Opéra de Lyon 11 October 2020 - L'Heure espagnole | GoComGo.com

L'Heure espagnole

Opéra de Lyon, Grande Salle, Lyon, France
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Select date and time
Sunday 11 October 2020
4 PM
Important Info
Type: Opera
City: Lyon, France
Starts at: 16:00
Duration: 1h
Sung in: French

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Overview

Ravel’s first opera, L’Heure espagnole, is a comedy in music, a glittering piece of watchmaking that is both whimsical and audacious - in short, a triumph at the first attempt! A work filled with brilliant experimental music and sounds, to which James Bonas's staging and the magical drawings of Grégoire Pont bring an atmosphere similar to the animated cartoons of the 1930s.

Although L'Heure espagnole is Ravel's first opera, he himself preferred to call it a musical, and the work is indeed appreciated as a farce, though Ravel's work on the rhythms, the tick-tock of the orchestra and the voices mean it is highly innovative musically.

 

Revival of the 2018 Opera de Lyon production

History
Premiere of this production: 28 October 1904, Théâtre de l'Odéon

L'heure espagnole is a French one-act opera from 1911, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".

Synopsis

In Toledo, the muleteer Ramiro brings his watch to be repaired by the watchmaker Torquemada. Torquemada’s wife reminds her husband that it is time to go and wind up the town's clocks, the ruse she uses to enable her to meet her lover Gonzalve at the shop. But Ramiro’s presence leads to a whole series of comic situations, from bawdy misunderstandings to lovers being locked inside clocks. 

Time: 18th century
Place: The workshop of the clockmaker Torquemada in Toledo, Spain.

The opera takes place in 21 scenes, with an introduction.

Torquemada is at work in his shop when the muleteer Ramiro stops by to have his watch fixed, so that he can fulfill his duties at collecting the town's post. It is Thursday, the day that Torquemada goes out to tend the municipal clocks, so Ramiro must wait. Torquemada's wife, Concepción, enters to complain that her husband hasn't yet moved a clock into her bedroom. After Torquemada has left, she takes advantage of his absence to plan assignations with gentleman friends. However, the presence of Ramiro is initially a hindrance. So she asks him to move a grandfather clock to her bedroom, which he agrees to do.

Meanwhile, she waits for Gonzalve, a poet. He arrives, and is inspired to poetry, but not to lovemaking, where Concepción would prefer the latter. When Ramiro is about to return, she sends him back saying that she chose the wrong clock. She then has the idea of having Gonzalve hide in one clock so that Ramiro can carry him upstairs. After Gonzalve is concealed, Don Iñigo, a banker and another of Concepción's gentleman friends, arrives. When Ramiro returns, she persuades him to carry up the clock with Gonzalve concealed in it, and she accompanies him.

On his own, Don Iñigo conceals himself in another clock. Ramiro enters, asked to watch the shop, and musing on how little he understands of women. Concepción then summons him back upstairs, saying that the clock's hands are running backwards. She and Don Iñigo try to communicate, but Ramiro arrives back with the other clock. Don Iñigo has hidden himself again, and Ramiro now carries up the clock with Don Iñigo upstairs.

With Gonzalve now downstairs, Concepción tries to turn him away from poetry towards her, but Gonzalve is too absorbed to follow her lead. Ramiro returns, and Gonzalve must conceal himself again. He offers to take the second clock up again. Impressed by how easily Ramiro carries the clocks (and their load) upstairs, Concepción begins to be physically attracted to him.

With Gonzalve and Don Iñigo now each stuck in clocks, Torquemada returns from his municipal duties. Both Gonzalve and Don Inigo eventually escape their respective clock enclosures, the latter with more difficulty. To save face, they each have to purchase a clock. Concepción is now left without a clock, but she muses that she can wait for the muleteer to appear regularly with his watch repaired. The opera ends with a quintet finale, as the singers step out of character to intone the moral of the tale, paraphrasing Boccaccio:

"Entre tous les amants, seul amant efficace,
Il arrive un moment, dans les déduits d'amour,
Où le muletier a son tour!"
"Among all lovers, only the efficient succeed,
The moment arrives, in the pursuit of love,
When the muleteer has his turn!"

Venue Info

Opéra de Lyon - Lyon
Location   1 Place de la Comédie

Between the Rhône and the Saône, at the meeting point of the Terreaux neighbourhood and the bottom of the slopes of the Croix-Rousse, in the heart of Lyon, the Opéra National de Lyon, renovated in 1993 by the architect Jean Nouvel, is an emblematic theatre in contemporary architecture. The Opéra de Lyon is above all an immense cylindrical glass roof, lit up red on evenings when there is a show, lying on the historical façades of a theatre going back to 1831. Within this casing, the main hall with its 1,100 seats occupies an impressive black shell suspended at the heart of an architecture which conveys the project of a fascinating journey towards modernity and innovation.

When, in 2003, he became General Director of the Opéra de Lyon, Serge Dorny, who had previously been the general and artistic director of the London Philharmonic Orchestra, also provided this institution with a fresh stimulus, based around two fundamental values: artistic excellence and an openness to the broadest public.
Serge Dorny decided to widen the artistic territory of the Opera towards an original programme, through a series of decisive choices, including programming each season, and for three weeks, a festival offering several shows alternately, dedicated to a composer (Offenbach, Janáček, Puccini, Britten or else Verdi), a theme (Japan, Justice/Injustice, For Humanity, Lives and Destinies...) or else a form (one-act operas). While the guest directors and choreographers, both established and upcoming, are great talents on the international scene, the audacity of this programme is also made possible by the excellence of the Opéra de Lyon’s teams: an Orchestra of 62 musicians, a Chorus of 34 singers, a Ballet of 32 permanent dancers, the Children’s Choir, and the Studio of the Opera (17 young singers), but also artisans and technicians who form a full unity of production including construction workshops for sets and the making of costumes, props, etc. Offering the public a broad repertory, with creations and rare pieces, the Opéra de Lyon is an artistic theatre and far more: it is a cultural centre, a site for exchanges and encounters between works, artists and audiences. A site for curiosity and openness that allows the greatest number of people to discover shows that provide pleasure but also to think.
In this respect, the programme of operas, classical concerts and contemporary dance is enriched each season by new events: open-house days, weekends of debates, jazz concerts, world or electronic music, shows for children, exhibitions…

This idea of a civic opera house, expressed in terms of sharing and openness – the sharing of artistic experiences, an openness towards other publics, thanks to the Développement culturel pole – can also be seen at the Opéra de Lyon in a more general policy of sustainable development whose working principle is simple: making coherent its processes and working methods, along with its mission and values.

While its actions mean that it is an essential pole in the cultural life of the town, the Opéra de Lyon also provides a national and international outreach for the city, Greater Lyon and the Region Auvergne-Rhône Alpes. This can be seen in its worldwide opera and dance tours, a ballet whose reputation reaches both Asia and the United States, but also a powerful and regular presence in various international festivals (Aix-en-Provence, Edinburgh...).

As the winner of numerous prizes, delivered by international juries and underlining its success – Opera Company of the year 2017, awarded by the prestigious German monthly publication “Opernwelt” – the Opéra de Lyon has now become an essential institution which has succeeded in affirming its presence in its city with a national and international outreach, based on a local cultural weave and a constantly renewed rigour. In other words: a spirit of openness and artistic excellence.

Important Info
Type: Opera
City: Lyon, France
Starts at: 16:00
Duration: 1h
Sung in: French
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