Mariinsky Theatre 1 May 2025 - Der fliegende Holländer | GoComGo.com

Der fliegende Holländer

Mariinsky Theatre, Concert Hall, Saint Petersburg, Russia
All photos (17)
Thursday 1 May 2025
8 PM
Request for Tickets

Leave a request to get notified when tickets become available

We'll send you an email as soon as tickets are available with a link directly to the event. You will get up to 5% advance booking discount and will be the first to book the best selection of tickets.

Save5%
Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Chorus: Mariinsky Chorus
Creators
Composer: Richard Wagner
Music Director: Valery Gergiev
Stage Director: Ian Judge
Set Designer: John Gunter
Musical Preparation: Marina Mishuk
Lighting Designer: Nigel Levings
Librettist: Richard Wagner
Costume designer: Tim Goodchild
Lighting Designer: Yegor Kartashov
Overview

World premiere: 2 January 1843, Königliches Sächsisches Hoftheater (Semperoper), Dresden
Premiere at the Mariinsky Theatre: 11 October 1911 (performed in Russian, translated by Nikolai Vildé)
Premiere of this production: 25 February 2008

History
Premiere of this production: 02 January 1843, Königliches Hoftheater, Dresden

The Flying Dutchman (German: Der fliegende Holländer) is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater in Dresden in 1843. Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. However, in his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski).

Synopsis

Act I
Driven by a violent storm to take shelter, Daland anchors his ship in the bay of Sandwike, some miles from his home port. Leaving his Steersman on watch, Daland and his crew go to rest. The Steersman, to keep himself awake, sings a ballad. But eventually he falls asleep. A strange ship appears. Its captain, the legendary Flying Dutchman, sings of the curse upon him. Once he swore he would try to round a cape even if it took until eternity; the devil took him at his word: his rate is now to sail unceasingly until the Day of Judgment unless he can find a woman "faithful unto death". Every seven years he may come ashore to search for one, and the time has now come again.
Daland returns to the deck, sees the strange ship and rouses the Steersman. They hail it but are met with silence. Daland meets the Dutchman, who tells him of his wanderings and asks for Daland´s friendship and hospitality. In return he can offer untold riches. When the Dutchman discovers Daland has a daughter he asks to marry her. Daland is delighted. The Dutchman wonders whether this woman will be his saviour. A southerly wind has sprung up and Daland´s crew prepare to set sail, the Dutchman promising to follow.

Act II
Senta´s friends are singing as they spin. Senta takes no part in the work, preferring to gaze at a picture of the Flying Dutchman. Mary reproaches her for idleness and the women mock her for her obsession with the Dutchman, particularly when she has a lover, Erik. Senta asks Mary to sing the ballad of the Dutchman; she refuses, so Senta sings it herself.
The women are moved by the story. Senta declares that she will be the woman to bring salvation to the doomed Dutchman. Everyone is horrified, including Erik, who overheard her. He tells them Daland´s ship is returning. Mary says the picture will be thrown out when Daland comes home.
The women leave to prepare for the sailors´ arrival.
Erik begs Senta to be faithful to him but she is anxious to go and meet her father. Erik wishes she would forget the picture and the ballad. Senta is unmoved by his self-pity; the Dutchman´s sorrow cuts through her. Erik dreamt of a strange ship: Senta´s father and a stranger approached and Erik recognized the stranger as the Dutchman; Senta embraced him and sailed away with him. Senta is now convinced that the Dutchman is seeking her and it is her fate to save him. Erik leaves in despair.
Daland arrives with the Dutchman. He is puzzled that his daughter has not greeted him in the usual way. She is transfixed by the visitor. Daland asks her to offer him hospitality and urges her to marry him. He leaves the two alone, commending their respective virtues.
The Dutchman and Senta are entranced, each contemplating the fulfilment of their dreams. Senta, overwhelmed by his suffering, saying she will be his salvation.
The Dutchman warns her of the sacrifices she must make if she is to be one to him for ever. But she says she will be true until death.
Daland returns. He is overjoyed that there is now an engagement to celebrate.

