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The Secret Tickets

Prague National Theatre, Prague, Czech Republic
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Available Dates: 15 - 28 May, 2025 (3 events)
Important Info
Type: Opera
City: Prague, Czech Republic
Sung in: Czech
Titles in: Czech,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Bedřich Smetana
Librettist: Eliška Krásnohorská
Stage Director: Ondřej Havelka
Overview

The production is part of the celebrations marking the 200th anniversary of Bedřich Smetana’s birth.

The Secret is Bedřich Smetana’s seventh, and penultimate, opera. It is also the second fruit of the composer’s collaboration with the librettist Eliška Krásnohorská. Completed in June 1877, the piece received its premiere the following year at the New Czech Theatre in Prague. The National Theatre first staged the opera on 12 May 1885, on the first anniversary of Smetana’s death. Yet it only attained wide popularity after the post of the opera company’s director had been assumed by the conductor Karel Kovařovic, who was fully aware of the qualities of the mature Smetana work. Krásnohorská furnished Smetana with an exquisite libretto, whose themes may bring to mind William Shakespeare’s Romeo and Juliet or the Czech author Ladislav Stroupežnický’s play Our Uppish and Defiant Fellows, dating from a later time. The story, set in a small Czech town, focuses on a feud between the families of the councillors Malina and Kalina, who for years have jostled for social superiority. Kalina strives to prove that he is not as poor as he was two decades ago, when Malina thwarted him when he wanted to marry his sister Róza. Despite the hostility between their fathers, Malina’s daughter Blaženka and Kalina’s son Vít love each other. All disputes are ultimately settled after the discovery of an old note by Friar Barnabáš, which leads Kalina to a treasure. But are piles of gold the most precious thing to be found? Smetana’s The Secret has been undertaken by Ondřej Havelka, a stage director possessing an acute sense for music theatre and humour, noted for his visually captivating storytelling. The production will be conducted by Robert Jindra, the music director of the National Theatre Opera.

The production is part of the celebrations marking the 200th anniversary of Bedřich Smetana’s birth.

History
Premiere of this production: 07 November 1878, Nové České Divadlo (New Czech Theatre), Prague

The Secret (Tajemství) is a comic opera in three acts by Bedřich Smetana. The libretto was written by Eliška Krásnohorská. The premiere took place on 18 September 1878 at the Nové České Divadlo (New Czech Theatre) in Prague.

Synopsis

Act I

We are in the square in the town of Bela, the followers of two rival councillors, Kalina and Malina, are praising their respective champion. Bonifac, an ex-serviceman in Kalina’s household, is wooing Madame Roza Malinova, and through their dialogue we learn that twenty years earlier, the then-poor Kalina had asked for the hand of Róza, sister of Malina, but her parents forbade the marriage because of Kalina’s relative poverty. Kalina then married another relatively poor woman, while Róza never married. Kalina is now a widower and has had a house built for himself across the town square from the Malina's. Kalina and Roza meet each other in the square and, in front of the townspeople, bicker. Malina and Kalina, egged on by their supporters, start to trade insults and curry favour by plying the old ballad singer Skrivánek with beer. Trying to keep both men happy with a song that ends up describing Roza’s and Kalina’s plight, Malina is moved by the song and proposes that he and Kalina bury their animosity and he offers Kalina a little financial help so that he and Roza may marry. But Kalina is stung by the implication that he is still poor (though he does indeed owe the builders of his new house a substantial sum) and Roza now reveals why she is so cold towards Kalina – it is because the now-deceased Father Barnabas had told her that Kalina had a secret that would have allowed him to become rich and thereby win Roza’s hand, had he wanted. Clearly, Roza surmises, his protestations of love for her all those years ago were all lies. When a bagpiper strikes up a tune and the opportunist Bonifac plucks a flower and presents it to Roza as an invitation to dance with him, Kalina threatens the piper who drops his bagpipes and flees while the two rival bands of supporters start to brawl with each other. They are interrupted by Kalina’s son Vitek and Malina’s daughter Blazenka, who calm the councillors down. We realize that Vit and Blazenka have become lovers, despite the animosity between their two families. Bonifac returns carrying a wooden baton which he had pulled from a window frame to use as a makeshift weapon. In the melee the baton has snapped and Bonifac has found inside it a yellowed piece of paper. He gives it to Kalina to read. It is the secret that Friar Barnabas told to Roza – a map that will take Kalina to hidden treasure. Kalina makes Bonifac and Vit swear to keep the secret, but while Kalina and Vit discuss the content of the map inside Kalina’s house, the bricklayer comes to ask for payment from Kalina. Don’t worry, Bonifac assures him, Kalina will soon be very rich for – and they must solemnly swear to keep this a secret – Kalina has discovered Friar Barnabas’s message. The bricklayer heads straight for the tavern and tells the innkeeper there not to whisper a word to anyone but… . They are overheard by the bellringer Jirka, who swears solemnly not to breathe a word about the secret, and he heads off to the church. It is now late and in the darkness on a bench in the square Vit and Blazenka are enjoying a secret assignation when they hear Jirka who is in the bell tower of the church, bellowing down a speaking trumpet to the ballad singer Skrivanek who is a little hard of hearing: “It is a secret. Now, solemnly swear…”

