Oper Frankfurt 16 June 2024 - La Juive | GoComGo.com

La Juive

Oper Frankfurt, Opera House, Frankfurt am Main, Germany
All photos (7)
Sunday 16 June 2024
5 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Frankfurt am Main, Germany
Starts at: 17:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

A divided society tries to settle its inner conflicts. What they need is: a collective enemy.

Constance at the time of the Council of 1414: Jewish goldsmith Éléazar had the audacity to work on a catholic feast day, so the people want to drown him and his adoptive daughter Rachel in the lake. They're saved by Leopold Prince of the Holy Roman Empire, who's secretly in love with Rachel. When Leopold ends the relationship Rachel publicly accuses him of fornication, which results in Cardinal Brogni sentencing Leopold, Eleazar and Rachel to death, ignorant of the fact that he's actually Rachel’s father …

Fromental Halevy believed that art should be dedicated to the great, beautiful and the good, but raise political questions too. He was the first composer to bring a realistic portrayal of Jewish life to the operatic stage in this work. The historical meaning of the Council of Constance, which resulted in the Catholic church ending the schism and having critics burned at the stake, gave Halevý the chance to mirror the world he lived in: liberal and reactionary powers were at loggerheads in France in the 1830s; Jews might have won legal equality but still faced anti-Semetic hostility in everyday life. Then, as today, the question is how a heterogenic society and tolerant co-existence is possible. Even in the overture Halvey's score contains lyric moments which suddenly turn into destructive cascades of sound. A collective spiral of violence develops, whose blind hatred is finally directed against their own children.

History
Premiere of this production: 23 February 1835, Opéra National de Paris

La Juive (The Jewess) is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835.

Synopsis

Place: Constance
Time: 1414

Events before the opera begins
The following is a summary of events which took place before the first act of the opera, some of which are only revealed in the course of the action.

When he was young, the Jew Eléazar had lived in Italy near Rome and witnessed the condemnation and executions of his sons as heretics by Count Brogni. Eléazar himself was banished and forced to flee to Switzerland.

During his journey, Eléazar found a baby near death, abandoned inside a burnt-out house which turned out to be the home of the Count. Bandits had set fire to the house, attempting to kill the entire family of Brogni but unaware that the Count himself was in Rome at the time.

Eléazar took the child, a girl, and raised her as his own daughter, naming her Rachel. Brogni discovered the ruins of his house and the bodies of his family upon his return. He subsequently became a priest and later a cardinal.

At the beginning of the opera, in 1414 Rachel (now a young woman) is living with her adopted father in the city of Constance. The forces of the Holy Roman Emperor Sigismund have defeated the Hussites, in battles where Prince Leopold has distinguished himself. The Council of Constance, convened by Antipope John XXIII, has been arranged to resolve Church matters. John XXIII is represented there by Cardinal Gian Francesco Brogni, who was a historical personage. His part in the story of the opera is, however, entirely fictional.

Act 1
A square in the city of Constance in 1414

Eléazar is a goldsmith. The crowd condemns him for working during a day dedicated to Church festivities. He is saved from a lynching by the arrival of Brogni, who in the process recognises Eléazar as his old adversary.

Prince Léopold arrives in disguise as a young Jewish artist Samuel. Rachel is in love with Samuel and knows nothing of his true identity. Local laws reflect prejudice against the Jews: if a Jew and a Christian have sexual relations, the Christian is excommunicated and the Jew is killed. Léopold is thus taking a great risk in this affair, especially as he is already married to the Princess Eudoxie. The crowd returns to attack Eléazar, but 'Samuel' secretly instructs his troops to calm things down. The act closes with a grand triumphal procession.

Act 2
Inside the house of Éléazar

Rachel has invited 'Samuel' for the Passover celebration in Eléazar's house. He is present while Eléazar and the other Jews sing their Passover prayers. Rachel becomes anxious when she notices that 'Samuel' refuses to eat the piece of unleavened bread that she has given him. He reveals to her that he is a Christian, without telling her his true identity. Rachel is horrified and reminds him of the terrible consequences of such a relationship.

Princess Eudoxie enters to order from Eléazar a valuable jewel as a present for her husband, at which point Samuel (Prince Léopold) hides.

After Eudoxie leaves, Léopold promises to take Rachel away with him. She tries to resist, worrying about abandoning her father, but as she is about to succumb to his advances, they are confronted by Eléazar, who curses Léopold before the latter runs off.

Act 3
Magnificent gardens

Rachel, who has followed 'Samuel' to the Palace, offers her services as a lady's maid to Princess Eudoxie. Eléazar arrives at the palace to deliver the jewel. He and Rachel recognise Léopold as 'Samuel'. Rachel declares before the assembly that Léopold seduced her and she, Eléazar and Léopold are arrested and placed in prison, on the instructions of Cardinal Brogni.

