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Après des études en sciences, Emanuel Mendes is passionne pour le chant. The effectue ses formations musicales et vocales, au conservatoire du XIII arrondissement of Paris et au conservatoire national de région de Nancy. Obtaining a Premier Prix to unanimity at the international concerts of chant U.F.A.M. In Paris, in 1994. He quickly moved on to the carriage and chant of long-extracted Carmen with the Orchester philharmonique des jeunes à la Sorbonne in Paris, La Traviata at the Festival of Sainte-Cécile (Vaucluse) and La Flûte enchantée at the Théâtre Dunois.
Il interprète ensuite Don Ottavio by Don Giovanni with the philharmonic orchestra of the sisters at the Sorbonne in Paris. During these years, he also performed in the works of the religious repertoire that we require Mozart to Saint-Dié and Nancy, the Messe in Mozart to Tréguier, Saint-Malo, Rennes and Paris. He participates in the creation of a contemporary work, a theater oratory, the composer François Narboni Le Mystère from the conversion of Paul Claudel to the Notre Dame Cathedral in Paris and the creation of Madrigaux by Philippe Fénelon. Title du chœur de l'Opéra national de Paris from 2000, where he also trusts himself and also includes a slave in The Enchanted Flute, a subject in Les Troyens. Continue producing regular music solos, donuts des concerts et des récitals, fonde et préside une culturelle association, plus plus des jeunes une sensibilisation aux métiers du musique et du chant.