Dutch National Opera 9 December 2023 - Raymonda | GoComGo.com

Raymonda

Dutch National Opera, Amsterdam, Netherlands
All photos (9)
Saturday 9 December 2023

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Important Info
Type: Ballet
City: Amsterdam, Netherlands
Starts at: 20:00
Overview

Dutch National Ballet’s new full-length classic, Raymonda (2022), received four and five-star reviews and several mentions as the ‘best production of the year’ in the international dance press. In her production, associate artistic director Rachel Beaujean gives her own interpretation of the ballet story, which is relevant to the times we live in today. At the same time, she lets the choreographic gems of Marius Petipa’s last great masterpiece sparkle like never before.

For many years, most ballet companies worldwide only ventured to present the third act of the nineteenth-century Raymonda, which revolves around the wedding festivities. The complete production was avoided, due to a rather stigmatising plot. That is a shame, as from a choreographic point of view, Raymonda is probably Petipa’s best work. Beaujean says, “In Raymonda, he was able to incorporate and perfect all the knowledge and experience he’d gained previously in ballets like The Sleeping BeautyThe Nutcracker and Swan Lake.”

So Beaujean decided to overhaul the libretto and, partly inspired by series like Game of Thrones and Bridgerton, to adapt the storyline so that today’s audiences can relate to it. In her production, therefore, the young Hungarian grand duchess Raymonda does not simply do as she’s told and marry the vain crusader Jean de Brienne. Instead, she is a young, independent woman who, attracted to the mysterious Abd al-Rahman, makes her own decisions on the path of love.

Choreographically speaking, Raymonda is a spectacular sample sheet of classical ballet technique. Beaujean says, “The many ballerina variations, the dream scene and the Pas d’Action; they’re all incredibly beautiful.” The lively character dances staged by Grigori Tchitcherine, the stylish sets and chic, colourful costumes by the French designer Jérôme Kaplan, and the wonderful music by Alexander Glazunov are also very good reasons not to miss the performances of Raymonda this Christmas!

Raymonda was one of Petipa’s final, most successful ballets to be staged during the golden years of his career. The 1890s had seen some of the biggest highlights of Petipa’s career, which first emerged with the creation of The Sleeping Beauty. This late-era saw Petipa taking a slightly different step from what he had previously produced for the Saint Petersburg Imperial Ballet. He was now creating ballets that lacked dramatic plots and character development and were, instead, presenting new ballets that represented the grand spectacle. The ballet-féerie made its impact on the Imperial Ballet following the success of The Sleeping Beauty and materialized again in other ballets such as Cinderella and Bluebeard.

History
Premiere of this production: 19 January 1898, Imperial Mariinsky Theatre, Saint Petersburg, Russia

Raymonda  is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. First presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.

Venue Info

Dutch National Opera - Amsterdam
Location   Amstel 3

The Dutch National Opera is the largest theatre production house in the Netherlands. Situated in the heart of Amsterdam, the iconic theatre of Dutch National Opera & Ballet offers a magnificent view of the River Amstel and the famous Magere Brug (Skinny Bridge). The various spaces form an inspiring backdrop for a whole range of special events.

Dutch National Opera & Ballet is a young theatre with a long history. The plans for building a new theatre ran parallel to the plans for a new city hall. The first discussions held by the Amsterdam city council about building a new city hall and opera house go back to 1915. At that time, the plans were specifically for an opera house, since ballet was a relatively unknown art form back then.

Ideas for the site of the new city hall and opera house were continually changing, and the idea that both buildings could form a single complex only emerged much later. Sites considered for the new city hall were initially the Dam, followed by the Frederiksplein, and finally the Waterlooplein.

In 1955, the city council commissioned the firm of architects Berghoef and Vegter to draft a design for a city hall on the Waterlooplein. The draft was approved, but in 1964 the council ended the association with the architects, as the final design was nothing like the original plans they had been shown. In 1967, a competition was held for a new design, with the Viennese architect Wilhelm Holzbauer emerging as the winner. Amsterdam's financial problems, however, meant that the plans for the new city hall were put on hold for several years.

DNO has its own choir of sixty singers and technical staff of 260. DNO historically has not had its own resident orchestra, and so various orchestras of the Netherlands, including the Netherlands Philharmonic Orchestra (NPO), the Netherlands Chamber Orchestra (NKO), the Royal Concertgebouw Orchestra, the Rotterdam Philharmonic Orchestra, the Radio Filharmonisch Orkest and the Asko/Schönberg ensemble have provided the orchestral forces for DNO productions.

DNO produces on average eleven productions per year. While most performances are in the Dutch National Opera & Ballet building, the company has also performed in the Stadsschouwburg, at the Carré Theatre, and on the Westergasfabriek industrial site in Amsterdam. For many years, the June production has been organized as part of the Holland Festival and includes the participation of the Royal Concertgebouw Orchestra. DNO has lent its productions to foreign companies, such as the Metropolitan Opera, the Brooklyn Academy of Music, the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.

Since 1988, the French-Lebanese theatre director Pierre Audi has been the artistic director of DNO. Audi is scheduled to conclude his DNO tenure in 2018. In April 2017, DNO announced the appointment of Sophie de Lint as the company's next artistic director, effective 1 September 2018.

Hartmut Haenchen was chief conductor from 1986 to 1999, in parallel with holding the title of chief conductor of the NPO. He subsequently held the title of principal guest conductor with DNO. Subsequent chief conductors have been Edo de Waart (1999-2004) and Ingo Metzmacher (2005-2008). In March 2009, DNO announced the appointment of Marc Albrecht as the orchestra's next chief conductor, with the 2011-2012 season, for an initial contract of four years. This return to a single chief conductor at both DNO and the NPO/NKO allows for the NPO to become the principal opera orchestra for DNO. Albrecht is scheduled to stand down as chief conductor of DNO at the end of the 2019-2020 season.

Important Info
Type: Ballet
City: Amsterdam, Netherlands
Starts at: 20:00
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