Dutch National Opera 9 March 2024 - Oedipus Rex / Antigone | GoComGo.com

Oedipus Rex / Antigone

Dutch National Opera, Main Stage, Amsterdam, Netherlands
All photos (1)
Saturday 9 March 2024
8:15 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Amsterdam, Netherlands
Starts at: 20:15

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

These two works – Stravinsky’s Oedipus Rex (1927) and Samy Moussa’s world premiere Antigone – are all about crime and punishment. This new production by the top British choreographer and director Wayne McGregor brings together the worlds of classical tragedy, modern dance and music from the twentieth and twenty-first centuries.

Wayne McGregor is a big name in the international world of dance and opera. Dutch National Ballet has previously performed his Chroma and Yugen to great acclaim. He has also directed various opera productions, including for the Royal Opera House in London (Dido and Aeneas and Acis and Galatea) and the English National Opera (Gluck’s Orphée et Eurydice). His intense contemporary idiom of movement is a perfect match for the intense classical stories of Oedipus and Antigone.

Co-commission and co-production with Den Norske Opera (Oslo)

Oedipus Rex
Opera-oratorio
Sung in Latin

Libretto Jean Cocteau, based on Sophocles’ Oedipus Rex

In Oedipus Rex, Stravinsky’s imposing opera-oratorio in Latin, the city of Thebes is afflicted by the plague. The only way to end it is to find and punish the old king’s murderer. Under pressure from his desperate subjects, King Oedipus goes in search of the perpetrator and discovers the horrific truth – that he himself is the guilty man.In Oedipus Rex, Stravinsky’s imposing opera-oratorio in Latin, the city of Thebes is afflicted by the plague. The only way to end it is to find and punish the old king’s murderer. Under pressure from his desperate subjects, King Oedipus goes in search of the perpetrator and discovers the horrific truth – that he himself is the guilty man.

Antigone
World premiere
Sung in Greek
composed for women’s chorus

Libretto
Samy Moussa in collaboration with Niall Porter
Based on texts by: Aeschylus, Apollodorus, Empedocles, Euripides, Philostratus of Lemnos and Sophocles

The Canadian composer Samy Moussa features the female chorus in his new composition. His Antigone, sung in Greek, deals with the tragedy of Oedipus’s daughter. Moussa’s lively, colourful sound palettes have previously been performed by the Wiener Philharmoniker and London Symphony Orchestra, among others. Conductor Erik Nielsen, a specialist in the modern and contemporary repertoire, will lead the Netherlands Philharmonic Orchestra in the premiere of Moussa’s major vocal composition.

History
Premiere of this production: 30 May 1927, Théâtre Sarah Bernhardt, Paris

Oedipus Rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.

Synopsis

Act 1

The Narrator greets the audience, explaining the nature of the drama they are about to see, and setting the scene: Thebes is suffering from a plague, and the men of the city lament it loudly. Oedipus, king of Thebes and conqueror of the Sphinx, promises to save the city. Creon, brother-in-law to Oedipus, returns from the oracle at Delphi and declaims the words of the gods: Thebes is harboring the murderer of Laius, the previous king. It is the murderer who has brought the plague upon the city. Oedipus promises to discover the murderer and cast him out. He questions Tiresias, the soothsayer, who at first refuses to speak. Angered at this silence, Oedipus accuses him of being the murderer himself. Provoked, Tiresias speaks at last, stating that the murderer of the king is a king. Terrified, Oedipus then accuses Tiresias of being in league with Creon, whom he believes covets the throne. With a flourish from the chorus, Jocasta appears.

