Kongress & TheaterHaus 7 August 2019 - Parisian Life | GoComGo.com

Parisian Life

Kongress & TheaterHaus, Bad Ischl, Austria
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Wednesday 7 August 2019
3:30 PM
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Important Info
Type: Operetta
City: Bad Ischl, Austria
Starts at: 15:30
Duration:

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Festival

Lehár Festival Bad Ischl 2019

The sustaining Members of the Lehár Festival Bad Ischl Assosiation are individuals, who enable financial support. The friends oft he Lehár Festival feel reponsible for supporting and encouragin the futurity performances.

Overview

The cast will be announced in the near future.

Libretto by Henri Meilhac and Ludovic Halévy

Jacques Offenbach revolutionized musical theater with his works in the second half of the 19th century and has since been regarded as the founder of operetta. For the 200th birthday of the composer, the Lehár Festival Bad Ischl takes you back to Paris with the second performance of the season. It will be loved, cheated and danced in the best French way, and of course Offenbach’s famous Can-Can won’t be missing.
With his frivolous operetta PARISIAN LIFE, Jacques Offenbach composed a musical-theatrical monument full of wit and irony to the French capital. The vacationing Swedish baron of Gondremarck and his wife also want to take part in this fun. As soon as they arrive in the City of Love, they are received by someone who is not who he claims to be. What follows is a confusion that makes the human in the French metropolis clearly visible.

PARISIAN LIFE by Jacques Offenbach is a Bad Ischler premiere, the work will be completely re-translated and edited for the Lehár Festival.

History
Premiere of this production: 31 October 1866, Théâtre du Palais-Royal, Paris

La vie parisienne is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas. In 1864 the Théâtre du Palais-Royal presented a comedy by Meilhac and Halévy entitled Le Photographe (The Photographer), which featured a character called Raoul Gardefeu, the lover of Métella, trying to seduce a baroness. Two years earlier, a comedy by the same authors La Clé de Métella (The Key of Métella) was played at the Théâtre du Vaudeville. These two pieces presage the libretto of La vie parisienne which can be dated from late 1865.

Synopsis

Act 1
The story begins at the Gare de l'Ouest, where the employees list the provenance of trains arriving from different places in France ("Nous sommes employés de la ligne de l'Ouest"). Two Parisian dandies, Bobinet and Gardefeu are waiting for the train from Rambouillet, but avoid each other while they walk around. They have fallen out over the demi-mondaine Métella. She arrives with a third man and pretends not to recognize the two previous lovers. Her rejection reunites the two friends and they vow to seek a better class of mistress ("Elles sont tristes, les marquises"). While wondering how he will achieve this Gardefeu sees his former servant Joseph, now a tourist guide. Joseph reveals that he is to meet a Swedish baron and his wife who he is to show around Paris but for a sum agrees to let Gardefeu take his place. While he goes to look for the baron, Gardefeu wonders what will happen with the baroness ("Ce que c'est pourtant que la vie !") The Baron and Baroness Gondremarck enter he promises to show them everything they want to see in the French capital ("Jamais, foi de cicérone"). The station fills with more passengers arriving for a good time in Paris, including a Brazilian returning after having spent his fortune once before in the city ("Je suis Brésilien, j'ai de l'or").

Act 2
At Gardefeu's home, his glove-maker Gabrielle and his boot-maker Frick await the master's return ("Entrez ! entrez, jeune fille à l'œil bleu !"). Gardefeu continues his pretence with the Swedes, explaining that they are in an annexe to the hotel, hoping to get the baron out of the way so that he can pay attention to the baroness; the baron already has his plans based on a letter from a friend ("Dans cette ville toute pleine"). The baron then asks to take the table d'hôte. The problem of missing hotel guests is solved by getting Gabrielle and Frick and their friends to impersonate other hotel guests. Bobinet calls by and offers to stage a party for the Swedes at his absent aunt's mansion the following night, with the baron invited. The baroness finds remnants of Gardefeu's affair with Métella in her room. Métella herself now arrives hoping for a reconciliation with Gardefeu ("Vous souvient-il, ma belle") and ends with offering to entertain the baron in a few days. The guests arrive for the table d'hôte; Frick as a major ("Pour découper adroitement") and Gabrielle as a war widow ("Je suis veuve d'un colonel") and with a tyrolienne everyone retires to supper ("On est v'nu m'inviter").

Act 3
At a party the next evening hosted by Bobinet his servants dress up as the crowd of aristocrats ("Donc, je puis me fier à vous !"). Baron Gondremarck arrives and is taken by Pauline 'Madame l'amirale' (in fact a chambermaid). Gabrielle arrives ("On va courir, on va sortir") and Bobinet as a Swiss admiral ("Votre habit a craqué dans le dos !").

Bobinet rises to greet the crowd with a drinking song ("En endossant mon uniforme") and the champagne flows ("Soupons, soupons, c'est le moment"), the baron and everyone else gets drunk.

Act 4
The Brazilian millionaire is offering a masquerade ball at the Café Anglais. The head waiter tells his staff to be discreet during about the guests ("Avant toute chose, il faut être... Fermez les yeux"). The baron arrives for his assignation with Métella, while growing increasingly suspicious of the goings-on. Métella tells the baron to be patient ("C'est ici l'endroit redouté des mères") but she will not be his entertainment: she is in love with someone else but has brought a friend for him. The baron is furious when he discovers that her lover is Gardefeu. The Brazilian arrives, then Bobinet and Gardefeu. After showing Métella the letter ("Vous souvient-il, ma belle") she and Gardefeu are reconciled, and the baron's fury only stops when baroness intervenes. All toast Paris ("Par nos chansons et par nos cris, célébrons Paris.").

Venue Info

Kongress & TheaterHaus - Bad Ischl
Location   Kurhausstraße 8

The Kongress & Theaterhaus (formerly Kurhaus) in Bad Ischl, Upper Austria, was built between 1873 and 1875 by the architect Hyazinth Michel (1846-1904).

Due to the imperial summer residence in Bad Ischl and the numerous guests from science, culture and through the imperial house a spa house was necessary to hold concerts and balls for their entertainment. In 1872, the market town bought the so-called "Pfifferlingfeld" and built the Kurhaus there.

In 1965, a devastating fire destroyed the building largely, only the auditorium was spared by the flames. By decision of the city, the house was rebuilt but almost identical and thus retained its style and the flair of the imperial era.

In 1997, the walls were completely restored and renamed it "Kongress & Theaterhaus".

Today, the Congress & Theater House hosts balls, cultural events and various performances of the famous Lehár Festival Bad Ischl.

Important Info
Type: Operetta
City: Bad Ischl, Austria
Starts at: 15:30
Duration:
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