Staatsoper Unter den Linden (Berlin State Opera) tickets 15 June 2024 - Rigoletto | GoComGo.com

Rigoletto

Staatsoper Unter den Linden (Berlin State Opera), Berlin, Germany
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7:30 PM
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US$ 109

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 30min
Sung in: Italian
Titles in: English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Aida Garifullina (Gilda)
Baritone: Alfredo Daza (Rigoletto)
Choir: Choir of the Staatsoper Unter den Linden
Conductor: Giedrė Šlekytė
Bass: Grigory Shkarupa (Sparafucile)
Tenor: Pene Pati (Duke of Mantua)
Orchestra: Staatskapelle Berlin
Creators
Composer: Giuseppe Verdi
Choreographer: Denni Sayers
Director: Bartlett Sher
Costume designer: Catherine Zuber
Lighting Designer: Donald Holder
Librettist: Francesco Maria Piave
Designer: Michael Yeargan
Overview

When Victor Hugo brought his play "Le roi s’amuse" to the stage for the first and last time in Paris in 1832, the performance ended with the immediate banning of the play. When the Italian Risorgimento composer Giuseppe Verdi decided to set the revolutionary French author’s play to music almost 20 years later, he faced resistance from the censorship authorities.

He had to change the name of his melodrama from "La maledizione" ("The curse") to "Rigoletto" and change its setting to the court of a fictional Duke of Mantua, but he left the plot and its blatancy untouched. Rigoletto incites the dissolute Duke to constantly seduce and abduct beautiful women, treating their families with derision. He is then cursed before the entire court by the distraught father of a woman he has dishonoured. Rigoletto, however, hides his daughter Gilda from the shameless goings-on. Nonetheless, the Duke has his eye on her. When Gilda succumbs to the Duke’s arts of seduction, Rigoletto plans a deadly revenge. In the end, however, it is not the Duke but Gilda who falls victim to the plot. The universally known tenor hit "La donna è mobile" becomes a cynical code for failure. In Verdi’s first mature work, the trivial, the grotesque, and high pathos are all intertwined. The contrasts between garish banda music and expressive cantilena form an uncompromising masterpiece of tremendous brevity and sharpness.

History
Premiere of this production: 11 March 1851, Teatro La Fenice, Venice

Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.

Venue Info

Staatsoper Unter den Linden (Berlin State Opera) - Berlin
Location   Unter den Linden 7

The Staatsoper Unter den Linden is one of the oldest and largest musical theaters in Germany. Founded in 1742 as the Royal Court Opera (German: Königliche Hofoper) under Frederick II. Located in Berlin, on the main street Unter den Linden.

King Frederick II of Prussia shortly after his accession to the throne commissioned the original building on the site. Construction work began in July 1741 with what was designed by Georg Wenzeslaus von Knobelsdorff to be the first part of a "Forum Fredericianum" on present-day Bebelplatz. Although not entirely completed, the Court Opera (Hofoper) was inaugurated with a performance of Carl Heinrich Graun's Cesare e Cleopatra on December 7, 1742. This event marked the beginning of the successful, 250-year co-operation between the Staatsoper and the Staatskapelle Berlin, the state orchestra, whose roots trace back to the 16th century.

In 1821, the Berlin Opera—hosted at the Schauspielhaus Berlin—gave the premiere of Weber's Der Freischütz. In 1842, Wilhelm Taubert instituted the tradition of regular symphonic concerts. In the same year, Giacomo Meyerbeer succeeded Gaspare Spontini as General Music Director. Felix Mendelssohn also conducted symphonic concerts for a year.

On August 18, 1843 the Linden Opera was destroyed by fire. The reconstruction of the building was supervised by architect Carl Ferdinand Langhans, and the Königliches Opernhaus (Royal Opera House) was inaugurated the following autumn by a performance of Meyerbeer's Ein Feldlager in Schlesien. In 1849, Otto Nicolai's Die lustigen Weiber von Windsor was premiered at the Royal Opera House, conducted by the composer.

1945: The Lindenoper was once again destroyed on February 3. The concerts were relocated to the Admiralspalast and the Schauspielhaus. On 18 February, Karajan conducted his last symphonic concert with the Staatskapelle in the Beethoven hall.

The second rebuilding took a long time. From 1945, the opera company played in the former Admiralspalast (today's Metropoltheater). From 1949, the company served as the state opera of East Germany. It moved back to its original home after the rebuilding in freely adapted baroque forms was finally completed in 1955. The newly rebuilt opera house was opened, again, with Wagner's Die Meistersinger von Nürnberg. The capacity is now about 1,300. After the Berlin Wall was built in 1961, the Opera was somewhat isolated, but still maintained a comprehensive repertoire that featured the classic and romantic period together with contemporary ballet and operas.

After reunification, the Linden Opera rejoined the operatic world. Important works that had already performed in the past were rediscovered and discussed anew within the framework of a "Berlin Dramaturgy". Baroque Opera in particular was at the center of attention, with Graun's Cleopatra e Cesare, Keiser's Croesus, Florian Leopold Gassmann's L'opera seria and Scarlatti's Griselda. These works were performed by Belgian conductor René Jacobs together with the Akademie für Alte Musik Berlin and the Freiburger Barockorchester on period instruments. In the 1990s, the opera was officially renamed Staatsoper Unter den Linden.

In 1992, the Argentine-Israeli conductor Daniel Barenboim was appointed Music Director. In 2000, the orchestra (according to its official website) elected Barenboim "conductor for life." During the 2002 Festtage, he led a Wagner cycle in ten parts, a production created in collaboration with director Harry Kupfer.

Since 2009, the Berlin State Opera has been undergoing considerable renovation work led by German architect HG Merz. The roof of the opera building was raised and the proscenium prolonged to improve the acoustics. Other renovation and extension works include the director's building, the below-ground connection building and the depot building. The latter will house the new rehearsal center.

The house was reopened in 2017 with premieres of Humperdinck's Hänsel und Gretel and Monteverdi's L'incoronazione di Poppea on one weekend.

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 30min
Sung in: Italian
Titles in: English,German
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