The Music Center. Dorothy Chandler Pavilion 24 February 2024 - Highway 1, USA / The Dwarf | GoComGo.com

Highway 1, USA / The Dwarf

The Music Center. Dorothy Chandler Pavilion, Los Angeles, USA
All photos (7)
Saturday 24 February 2024
7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Los Angeles, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The groundbreaking Recovered Voices project returns with a pair of powerful one-act operas.

An LA Opera Production.

The power of art triumphs over historical neglect and censorship in two 20th-century gems. First up is a rare staging of Highway 1, USA by William Grant Still, a trailblazing Jim Crow-era composer hailed as “the Dean of African-American Composers.” Norman Garrett and Nicole Heaston star as a hardworking couple determined to build a better life, who discover that their years of sacrifices have been misguided. Chaz'men Williams-Ali portrays the beneficiary of their support, who squanders the opportunities granted to him. This new production is staged by visionary director Kaneza Schaal, who helmed the stunning 2022 production of Omar.

"William Grant Still gives us such gorgeous orchestration... it is truly wonderful music."
Steve Callahan – Broadway World

“Still’s one-act stunner... Though stylish, the music is unabashedly approachable. If played more widely, Still’s aesthetic might attract modern-opera skeptics who have rejected works from the modernist or Minimalist camps that dominate the 20th-century repertoire currently performed in America.”
– The New York Times

Rodrick Dixon performs the title role opposite audience favorites Erica Petrocelli and Kristinn Sigmundsson in The Dwarf, a heartbreaking tale of one-sided love in an opulent Spanish court. Last presented here in 2008 to critical acclaim, Oscar Wilde’s fable is brought to life through a lush and romantic score by Alexander Zemlinsky, whose career was cut short by the rise of the Nazi regime.

“[Dixon] clearly loves to inhabit the vocally demanding role of the Dwarf, which he performs to mesmerizing effect.”
– Seen and Heard International

History
Premiere of this production: 11 May 1963, Coral Gables High School, USA

Highway 1, USA is an American opera in one act with music by William Grant Still and libretto by Verna Arvey. Originally composed during the 1940s with the title A Southern Interlude, the opera received its premiere under its revised and definitive title in 1963.

Premiere of this production: 22 May 1922, Stadttheater Glockengasse, Cologne

Der Zwerg (The Dwarf), is an opera in one act by Austrian composer Alexander von Zemlinsky to a libretto by Georg C. Klaren, freely adapted from the short story "The Birthday of the Infanta" by Oscar Wilde.

Synopsis

Scene 1
The kitchen of Bob and Mary's two-bedroom cottage adjoined to the filling station.

The opera is set in the present day at a gasoline filling station in a small town along a major American thoroughfare. It is from this filling station that Bob earns a living for himself and his wife Mary, charitably using the profits to educate his younger brother, Nate, according to the promise Bob had made to his mother on her deathbed. To do this, he and Mary have made many sacrifices. Now, Nate is about to graduate from college. Bob is going to attend the graduation while Mary (accompanied by an elderly neighbor, Aunt Lou) stays behind to take care of the business. Mary is joyful, believing that Nate's graduation means the end of their sacrifices and the beginning of a new life. She is taken aback when Bob tells her that they must continue to support Nate until he makes a place for himself in the world. After the church committee has come to felicitate Bob and has gone with him to the railroad station, Mary tells Aunt Lou of her hatred for Nate and all he has made them suffer and deny themselves. She vows to find a way to make Nate reveal himself as the ingrate he really is.

Scene 2
The kitchen, one year later.

After a year of laziness and scorn for the honest people around him, Nate has not yet found an outlet for his talents. He lives with Bob and Mary and contributes absolutely nothing to the welfare of the home. In fact, he sleeps while they work. Mary has chosen the method of being sweetly sarcastic to Nate. At the breakfast table, it is apparent that Bob has become aware of the truth behind her barbed remarks.

When Nate comes for his breakfast, he is revealed as an egotistical, neurotic, stupid individual who mistakes Mary's sarcasm for flattery and makes passionate love to her. She responds by laughing at him, scorns him for his weakness, and reaffirms her love for Bob. Enraged, Nate seizes a knife from the table and stabs her. When she screams, Bob and Aunt Lou rush in, the latter immediately going for the Sheriff and the Doctor. Bob, believing Mary dead and still trying to shield his brother, takes the blame. When the Sheriff is about to handcuff him, Mary regains consciousness and cries out that Nate is the culprit. As he is being taken away, Nate cravenly begs Bob to save him. Bob falls on his knees at Mary's side with the cry that at last, he understands and that the future will be brighter for both of them.

A sultan has sent a dwarf as a present to the Infanta (Spanish princess) Donna Clara on her birthday. The dwarf is unaware of his physical deformity and becomes infatuated with the Infanta. He sings her a love song and imagines himself her brave knight. She toys with him and gives him a white rose as a present. Left alone, he accidentally uncovers a mirror and sees his own reflection for the first time. In great agitation, he tries to obtain a kiss from the Infanta, but she spurns him and calls him a monster. His heart is broken, he dies clutching the white rose as the Infanta rejoins the party.

Venue Info

The Music Center. Dorothy Chandler Pavilion - Los Angeles
Location   135 N. Grand Avenue, 90012

As one of the nation’s largest performing arts centers, and as a cultural anchor in Los Angeles County, The Music Center convenes artists, communities and ideas with the goal of enriching the cultural lives of every resident.

With America’s most diverse population, Los Angeles is the cultural hub of the country and the location for more entertainment options and venues than anywhere else in the U.S. As one of the nation’s largest performing arts centers, and as a cultural anchor in Los Angeles County, The Music Center brings together artists, communities and ideas with the goal of enriching the cultural lives of every Angeleno. With our vision, The Music Center is poised to become a multidisciplinary arts center for the 21st century and a driving artistic voice for diversity and inclusion that reflects and responds to the ever-evolving landscape of Los Angeles. By offering compelling cultural and civic programs that are relevant to a wide range of audiences, The Music Center is both the home and the force behind some of the greatest creative expression today. 

The non-profit Music Center organization has three divisions: TMC Arts, TMC Ops and TMC Business Services. TMC Arts, The Music Center’s programming engine, provides year-round programming inside our four theatres, on Jerry Moss Plaza, outside at Grand Park—a 12-acre adjacent green space—in schools and neighborhoods all over Los Angeles County and on a variety of digital platforms. TMC Arts also has a comprehensive K-12 arts learning program. TMC Ops manages The Music Center’s four theatres, Jerry Moss Plaza and Grand Park on behalf of the County of Los Angeles, while TMC Business Resources includes services provided by our Advancement, Finance and Marketing and Communications teams. The Music Center has four renowned resident companies—Center Theatre Group, Los Angeles Master Chorale, LA Opera and LA Phil. 

Visit The Music Center, and you’ll find many ways you can experience arts and cultural experiences. The Music Center’s programming arm, TMC Arts, creates inclusive arts and cultural experiences across numerous genres—for, with and by the community—both on our stages and in our outdoor spaces including on Jerry Moss Plaza and in Grand Park. Our four resident companies offer world-class presentations on our stages with an emphasis on theatre, choral music, opera and classical music. 

Important Info
Type: Opera
City: Los Angeles, USA
Starts at: 19:30
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