Act III
The sailors are having a party. The women arrive with food and drink and take some to the stranger´s ship. But there is no response to their calls. The sailors continue their festivities. Suddenly the Dutchman´s crew come to life. The Norwegians flee in terror. Senta appears with Erik, who is broken-hearted and reproachful. He pleads with her to remember her promises to him. The Dutchman is listening, and believes Senta unfaithful to him. He will return to the sea, never return to land, and forego his salvation. Senta begs him to stay but Erik wants her to let the Dutchman go. He tells her he will not let her fall victim to his curse, as have countless women in the раst: all have sworn fidelity to him and broken their oaths; eternal damnation is their reward.
Senta will be saved for she has not sworn fidelity to him before God. She maintains she has always known both his identity and destiny. Erik calls for help. The Dutchman reveals his identity, boards his ship end leaves. In есstasy Senta calls out to him and throws herself in to the sea The ship founders.
The Dutchman is set free.

Place: On the coast of Norway

Act 1

On his homeward journey, the sea captain Daland is compelled by stormy weather to seek a port of refuge near Sandwike in southern Norway. He leaves the helmsman on watch and he and the sailors retire. (Song of the helmsman: "Mit Gewitter und Sturm aus fernem Meer" — "With tempest and storm on distant seas.") The helmsman falls asleep. A ghostly vessel appearing astern is dashed against Daland's vessel by the sea and the grappling irons hold the two ships together. Invisible hands furl the sails. A man of pale aspect, dressed in black, his face framed by a thick black beard, steps ashore. He laments his fate. (Aria: "Die Frist ist um, und abermals verstrichen sind sieben Jahr" — "The time has come and seven years have again elapsed") Because he once invoked Satan, the ghost captain is cursed to roam the sea forever without rest. An angel brought to him the terms of his redemption: Every seven years the waves will cast him upon the shore; if he can find a wife who will be true to him he will be released from his curse.

Daland wakes up and meets the stranger. The stranger hears that Daland has an unmarried daughter named Senta, and he asks for her hand in marriage, offering a chest of treasure as a gift. Tempted by gold, Daland agrees to the marriage. The southwind blows and both vessels set sail for Daland's home.

Act 2

A group of local girls are singing and spinning in Daland's house. (Spinning chorus: "Summ und brumm, du gutes Rädchen" — "Whir and whirl, good wheel") Senta, Daland's daughter, dreamily gazes upon a gorgeous picture of the legendary Dutchman that hangs from the wall; she desires to save him. Against the will of her nurse, she sings to her friends the story of the Dutchman (Ballad with the Leitmotiv), how Satan heard him swear and took him at his word. She vows to save him by her fidelity.

The huntsman Erik, Senta's former boyfriend, arrives and hears her; the girls depart, and the huntsman, who loves the maiden, warns her, telling her of his dream, in which Daland returned with a mysterious stranger, who carried her off to sea. She listens with delight, and Erik leaves in despair.

Daland arrives with the stranger; he and Senta stand gazing at each other in silence. Daland is scarcely noticed by his daughter, even when he presents his guest as her betrothed. In the following duet, which closes the act, Senta swears to be true till death.

Act 3

Later in the evening, the local girls bring Daland's men food and drink. They invite the crew of the strange vessel to join in the merry-making, but in vain. The girls retire in wonder; ghostly forms appear at work upon the vessel The Flying Dutchman, and Daland's men retreat in fear.

Senta arrives, followed by Erik, who reproves her for deserting him, as she had formerly loved him and vowed constancy. When the stranger, who has been listening, hears these words, he is overwhelmed with despair, as he thinks he is now forever lost. He summons his men, tells Senta of the curse, and to the consternation of Daland and his crew declares that he is the "Flying Dutchman".

As the Dutchman sets sail, Senta throws herself into the sea, claiming that she will be faithful to him unto death. This is his salvation. The spectral ship disappears, and Senta and the Dutchman are seen ascending to heaven.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera
City: Saint Petersburg, Russia
Starts at: 20:00
Top of page