Arena Sferisterio 5 August 2022 - Pagliacci - The Circus | GoComGo.com

Pagliacci - The Circus

Arena Sferisterio, Macerata, Italy
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Friday 5 August 2022
9 PM
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Important Info
Type: Opera
City: Macerata, Italy
Starts at: 21:00
Acts: 2

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Festival

Macerata Opera Festival (Sferisterio Festival) 2022

Opera, cinema, and symphonic repertoire: this is the fulcrum around which the 2022 programme – which has been recently announced by the new Artistic Director Paolo Pinamonti and Superintendent Luciano Messi – turns. Macerata Opera Festival 2022 will run from 19 July to 21 August: twenty-two live performances at the Sferisterio Arena and two performances at Teatro Lauro Rossi will bring audiences back under the stars, with Beethoven’s three symphonies and five piano concertos, Puccini’s Tosca, Rossini’s Il barbiere di Siviglia, and three milestones of 20th century theatre and cinema (Pagliacci by Leoncavallo, Rapsodia Satanica by Mascagni, and The Circus by Chaplin).

Overview

The Circus - Direction, subject and screenplay Charlie Chaplin

The second title of Macerata Opera Festival 2022 is a new production of Ruggero Leoncavallo’s Pagliacci by Alessandro Talevi, which was first staged at the Sferisterio arena in 2015; set design by Madeleine Boy, costume design by Manuel Pedretti, and lighting by Marco Giusti. The opera will be preceded by the screening of one of Chaplin’s finest works, The Circus, in its version restored by Cineteca di Bologna and with the first live performance of its soundtrack since 1928, thanks to the work of Timothy Brock, an international expert of score and film restorations. Brock will conduct the orchestra and cast of Pagliacci, featuring Rebeka Lokar (Nedda), Fabio Sartori (Caino), and George Petean (Tonio).

New production of the 2015 staging by Associazione Arena Sferisterio

History
Premiere of this production: 21 May 1892, Teatro Dal Verme, Milan

Pagliacci is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. It is the only Leoncavallo opera that is still widely performed. Opera companies have frequently staged Pagliacci with Cavalleria rusticana by Mascagni, a double bill known colloquially as 'Cav and Pag'.

Synopsis

Place: Calabria, near Montalto, on the Feast of the Assumption
Time: between 1865 and 1870

Prologue

During the overture, the curtain rises. From behind a second curtain, Tonio, dressed as his commedia character Taddeo, addresses the audience (Si può?... Si può?... Signore! Signori! ... Un nido di memorie). He reminds the audience that actors have feelings too, and that the show is about real people.

Act 1

At three o'clock in the afternoon, the commedia troupe enters the village to the cheering of the villagers. Canio describes the night's performance: the troubles of Pagliaccio. He says the play will begin at "ventitré ore", an agricultural method of time-keeping that means the play will begin an hour before sunset. As Nedda steps down from the cart, Tonio offers his hand, but Canio pushes him aside and helps her down himself.

The villagers suggest drinking at the tavern. Canio and Beppe accept, but Tonio stays behind. The villagers tease Canio that Tonio is planning an affair with Nedda. Canio warns everyone that while he may act the foolish husband in the play, in real life he will not tolerate other men making advances to Nedda. Shocked, a villager asks if Canio really suspects her. He says no, and sweetly kisses her on the forehead. As the church bells ring vespers, he and Beppe leave for the tavern, leaving Nedda alone.

Nedda is frightened by Canio's vehemence (Qual fiamma avea nel guardo), but the birdsong comforts her (Stridono lassù). Tonio returns and confesses his love for her, but she laughs. Enraged, Tonio grabs Nedda, but she takes a whip, strikes him and drives him off. Silvio, who is Nedda's lover, comes from the tavern, where he has left Canio and Beppe drinking. He asks Nedda to elope with him after the performance and, though she is afraid, she agrees. Tonio, who has been eavesdropping, leaves to inform Canio so that he might catch Silvio and Nedda together. Canio and Tonio return and, as Silvio escapes, Nedda calls after him, "I will always be yours!"