Act 4
A Gothic interior

Princess Eudoxie asks to see Rachel in prison, and persuades her to withdraw her allegations. Rachel agrees; Cardinal Brogni agrees to commute Léopold's sentence, and to spare Rachel and Eléazar if they convert. Eléazar at first answers that he would rather die, but then makes plans to avenge himself. He reminds the Cardinal of the fire in his house near Rome many years before and tells the Cardinal that his infant daughter did not die. He says that she was saved by a Jew and that only he knows who he is. If he dies, his secret will die with him. Cardinal Brogni begs him to tell him where his daughter is, but in vain. Eléazar sings of the vengeance that he will have in dying, but he suddenly remembers that he will be responsible for the death of Rachel. The only way to save her is to admit that the Cardinal is her father and that she is not Jewish but Christian. The act ends with the opera's most famous aria, Eléazar's 'Rachel, quand du Seigneur'. He does not want to sacrifice Rachel to his hatred of Christians, and renounces his revenge. However, when he hears the cries from a pogrom in the streets, he decides that God wants him to bear witness in death with his daughter to the God of Israel.

Act 5
A large tent supported by Gothic columns

Eléazar and Rachel are brought to the gallows where they will be thrown into a cauldron of boiling water. Rachel is terrified. Eléazar explains that she can be saved if she converts to Christianity. She refuses and climbs to the gallows before him. As the people are singing various prayers, Cardinal Brogni asks Eléazar if his own daughter is still alive. Eléazar says that she is and when Cardinal Brogni asks where she can be found, Eléazar points to the cauldron, saying "There she is!" He then climbs to his own death while the Cardinal falls on his knees. The opera ends with a chorus of monks, soldiers and the people singing "It is done and we are avenged on the Jews!"

Venue Info

Oper Frankfurt - Frankfurt am Main
Location   Untermainanlage 11

The Oper Frankfurt (Frankfurt Opera) is one of the leading opera companies in Europe, and voted best "Opera house of the year" several times since 1996.

Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Schreker's Der ferne Klang in 1912, Fennimore und Gerda by Frederick Delius in 1919, and Carl Orff's Carmina Burana in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated.

A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot.

Oper Frankfurt is part of the Städtische Bühnen Frankfurt.

Frankfurt's first opera was Johann Theile's Adam und Eva, performed in 1698 by Johann Velten's touring company. The young Goethe's first operas in his home town of Frankfurt were productions by Theobald Marchand's company.

1782 – 1880
Opened in 1782, the Comoedienhaus was the first permanent venue of the Frankfurt Theater (drama and opera). In 1878 German violinist Willy Hess took up the leadership of the Oper Frankfurt. He resigned from that post in 1886 to take up a professorship in the Rotterdam Conservatorium voor Muziek.

1880 – 1944
The first representative opera house of the city was inaugurated in Frankfurt in 1880 at Opernplatz. Under the direction of the first Intendant Emil Claar and the first Kapellmeister Felix Otto Dessoff, the house was opened with Mozart's opera Don Giovanni.

During the 1920s, the opera in Frankfurt had more prominent Jewish singers than any other company in Germany, including the tenor Hermann Schramm, bass Hans Erl (the first King in Schreker's Der Schatzgräber), baritone Richard Breitenfeld and contralto Magda Spiegel, who also toured with Frankfurt Opera performing Wagner in the Netherlands. These singers were forced to leave the opera in June 1933. Orff's Carmina Burana was premiered at Oper Frankfurt in 1937. Jewish members of the opera company among those rounded up at 9 November 1938 at the Festhalle Frankfurt, where Erl sang In diesen Heilgen Hallen, from the Magic Flute for the deportees. Members of Frankfurt Opera were sent to Auschwitz and other camps where they perished.

1945 – 1970s
The opera house was damaged in an air raid in January 1944, and then almost completely destroyed in March. A new house for opera and play was built, completed in 1963 at the Theaterplatz (now Willy-Brandt-Platz). In 1952, Georg Solti became Generalmusikdirektor (GMD) and Intendant of the Oper Frankfurt, where he remained in charge for nine years.

The Gielen Era
From 1977 to 1987, Frankfurt Opera was led by Michael Gielen. This decade became known as the "Gielen Era", notable for the music of a conductor who was also a composer, and directors including Ruth Berghaus and Hans Neuenfels, whose productions of standard works such as Verdi's Aida and Wagner's Ring Cycle were thought-provoking. Operas which received their world premieres at the house were also performed again, including Franz Schreker's Die Gezeichneten.

1987 – present
The stage of the opera house was destroyed by a fire in November 1987. The opera house was rebuilt and opened in April 1991. Many famous singers started their career with the company, including Franz Völker, Edda Moser, Cheryl Studer and Diana Damrau, and many established artists have been engaged there in recent seasons including Christian Gerhaher, whose roles here have included Monteverdi's L'Orfeo and his first Wolfram in Wagner's Tannhäuser, Piotr Beczała in Massenet's Werther and Jan-Hendrik Rootering in Wagner's Parsifal.

Since 2002, Bernd Loebe has served as Intendant of the company. The company's current GMD is Sebastian Weigle, since 2008. Weigle has made commercial recordings of opera with the company for the OEHMS Classics label. He is scheduled to stand down as GMD of Oper Frankfurt at the close of the 2022–2023 season. In October 2021, the company announced the appointment of Thomas Guggeis as the next GMD of the company, effective with the 2023–2024 season, with an initial contract of 5 years.

Oper Frankfurt was voted 1996, 2003, 2015, 2018 and 2020 "Opera House of the Year" by the magazine Opernwelt.

Important Info
Type: Opera
City: Frankfurt am Main, Germany
Starts at: 17:00
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