Act 2

Jocasta calms the dispute by telling all that the oracles always lie. An oracle had predicted that Laius would die at his son's hand, when in fact he was murdered by bandits at the crossing of three roads. This frightens Oedipus further: he recalls killing an old man at a crossroads before coming to Thebes. A messenger arrives: King Polybus of Corinth, whom Oedipus believes to be his father, has died. However, it is now revealed that Polybus was only the foster-father of Oedipus, who had been, in fact, a foundling. An ancient shepherd arrives: it was he who had found the child Oedipus in the mountains. Jocasta, realizing the truth, flees. At last, the messenger and shepherd state the truth openly: Oedipus is the child of Laius and Jocasta, killer of his father, husband of his mother. Shattered, Oedipus leaves. The messenger reports the death of Jocasta: she has hanged herself in her chambers. Oedipus breaks into her room and puts out his eyes with her pin. He departs Thebes forever as the chorus at first vents their anger, and then mourns the loss of the king they loved.

Venue Info

Dutch National Opera - Amsterdam
Location   Amstel 3

The Dutch National Opera is the largest theatre production house in the Netherlands. Situated in the heart of Amsterdam, the iconic theatre of Dutch National Opera & Ballet offers a magnificent view of the River Amstel and the famous Magere Brug (Skinny Bridge). The various spaces form an inspiring backdrop for a whole range of special events.

Dutch National Opera & Ballet is a young theatre with a long history. The plans for building a new theatre ran parallel to the plans for a new city hall. The first discussions held by the Amsterdam city council about building a new city hall and opera house go back to 1915. At that time, the plans were specifically for an opera house, since ballet was a relatively unknown art form back then.

Ideas for the site of the new city hall and opera house were continually changing, and the idea that both buildings could form a single complex only emerged much later. Sites considered for the new city hall were initially the Dam, followed by the Frederiksplein, and finally the Waterlooplein.

In 1955, the city council commissioned the firm of architects Berghoef and Vegter to draft a design for a city hall on the Waterlooplein. The draft was approved, but in 1964 the council ended the association with the architects, as the final design was nothing like the original plans they had been shown. In 1967, a competition was held for a new design, with the Viennese architect Wilhelm Holzbauer emerging as the winner. Amsterdam's financial problems, however, meant that the plans for the new city hall were put on hold for several years.

DNO has its own choir of sixty singers and technical staff of 260. DNO historically has not had its own resident orchestra, and so various orchestras of the Netherlands, including the Netherlands Philharmonic Orchestra (NPO), the Netherlands Chamber Orchestra (NKO), the Royal Concertgebouw Orchestra, the Rotterdam Philharmonic Orchestra, the Radio Filharmonisch Orkest and the Asko/Schönberg ensemble have provided the orchestral forces for DNO productions.

DNO produces on average eleven productions per year. While most performances are in the Dutch National Opera & Ballet building, the company has also performed in the Stadsschouwburg, at the Carré Theatre, and on the Westergasfabriek industrial site in Amsterdam. For many years, the June production has been organized as part of the Holland Festival and includes the participation of the Royal Concertgebouw Orchestra. DNO has lent its productions to foreign companies, such as the Metropolitan Opera, the Brooklyn Academy of Music, the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.

Since 1988, the French-Lebanese theatre director Pierre Audi has been the artistic director of DNO. Audi is scheduled to conclude his DNO tenure in 2018. In April 2017, DNO announced the appointment of Sophie de Lint as the company's next artistic director, effective 1 September 2018.

Hartmut Haenchen was chief conductor from 1986 to 1999, in parallel with holding the title of chief conductor of the NPO. He subsequently held the title of principal guest conductor with DNO. Subsequent chief conductors have been Edo de Waart (1999-2004) and Ingo Metzmacher (2005-2008). In March 2009, DNO announced the appointment of Marc Albrecht as the orchestra's next chief conductor, with the 2011-2012 season, for an initial contract of four years. This return to a single chief conductor at both DNO and the NPO/NKO allows for the NPO to become the principal opera orchestra for DNO. Albrecht is scheduled to stand down as chief conductor of DNO at the end of the 2019-2020 season.

Important Info
Type: Modern Ballet
City: Amsterdam, Netherlands
Starts at: 20:15
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