Canio chases Silvio, but does not catch him and does not see his face. He demands that Nedda tell him the name of her lover, but she refuses. He threatens her with a knife, but Beppe disarms him. Beppe insists that they prepare for the performance. Tonio tells Canio that her lover will give himself away at the play. Canio is left alone to put on his costume and prepares to laugh (Vesti la giubba – "Put on the costume").

Act 2

As the crowd arrives, Nedda, costumed as Colombina, collects their money. She whispers a warning to Silvio, and the crowd cheers as the play begins.

Colombina's husband Pagliaccio has gone away until morning, and Taddeo is at the market. She anxiously awaits her lover Arlecchino, who comes to serenade her (O Colombina) from beneath her window. Taddeo returns and confesses his love, but she mocks him. She lets Arlecchino in through the window. He boxes Taddeo's ears and kicks him out of the room, and the audience laughs.

Arlecchino and Colombina dine, and he gives her a sleeping potion to use later. When Pagliaccio returns, Colombina will drug him and elope with Arlecchino. Taddeo bursts in, warning that Pagliaccio is suspicious of his wife and is about to return. As Arlecchino escapes through the window, Colombina tells him, "I will always be yours!"

As Canio (as Pagliaccio) enters, he hears Nedda (as Colombina) and exclaims "Name of God! Those same words!" He tries to continue the play, but loses control and demands to know her lover's name. Nedda, hoping to keep to the performance, calls Canio by his stage name "Pagliaccio," to remind him of the audience's presence. He answers with his arietta: No! Pagliaccio non son! He sings that if his face is pale, it is not from the stage makeup but from the shame she has brought him. The crowd, impressed by his emotional performance, which they do not realize is real, cheers him.

Nedda, trying to continue the play, admits that she has been visited by the innocent Arlecchino. Canio, furious and forgetting the play, demands the name of her lover. Nedda swears she will never tell him, and it becomes apparent that they are not acting. Beppe asks Tonio to intervene, but Tonio refrains and prevents Beppe from halting the action. Silvio begins to fight his way toward the stage. Canio, grabbing a knife from the table, stabs Nedda. As she dies, she calls: "Help! Silvio!" Silvio attacks Canio, but Canio kills Silvio also. The horrified audience then hears the celebrated final line:

La commedia è finita! – "The comedy is finished!"

Venue Info

Arena Sferisterio - Macerata
Location   Piazza Nazario Sauro

The Sferisterio is an open-air stadium or sphaeristerium in Macerata, Italy.

An ancient Italian national sport or pallone col bracciale was the most popular sport in Italy for almost five centuries. This game dated back to the 15th century. The people of Macerata decided that they needed somewhere large to play and watch it; a place that could also be used for public spectacles such as circuses and even bullfights. One hundred citizens raised the money themselves and got Ireneo Aleandri to design and build it. The design involved the destruction and rebuilding of some of the historic city walls next to the Porta Mercato gate.

The strait side of the arena is a wall 18 meters high and 88 meters long, along which is a line of arches separated by 56 columns carrying a double row of boxes, and a stone gallery, all in Neoclassical style.

Over the years the popularity of pallone decreased and that of football replaced it. In 1919 the surface was leveled to allow for this, and also for tennis courts. The arena had been used for the occasional theatrical event from 1871, but from about 1914 opera began to be put on there.

Present-day use

In 1921, as the first presentation of what would become the Sferisterio Opera Festival, Pieralberto Conti staged Verdi's Aida paid for by the soprano, Francisca Solari. This was followed by all parts of the arena, both front- and back-stage, being renovated and electricity introduced.

Today it holds an audience of over 3,000. The stage is 14.5 meters deep and 40 meters wide, with 10-meter wings on each side. It is rather an unusual shape for musical performances (musicians at each end of the pit cannot hear each other) but the acoustics are surprisingly good (at least near the middle).

The present-day opera festival, beginning in the late 1980s and under the auspices of the Macerata Opera, takes place in this location

Important Info
Type: Opera
City: Macerata, Italy
Starts at: 21:00
Acts: 2
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