New York City Ballet (David H. Koch Theater) 27 January 2024 - Wheeldon + Martins + Peck | GoComGo.com

Wheeldon + Martins + Peck

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
All photos (12)
Saturday 27 January 2024
8 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Journey through NYCB’s eclectic repertory with favorites from Wheeldon, Martins, and Peck.

Ballets from three choreographers closely associated with the Company are gathered here. Christopher Wheeldon’s Polyphonia ranks among his most distinctive and popular works, with its thrillingly spiky choreography set to the modernist music of György Ligeti. Peter Martins’s Barber Violin Concerto is the rare dance in the repertory that combines elements of both ballet and modern dance, with one couple barefoot and another sporting traditional ballet footwear. And Justin Peck’s The Times Are Racing, a galvanizingly energetic audience favorite since its debut in 2017, finds the dancers in footwear of yet another kind: sneakers.

Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.

Polyphonia was the fourth work Christopher Wheeldon created for New York City Ballet, and his first after retiring from dancing with the Company and being named NYCB’s first-ever Artist in Residence in 2000. A work for eight dancers, Polyphonia is set to ten piano pieces by the composer György Ligeti, who developed micropolyphony, a type of musical texture involving the use of sustained dissonant chords that shift slowly over time.

Music:

Désordre from Études pour piano, premier livre (1985), Arc-en-ciel from Études pour piano, premier livre (1985), No. 4 Tempo di Valse from Musica Ricercata (1951-53), Invention (1948), No. 8 Vivace energico from Musica Ricercata (1951-53), No. 2 Hopp ide tisztán from Three Wedding Dances (1950), No. 7 Cantabile molto legatoNo. 3 Allegro con spirito from Musica Ricercata (1951-53), No. 2 Mesto, rigido e cerimoniale from Musica Ricercata (1951-53), Capriccio No. 2 – Allegro robusto (1947)

Alternately noble and quixotic, Barber Violin Concerto contrasts a classical couple with a bare-footed couple as the worlds of ballet and modern dance collide.

Peter Martins created his Barber Violin Concerto to Samuel Barber’s 1941 Violin Concerto, Opus 14. The ballet, which Martins choreographed for New York City Ballet’s American Music Festival in 1988, features one pair of classical dancers and one pair of modern dancers.

The ballet was originally performed by NYCB Principal Dancers Merrill Ashley and Adam Lüders as the classical couple, and Paul Taylor Dance Company member Kate Johnson and choreographer and dancer David Parsons as the modern couple.

One of the most buzzed about premieres of 2017, The Times Are Racing is a sneaker ballet that sees its dancers in streetwear designed by Opening Ceremony, drawing inspiration from a variety of dance styles while matching Dan Deacon’s electronic score with youthful impulse and vigor.

Justin Peck’s The Times Are Racing is set to the last four tracks of Dan Deacon’s expansive 2012 album, America. The ballet for 20 dancers is Peck’s second collaboration with fashion designer Humberto Leon of Opening Ceremony, following New Blood, which premiered at NYCB’s 2015 Fall Gala. The lighting is by Peck’s frequent collaborator Brandon Stirling Baker.

History
Premiere of this production: 12 May 1988, New York State Theater, Lincoln Center

The Barber Violin Concerto is a ballet made by New York City Ballet ballet master in chief Peter Martins to Samuel Barber's Violin Concerto, Op. 14 (1939). The premiere was conducted by Robert Irving and took place on 12 May 1988 at the New York State Theater, as part of City Ballet's American Music Festival, with lighting by Jennifer Tipton and costumes by William Ivey Long. Two couples, one pair classical dancers, the other modern, perform a series of mix-and-match pas de deux. All four are dressed in white, with the classical dancers in point shoes and ballet slippers, and the modern dancers typically barefoot and the man bare-chested.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 20:00
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