Cinderella is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions and has inspired a great many choreographers since its inception.

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Giselle is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.  

La Bayadère (en. The Temple Dancer) is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya.

Romeo and Juliet is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work.

Swan Lake is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. Swan Lake is the ballet which embodies the soul of Russian art. The combination of brilliant music and choreography creates a special kind of magic; what the great 20th century choreographer George Balanchine had in mind when he famously said, “One should call every ballet Swan Lake because then people would come.”

The Nutcracker (Balet-feyeriya) is a two-act ballet, originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's story "The Nutcracker and the Mouse King".

The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa.

George Balanchine was a Russian-born Georgian-American ballet choreographer who was one of the most influential 20th century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its Artistic Director for more than 35 years. Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in Hollywood, creating his signature "neoclassical style". He was a choreographer known for his musicality; he expressed music with dance and worked extensively with leading composers of his time like Igor Stravinsky. Balanchine was invited to America in 1933 by a young arts patron named Lincoln Kirstein, and together they founded the School of American Ballet. Along with Kirstein, Balanchine also co-founded the New York City Ballet (NYCB).

Maurice Béjart (French: [beʒaʁ]; 1 January 1927 – 22 November 2007) was a French-born dancer, choreographer and opera director who ran the Béjart Ballet Lausanne in Switzerland. He was awarded Swiss citizenship posthumously. Biography Maurice-Jean Berger was born in Marseille, France in 1927, the son of French philosopher Gaston Berger. Fascinated by a recital of Serge Lifar, he decided to devote himself entirely to dance. In South France days, he had studied under Mathilde Kschessinska. In 1945, he enrolled as a corps de ballet at the Opéra de Marseille. From 1946, he had studied under Madam Rousanne (Sarkissian), Léo Staats, Madam Lyubov Yegorova and Olga Preobrajenska at "Studio Wacker", etc. in Paris. In 1948, he was also formed with Janine Charrat, Yvette Chauviré and then with Roland Petit, in addition he had studied under Vera Volkova at London. In 1954, he founded the Ballet de l'Étoile company (dissolved in 1957). In 1960 he founded the Ballet du XXe Siècle in Brussels (dissolved in 1987). Directing dancers at the Béjart Ballet Lausanne, Switzerland, 1988. In 1987 he moved to Lausanne in Switzerland, where he founded the Béjart Ballet Lausanne, one of the most famous and successful dance companies in the world. In 1973, with the Ballet du XXe siecle, he premiered "Golestan", on a poem by Sa'di, based on Iranian traditional music. The ballet was commissioned by the Shiraz-Persepolis Festival of Arts where it was premiered. The first performance of "Improvisation sur Mallarme III" with music by Boulez also took place at that Festival in 1973. "Farah", also based on Iranian traditional music was the Ballet's own commission, premiered in Brussels in 1976 and brought to the Shiraz-Persepolis Festival that same year. The 1976 Festival also witnessed the first performance of "Heliogabalus", based on a poem by Artaud. The Festival's patron was Farah Pahlavi, the former Empress of Iran, with whom Béjart kept strong ties to the end. Béjart received the Deutscher Tanzpreis in 1994. Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images — some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character. The production has been issued on DVD.