Arena Sferisterio 25 July 2021 - La traviata | GoComGo.com

La traviata

Arena Sferisterio, Macerata, Italy
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Select date and time
Sunday 25 July 2021
9 PM
Important Info
Type: Opera
City: Macerata, Italy
Starts at: 21:00
Duration:

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Festival

Macerata Opera Festival (Sferisterio Festival) 2021

1921-2021. One hundred years after the first time an opera was staged at the Sferisterio – Aida  on July 27th 1921 – the Macerata Opera Festival is preparing for a year of celebratory events that will culminate in the programme for summer 2021. The tites are: Aida by Giuseppe Verdi, Il barbiere di Siviglia by Gioachino Rossini and La traviata, again by Verdi.

Overview

Violetta will be back on stage with the most representative and iconic show of the Sferisterio productions of the last thirty years – already at the top of the requests of international groups – La traviata “of the mirrors” conceived in 1992 by the set designer Josef Svoboda with the direction of Henning Brockhaus and the costumes by Giancarlo Colis (22 and 30 July, 5 and 13 August). In the role of the protagonist one of today's most popular performers, the soprano Nino Machaidze, with Anthony Ciaramitaro (Alfredo), a young emerging tenor who is conquering theater audiences around the world, and Roberto de Candia (Giorgio Germont). On the podium Domenico Longo.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Arena Sferisterio - Macerata
Location   Piazza Nazario Sauro

The Sferisterio is an open-air stadium or sphaeristerium in Macerata, Italy.

An ancient Italian national sport or pallone col bracciale was the most popular sport in Italy for almost five centuries. This game dated back to the 15th century. The people of Macerata decided that they needed somewhere large to play and watch it; a place that could also be used for public spectacles such as circuses and even bullfights. One hundred citizens raised the money themselves and got Ireneo Aleandri to design and build it. The design involved the destruction and rebuilding of some of the historic city walls next to the Porta Mercato gate.

The strait side of the arena is a wall 18 meters high and 88 meters long, along which is a line of arches separated by 56 columns carrying a double row of boxes, and a stone gallery, all in Neoclassical style.

Over the years the popularity of pallone decreased and that of football replaced it. In 1919 the surface was leveled to allow for this, and also for tennis courts. The arena had been used for the occasional theatrical event from 1871, but from about 1914 opera began to be put on there.

Present-day use

In 1921, as the first presentation of what would become the Sferisterio Opera Festival, Pieralberto Conti staged Verdi's Aida paid for by the soprano, Francisca Solari. This was followed by all parts of the arena, both front- and back-stage, being renovated and electricity introduced.

Today it holds an audience of over 3,000. The stage is 14.5 meters deep and 40 meters wide, with 10-meter wings on each side. It is rather an unusual shape for musical performances (musicians at each end of the pit cannot hear each other) but the acoustics are surprisingly good (at least near the middle).

The present-day opera festival, beginning in the late 1980s and under the auspices of the Macerata Opera, takes place in this location

Important Info
Type: Opera
City: Macerata, Italy
Starts at: 21:00
Duration:
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