Boston Opera House tickets 3 March 2024 - Winter Experience: Raymonda Grand Divertissements. Petal. SISU | GoComGo.com

Winter Experience: Raymonda Grand Divertissements. Petal. SISU

Boston Opera House, Boston, USA
All photos (9)
Select date

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Boston, USA
Starts at: 13:30
Cast
Performers
Ballet company: Boston Ballet
Creators
Composer: Alexander Glazunov
Composer: Mikael Karlsson
Composer: Philip Glass
Composer: Thomas Montgomery Newman
Choreographer: Florence Clerc
Choreographer: Helen Pickett
Choreographer: Mikko Nissinen
Librettist: Ivan Vsevolozhskiy
Author: Lidiya Pashkova
Choreography: Marius Petipa
Librettist: Marius Petipa
Overview

An unforgettable experience celebrating the evolution of dance. Explore the three ballets that are part of Boston Ballet’s Winter Experience program.

Raymonda Grand Divertissement
An homage to classical ballet, Artistic Director Mikko Nissinen has re-envisioned Marius Petipa’s Raymonda as a one-act ballet, featuring new choreography and costumes. This work will delight ballet purists with its demand for strong classical technique and bravura dancing with featured roles for the corps, soloists, and principals. Be prepared to have your breath taken away by the divine dancing, lavish sets, dazzling costumes, and Glazunov’s sumptuous score.

SISU, World Premiere
Helen Pickett returns to premiere her seventh work for Boston Ballet, SISU. Taking inspiration from the Finnish word for will, determination, and perseverance, her world premiere is a tribute to the courage and tenacity of our ballet community, in general, and particularly during the pandemic. Set to the sublime music of Mikael Karlsson, Pickett describes her work best, “Our ethereal art only truly lives in the present, and this fleeting but potent, inspirational energy is infused with bravery, vulnerability and beauty. Dance taught me: Change is the only constant. And committing to this life concept has offered and can offer extraordinary possibilities.”

Petal
Pickett will also bring Petal to the stage, a sensory experience of motion, light, and music. Dancers explore the evolution of their relationships with each other and themselves through sweeping movements and non-traditional partnering, energized by the music of Philip Glass and Thomas Montgomery Newman. This colorful and stunning ballet will leave your senses fulfilled and hopeful.

Please Note: The music in some ballets may be loud depending on where you are sitting and your own comfort level. Please plan accordingly.

Raymonda was one of Petipa’s final, most successful ballets to be staged during the golden years of his career. The 1890s had seen some of the biggest highlights of Petipa’s career, which first emerged with the creation of The Sleeping Beauty. This late-era saw Petipa taking a slightly different step from what he had previously produced for the Saint Petersburg Imperial Ballet. He was now creating ballets that lacked dramatic plots and character development and were, instead, presenting new ballets that represented the grand spectacle. The ballet-féerie made its impact on the Imperial Ballet following the success of The Sleeping Beauty and materialized again in other ballets such as Cinderella and Bluebeard.

History
Premiere of this production: 19 January 1898, Imperial Mariinsky Theatre, Saint Petersburg, Russia

Raymonda  is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. First presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.

Venue Info

Boston Opera House - Boston
Location   539 Washington St

The Boston Opera House, also known as the Citizens Bank Opera House, is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts. It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain. The chain became part of RKO when it was established just before the theater opened on October 29, 1928, and it was also known as the RKO Keith's Theater. After operating for more than 50 years as a movie theater, it was rededicated in 1980 as a home for the Opera Company of Boston, which performed there until the opera company closed down in 1990 due to financial problems. The theater was reopened in 2004 after a major restoration, and it currently serves as the home of the Boston Ballet and also hosts touring Broadway shows. The theater serves as the home arena of the Boston Uprising of the Overwatch League.

The Boston Opera House was originally designed as the B.F. Keith Memorial Theatre, a lavish movie theater in the Keith-Albee chain. The Keith's Memorial was one of his most elaborate designs of the prominent theater architect Thomas W. Lamb. It was dedicated to the vaudeville pioneer B.F. Keith. On October 23, 1928, just before the theater opened, the Radio-Keith-Orpheum (RKO) company was formed and became the owner of the theater. The theater opened on October 29, 1928, presenting first-run films along with live vaudeville. By 1929, the theater had converted to showing only films and remained a leading Boston movie showcase through the 1950s. It became known as RKO Keith's, and bore signage that said both "B.F. Keith's" and "RKO Keith's" (see the 1938 photo shown at right).

In 1965 the Sack Theaters company acquired the theater and renamed it the Savoy Theater. Sack later added a second smaller cinema in the theater's stage space, separated from the original auditorium by a masonry wall built across the proscenium.

In 1980, after closing as a movie house, the theater became the home of opera director Sarah Caldwell's Opera Company of Boston and was renamed the Boston Opera House. The theater was acquired and renovated by the opera company with the help of Boston arts patron Susan Timken. After a decade of opera productions at the house, Caldwell's company collapsed due to financial troubles in 1991. Having previously produced opera since 1958 in rented theaters, the company was not financially prepared to cope with the substantial costs of upkeep for the large theater which had previously been poorly maintained for decades. The company's failure left the theater dark and without funds to maintain it.

Unheated, the building fell prey to extensive water damage, severely damaging the electrical system and the decorative plaster interior of the auditorium. The company's costumes, collected for decades and stored under the damaged roof, were lost. In 1996, the former opera company relinquished ownership of the building.

Mayor Thomas Menino, with the aid of Senator Edward Kennedy (whose father, Joseph, was the first owner), helped to get the theater landmark status in 1999 through the Boston Landmarks Commission. After a series of failed or delayed development proposals, the Clear Channel Company agreed to renovate the theater. The need to enlarge the trapezoidal stage house into the street between buildings provoked a multi-year court fight with the neighboring Tremont on the Commons condominium building, whose concerns with fire safety were eventually overcome with the persuasion of Mayor Menino.

The Boston opera community welcomed the efforts of Mayor Menino and Clear Channel to refurbish the Opera House and the damaged interior was restored in a $38 million renovation. It reopened on July 16, 2004, with the Broadway production of The Lion King. Clear Channel kept the historic theater busy and active with long runs of touring Broadway musicals and pop concerts. While its agreement with city included a clause that opera be produced at least two weeks a year, no opera company has yet returned to make the Opera House its home.

The current owner of the theater is Boston Opera House Ventures, LLC, a partnership of local Boston businessmen Don Law and David Mugar. Its primary tenants are Broadway Across America, Boston Uprising and the Boston Ballet. Home to Boston Ballet's annual production of The Nutcracker since 2005, the theater became the company's permanent home in 2009.

Important Info
Type: Ballet
City: Boston, USA
Starts at: 13:30
Top of page