city was laid in 1893. The sacred building made of red sandstone until 1901 reflects on the one hand the efforts of Grand Duke Friedrich I of Baden to achieve confessional balance by emphasizing the increased importance of Catholicism in the traditionally Protestant part of Baden (Baden-Durlach line) in the 19th century State capital gives expression. [1] On the other hand, the building, including the 86 m high tower facing the city center, forms the structural end of Kaiserstraße in the east, which is visible from afar. In terms of urban morphology, the church at Durlacher Tor corresponds to the Christ Church at Mühlburger Tor in the west of the city.
Lichtentaler Allee 8
The project, with an investment volume of approx. 15 million euros, has a net floor area of ​​approx. 3,750 square meters, of which approx. 400 square meters are allocated to the museum.
Kaiserallee 1
The Kurhaus is a spa resort, casino, and conference complex in Baden-Baden, Germany in the outskirts of the Black Forest.
Lichtentaler Allee 8B
The best works of modernism consistently deal with architectural principles and ideals. Modern painting asks about the structures of painting, modern sculpture about the connection between art and space. Accordingly, modern architecture examines how light relates to space and human dimensions. All artistic genres evade decorative, illustrative or sentimental requirements. The revolutionary potential of modernity is particularly evident in those works that uncompromisingly substitute technology for illusion. The museum for the Frieder Burda Collection is a modern building with a slightly different shape. It is casually connected to a picturesque garden and is pedestrian-friendly in a place of special charisma and human dimensions.
Schillerstraße 4/6
Large function room for up to 230 guests, with a wall of glass doors opening onto a terrace – inspiring by day and glittering by night. The Orangerie is a grand and flexible space which can be divided in two for different tempos of your event or as one spacious light venue. It is the perfect daytime setting for lectures and lunches, with glass doors opening onto the park from where your guests can enjoy the beauty of Lichtentaler Allee.
Goetheplatz 1
Theater Baden-Baden at Goetheplatz is the city theater of Baden-Baden in Baden-Württemberg, Germany. At the instigation of Edouard Bénazet, a former casino director, the theater was modeled on the Paris Opera by Charles Couteau.
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