Mariinsky Theatre 16 June 2023 - I puritani (concert performance) | GoComGo.com

I puritani (concert performance)

Mariinsky Theatre, Saint Petersburg, Russia
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Friday 16 June 2023
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Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
Festival

Stars of the White Nights Festival 2023

"Stars of the White Nights": bright events of the big summer festival in the Mariinsky.

Overview

New to the repertoire

To make the listener "weep, be horrified, die" - this is how Vincenzo Bellini explained the meaning of operatic singing to his librettist Carlo Pepoli. The Puritans have everything that should have captivated the Parisian public.

In Paris in 1834, two Italians, an ambitious young composer and an émigré poet, worked together on the text for the opera Le Puritani, based on the play Roundheads and Knights by François Anselot and Joseph Xavier Bonifas (known as Sentin), which had just been staged. . This opera will be the last triumph of the early deceased bel canto master. On January 24, 1835, in the Parisian Italian theater, as Bellini wrote, “everyone in the hall went crazy, there was such a noise, such screams that one had only to be surprised at the temperament of the public.” This was the beginning of the stage history of The Puritans, already staged in 1840 on the St. Petersburg stage.

The events unfold against a colorful historical background: it takes place in England in the middle of the 17th century, during the Civil War, when the Protestant Republicans fought against the Royalist Catholics. The main love couple is made up of representatives of the warring camps: the soprano is a supporter of Cromwell, the tenor is a supporter of the Stuarts. Their happiness hangs in the balance, the path to it is thorny: imaginary treason, escape, madness, arrest, death sentence, storm; and yet, at the last moment, the authors save their heroes, and the story ends with a happy ending. Reading the summary of The Puritans brings to mind the well-known aphorism of Bellini: "A good musical drama is something that does not have common sense." The Puritans is an excellent musical drama, in which the plot provides the composer with the strongest situations in terms of their emotional intensity. The music of "Puritans" is not only not inferior to the previous masterpieces of Bellini, but also turns out to be one step ahead, in many respects adjoining the new genre of French grand opera. There are not only wondrous vocal beauties here, but also a luxurious differentiated orchestra, powerful choral scenes, and through dramaturgy of scenes. The Puritani is one of the most difficult operas to perform in the history of the genre. Composed for great voices, for the famous "puritan quartet": Giulia Grisi, Giovanni Rubini, Antonio Tamburini and Luigi Lablasha, this music even today requires extraordinary virtuosity from vocalists, fluency in the technique of Italian beautiful singing, as well as a huge range - suffice it to mention the prohibitively high the tenor notes D and F in the third act. The artists of the Mariinsky troupe have already shown their skills in other works by Bellini - the operas Capuleti and Montecchi, La sonnambula, Beatrice di Tenda, Norma, performed in recent years in the Concert Hall of the theater. Now, with the advent of "Puritans" on the poster, another large pearl will adorn the Bellini collection. On June 16, the Puritan Quartet will feature outstanding masters of the Italian repertoire: laureate of the Onegin National Opera Prize Maharram Huseynov (for the first time) and Albina Shagimuratova, who starred as Elvira at the Lyric Opera of Chicago. Christina Batyushina

History
Premiere of this production: 24 January 1835, Théâtre-Italien, Paris

I puritani (The Puritans) is an opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 19:00
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