Dutch National Opera tickets 16 March 2025 - We Are The Lucky Ones | GoComGo.com

We Are The Lucky Ones

Dutch National Opera, Main Stage, Amsterdam, Netherlands
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2 PM
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US$ 113

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 14:00
Sung in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Bass: Alex Rosen
Conductor: Bassem Akiki
Soprano: Claron McFadden
Tenor: Frederick Ballentine
Baritone: Germán Olvera
Mezzo-Soprano: Helena Rasker
Soprano: Jacquelyn Stucker
Tenor: Miles Mykkanen
Mezzo-Soprano: Nina van Essen
Orchestra: Residentie Orkest
Creators
Composer: Philip Venables
Librettist: Nina Segal
Director: Ted Huffman
Overview

The end of a war. A child’s birthday party. A wall comes down in the centre of the city. Someone’s first kiss. The economy collapses. A new millennium. Temperatures rising. Friends dying. And everyone keeps buying new mobile phones.

Multi-voiced portrait of a generation

We Are The Lucky Ones tells the story of a generation. It is based on interviews with more than seventy people in Western Europe who were born between 1940 and 1949. It is the story of people who started out with little, who experienced ever-improving living standards and are now leaving behind a world where such growth is no longer sustainable. Their memories form a collective time capsule of the past eighty years, told as one continuous life story in music theatre form. Following individual experiences and societal changes over the decades, the opera raises crucial questions about the relationship between the private and the political, the impact of our choices and what truly matters in the end.

We Are The Lucky Ones is composer Philip Venables and director Ted Huffman’s fourth music theatre collaboration, their first orchestral opera and their first collaboration with playwright Segal. The duo’s chamber opera Denis & Katya, a reconstruction of the tragic fate of two real-life Russian teenagers compiled from various perspectives, was a hit at the 2022 Opera Forward Festival. Their latest collaboration, The Faggots and their Friends between Revolutions, an adaptation of Larry Mitchell’s queer fairy tale, received rave reviews upon its premiere at the Festival d’Aix-en Provence and is included in the programming of the 2024 Holland Festival.

The conductor for this work is Bassem Akiki, who previously demonstrated his significant talents as an interpreter of new music with the world premiere of Alexander Raskatov’s Animal Farm. With the adventurous Residentie Orkest and a cast of singers of the highest calibre, We Are The Lucky Ones has all the ingredients of a world premiere to eagerly look forward to.

Co-production with Ruhrtriennal

Venue Info

Dutch National Opera - Amsterdam
Location   Amstel 3

The Dutch National Opera is the largest theatre production house in the Netherlands. Situated in the heart of Amsterdam, the iconic theatre of Dutch National Opera & Ballet offers a magnificent view of the River Amstel and the famous Magere Brug (Skinny Bridge). The various spaces form an inspiring backdrop for a whole range of special events.

Dutch National Opera & Ballet is a young theatre with a long history. The plans for building a new theatre ran parallel to the plans for a new city hall. The first discussions held by the Amsterdam city council about building a new city hall and opera house go back to 1915. At that time, the plans were specifically for an opera house, since ballet was a relatively unknown art form back then.

Ideas for the site of the new city hall and opera house were continually changing, and the idea that both buildings could form a single complex only emerged much later. Sites considered for the new city hall were initially the Dam, followed by the Frederiksplein, and finally the Waterlooplein.

In 1955, the city council commissioned the firm of architects Berghoef and Vegter to draft a design for a city hall on the Waterlooplein. The draft was approved, but in 1964 the council ended the association with the architects, as the final design was nothing like the original plans they had been shown. In 1967, a competition was held for a new design, with the Viennese architect Wilhelm Holzbauer emerging as the winner. Amsterdam's financial problems, however, meant that the plans for the new city hall were put on hold for several years.

DNO has its own choir of sixty singers and technical staff of 260. DNO historically has not had its own resident orchestra, and so various orchestras of the Netherlands, including the Netherlands Philharmonic Orchestra (NPO), the Netherlands Chamber Orchestra (NKO), the Royal Concertgebouw Orchestra, the Rotterdam Philharmonic Orchestra, the Radio Filharmonisch Orkest and the Asko/Schönberg ensemble have provided the orchestral forces for DNO productions.

DNO produces on average eleven productions per year. While most performances are in the Dutch National Opera & Ballet building, the company has also performed in the Stadsschouwburg, at the Carré Theatre, and on the Westergasfabriek industrial site in Amsterdam. For many years, the June production has been organized as part of the Holland Festival and includes the participation of the Royal Concertgebouw Orchestra. DNO has lent its productions to foreign companies, such as the Metropolitan Opera, the Brooklyn Academy of Music, the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.

Since 1988, the French-Lebanese theatre director Pierre Audi has been the artistic director of DNO. Audi is scheduled to conclude his DNO tenure in 2018. In April 2017, DNO announced the appointment of Sophie de Lint as the company's next artistic director, effective 1 September 2018.

Hartmut Haenchen was chief conductor from 1986 to 1999, in parallel with holding the title of chief conductor of the NPO. He subsequently held the title of principal guest conductor with DNO. Subsequent chief conductors have been Edo de Waart (1999-2004) and Ingo Metzmacher (2005-2008). In March 2009, DNO announced the appointment of Marc Albrecht as the orchestra's next chief conductor, with the 2011-2012 season, for an initial contract of four years. This return to a single chief conductor at both DNO and the NPO/NKO allows for the NPO to become the principal opera orchestra for DNO. Albrecht is scheduled to stand down as chief conductor of DNO at the end of the 2019-2020 season.

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 14:00
Sung in: English
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