Metropolitan Opera 9 December 2023 - Florencia en el Amazonas | GoComGo.com

Florencia en el Amazonas

Metropolitan Opera, Metropolitan Opera, New York, USA
All photos (13)
Saturday 9 December 2023
1 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: New York, USA
Starts at: 13:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The Met premiere stars soprano Ailyn Pérez as Florencia Grimaldi, with Yannick Nézet-Séguin on the podium to lead a spellbinding new production by Mary Zimmerman that brings the mysterious and magical realm of the Amazon to the Met stage. A distinguished ensemble of artists portray the diva’s fellow travelers on the river boat to Manaus, including soprano Gabriella Reyes as the journalist Rosalba, bass-baritone Greer Grimsley as the ship’s captain, baritone Mattia Olivieri as his enigmatic first mate, tenor Mario Chang as the captain’s nephew Arcadio, and mezzo-soprano Nancy Fabiola Herrera and baritone Michael Chioldi as the feuding couple Paula and Álvaro.

Sung in Spanish and inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.

History
Premiere of this production: 25 October 1996, Wortham Theater Center, Houston, Texas, USA

Florencia en el Amazonas (Florencia in the Amazon) is an opera in two acts composed by Daniel Catán. It contains elements of magical realism in the style of Gabriel García Márquez and uses a libretto by Marcela Fuentes-Berain, one of his pupils. The characters are inspired by García Márquez, but the story is not drawn directly from any of his works. Florencia was co-commissioned by Houston Grand Opera, Los Angeles Opera, and Seattle Opera and premiered in Houston on October 25, 1996. It was the first Spanish-language opera to be commissioned by major United States opera houses.

Synopsis

Act 1

The title character, Florencia Grimaldi, is a famous opera soprano returning to her homeland to sing at the opera house in Manaus with the hope that her performance will attract her lover Cristóbal, a butterfly hunter who has disappeared into the jungle. She boards the steamboat El Dorado for a trip down the Amazon River, along with several passengers who are traveling to hear her sing. The passengers, however, are unaware of her identity. One of them, Rosalba, is a journalist planning to write a book about Grimaldi and hoping to interview her. In preparation, Rosalba has compiled a notebook for two years with information about the diva.

Florencia spends her time on the boat, brooding about Cristóbal. She does not interact much with the other passengers initially, and the thread connecting the subplots in the story is provided by the ship's mate, Ríolobo, who also is the focus for the elements of magical realism. Ríolobo functions as a narrator, one of the characters, and the intermediary between reality and the mystical world of the river.

Meanwhile, Rosalba is beginning to fall in love with the steamboat captain's nephew, Arcadio, who rescues her notebook when it falls overboard. The two play a card game with Paula and Álvaro, a bickering couple who are also looking forward to Grimaldi's performance. After the game, a storm develops. Álvaro saves the boat but is thrown overboard. With the captain tragically obliterated and Ríolobo having disappeared, Arcadio takes the helm but the ship runs aground. Ríolobo reappears in the form of a river spirit and the storm stops after he calls upon the river gods.

Act 2

The characters recover from the storm. Florencia seems to feel Cristóbal's presence and is unsure whether she is alive or dead. Rosalba, focused on her objective, resists the attraction she and Arcadio feel for each other. Meanwhile, Paula, in spite of their constant fighting, recognizes that she still loves Álvaro and mourns his loss. Again Ríolobo appeals to the river and Álvaro is suddenly returned to the ship.

In the storm, Rosalba's precious notebook has been lost again, and when it is recovered again it has been ruined by the water. Distraught, Rosalba argues with Florencia about the meaning and value of its contents when suddenly she discovers that the woman she has been arguing with is the very singer she has been longing to interview. Realizing how Florencia draws inspiration from love, Rosalba decides to give in to her feelings for Arcadio.

The boat arrives in Manaus, but a cholera outbreak keeps the passengers quarantined aboard the ship. Florencia despairs of a reunion with Cristóbal, but in the end she is magically transformed into a butterfly, to represent her spirit going off to be reunited with her lover.

Venue Info

Metropolitan Opera - New York
Location   30 Lincoln Center

The Metropolitan Opera is an opera company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The Metropolitan Opera is the largest classical music theatre in North America. It presents about 27 different operas each year from late September through May. As of 2018, the company's current music director is Yannick Nézet-Séguin.

The Metropolitan Opera Company was founded in 1883 as an alternative to New York's old established Academy of Music opera house. The subscribers to the Academy's limited number of private boxes represented the highest stratum in New York society. By 1880, these "old money" families were loath to admit New York's newly wealthy industrialists into their long-established social circle. Frustrated with being excluded, the Metropolitan Opera's founding subscribers determined to build a new opera house that would outshine the old Academy in every way. A group of 22 men assembled at Delmonico's restaurant on April 28, 1880. They elected officers and established subscriptions for ownership in the new company. The new theater, built at 39th and Broadway, would include three tiers of private boxes in which the scions of New York's powerful new industrial families could display their wealth and establish their social prominence. The first Met subscribers included members of the Morgan, Roosevelt, and Vanderbilt families, all of whom had been excluded from the Academy. The new Metropolitan Opera House opened on October 22, 1883, and was an immediate success, both socially and artistically. The Academy of Music's opera season folded just three years after the Met opened.

The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera companies. The rest of the year's operas are given in revivals of productions from previous seasons. The 2015–16 season comprised 227 performances of 25 operas.

The operas in the Met's repertoire consist of a wide range of works, from 18th-century Baroque and 19th-century Bel canto to the Minimalism of the late 20th century. These operas are presented in staged productions that range in style from those with elaborate traditional decors to others that feature modern conceptual designs.

The Met's performing company consists of a large symphony-sized orchestra, a chorus, a children's choir, and many supporting and leading solo singers. The company also employs numerous free-lance dancers, actors, musicians, and other performers throughout the season. The Met's roster of singers includes both international and American artists, some of whose careers have been developed through the Met's young artists programs. While many singers appear periodically as guests with the company, others, such as Renée Fleming and Plácido Domingo, long maintained a close association with the Met, appearing many times each season until they retired.

Important Info
Type: Opera
City: New York, USA
Starts at: 13:00
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