Act II

It is early evening on the slopes of Mount Bezdez. A rocky overhang is to one side of the stage, a broken down gate permits entry to a pathway which leads up to the ruined castle and monastery, with the spire of a church also visible. Kalina is lamenting his fate – to be forever working to compensate for his poverty. He pulls from a hidey-hole a lantern, cloak, hoe and spade, then conceals them again and falls asleep. In a dreamlike sequence earth spirits warn that he who seeks treasure will blacken their soul while the ghost of Friar Barnabas declares that the most precious treasure is a loving woman. Kalina wakes up in a holy terror. A group of bridesmaids head toward the church and Kalina, looking for spiritual help, follows them. Vitek and Blazenka enter the now-deserted spot and pour out their love for each other but they have been observed by Bonifac, who summons Roza, Kalina, Malina, everybody in the town, to witness the couple’s shame. Yet even with threats of being disowned by their fathers, the couple, supported by the townspeople, is defiant and now Roza admonishes the two men for believing that true love cares for worldly goods. Roza blesses Vit and Blazenka for following their hearts,and as the crowd disperses Roza is left alone, lamenting that Kalina did not defy the world as Vitek just had… for despite it all, she does still love Kalina. She is disturbed by Bonifac who has come to woo her again and to reveal Kalina’s secret yet Kalina himself returns, having decided he will risk his soul to find the treasure. Retrieving the hoe and spade he levers a rock aside to reveal a tunnel. Bonifaz refuses Roza’s request to stop Kalina and she herself rushes forward to stop him but Kalina, to a clap of thunder, jumps down into the tunnel.

Act III

We are in the communal kitchen of Malina’s house and despite it being hop harvesting time and the promise of golden beer, there is turmoil for Malina is still furious with his daughter for daring to love Vitek. Urged by the labourers and Roza she sings a tearful ballad before running off. Malina declares he would be a fool to give his daughter to such a proud man who – the bricklayer can confirm – is in debt. Malina refuses to listen to Roza’s pleadings and vows he will only permit the marriage if Kalina comes to his house and begs him humbly. And now the opportunist Bonifac seizes the moment to tell everyone that Kalina will never ever come to Malina’s house… for he has been lured by the promise of treasure, has disappeared, and the devil most likely has now taken possession of his soul. The news horrifies the audience, more so because they hear an eery scaping and then a clanking originating from behind the black door of the oven. Blazenka returns to the room with Vit who is dressed for a journey. He has come to thank Roza for her blessing and despite being disowned by his father, he declares he will chance his luck in the world but rich or poor he will return in a year and again ask for Blazenka’s hand. Bonifac takes the opportunity to ask Malina to allow Vit and Blazenka to wed, while also pressing his own suit to marry Roza. She coolly tells him she will think it over when they are again startled at sounds coming from inside the oven. Bonifac and Skrivanek are urged to sing to lighten the mood and they strike up a song about Friar Barnabas but it is interrupted by a furious rattling of the oven door and all except Roza rush out of the room, terrified. The door flies open and coated in dust, the caped Kalina stumbles into the room. Roza and Kalina together understand now what Barnabas meant when he marked the location of the treasure Kalina would find. The two fall into each other’s arms, and as Malina, Blazenka, Vit and the townspeople pour back into the room, Kalina does indeed beg Malina on behalf of his son and for himself. Pride set aside, Malina cries “God bless you all, get married!” and the bystanders join in a chorus “You who belong to each other, get married, that’s the secret; nothing else matters – old love will triumph!”

Venue Info

Prague National Theatre - Prague
Location   Národní 2

The National Theatre is the prime stage of the Czech Republic. It is also one of the symbols of national identity and a part of the European cultural space, with a tradition spanning more than 130 years. It is the bearer of the national cultural heritage, as well as a space for free artistic creation.

The National Theatre (Czech: Národní divadlo) in Prague is known as the alma mater of Czech opera, and as the national monument of Czech history and art.

The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition, which helped to preserve and develop the most important features of the nation–the Czech language and a sense for a Czech musical and dramatic way of thinking.

Today, the National Theatre is made up of four artistic companies – the Opera, Drama, Ballet and Laterna magika. It artistically manages four stages – the three historical buildings: the National Theatre (1883), the State Opera (1888), and the Estates Theatre (1783), and the more recently opened New Stage (1983). The Opera, Drama and Ballet companies perform not only titles from the ample classical legacy, in addition to Czech works, they also focus on contemporary international creation.

Grand opening

The National Theatre was opened for the first time on 11 June 1881, to honour the visit of Crown Prince Rudolf of Austria. Bedřich Smetana's opera Libuše was given its world premiere, conducted by Adolf Čech. Another 11 performances were presented after that. Then the theatre was closed down to enable the completion of the finishing touches. While this work was under way a fire broke out on 12 August 1881, which destroyed the copper dome, the auditorium, and the stage of the theatre.

The fire was seen as a national catastrophe and was met with a mighty wave of determination to take up a new collection: Within 47 days a million guldens were collected. This national enthusiasm, however, did not correspond to the behind-the-scenes battles that flared up following the catastrophe. Architect Josef Zítek was no longer in the running, and his pupil architect Josef Schulz was summoned to work on the reconstruction. He was the one to assert the expansion of the edifice to include the block of flats belonging to Dr. Polák that was situated behind the building of the Provisional Theatre. He made this building a part of the National Theatre and simultaneously changed somewhat the area of the auditorium to improve visibility. He did, however, take into account with utmost sensitivity the style of Zítek's design, and so he managed to merge three buildings by various architects to form an absolute unity of style.

Important Info
Type: Opera
City: Prague, Czech Republic
Sung in: Czech
Titles in: Czech,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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$ 72
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