Beijing National Grand Theater (NCPA) tickets 10 May 2024 - Shanghai Opera House Dance Drama "Dance of Calligraphy in 353 AD" | GoComGo.com

Shanghai Opera House Dance Drama "Dance of Calligraphy in 353 AD"

Beijing National Grand Theater (NCPA), Beijing, China
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Important Info
Type: Ballet
City: Beijing, China
Starts at: 19:30
Overview

On October 12, 2022, Italian astronaut Samantha Cristoforetti posted on her personal social account the beautiful scenery of China taken from space, and wrote in Chinese, Italian, and English "Look up at the vastness of the universe, look down The variety is so great that it is enough to entertain the eyes and entertain the eyes, and it is a joy to believe." He expressed his feelings directly and received countless likes. The "Preface to the Orchid Pavilion Collection" written by Wang Xizhi 1670 years ago while drinking freely has become a hot search topic in the 21st century. The ancient Chinese philosophy on man and heaven and earth, man and nature, man and all things is so cool and romantic. The way resonates with today's people and the world. The Shanghai Opera House's newly created original dance drama "Nine Years of Yonghe - Prelude to the Orchid Pavilion Collection" is inspired by this Chinese cultural treasure that transcends time and space and crosses borders and is still charming. It shows "the best running script in the world" in a panoramic view. "In the extraordinary process from birth to passing on to the world, we have shown the world the long-standing, extensive and profound Chinese excellent traditional culture, spread the classics, and told the Chinese story of the world's cultural treasures.

Exhibit the beauty of Orchid Pavilion, continue the inheritance for thousands of years, and praise the light of China. As the first original dance drama in China that panoramically displays the history of calligraphy works handed down from generation to generation, the dance drama "Nine Years of Yonghe" panoramically displays the extraordinary journey of "the best running script in the world" from its birth to its inheritance, leading the contemporary audience to travel through the long river of history and dance through it. As a medium, we can find the emotional resonance of people in ancient and modern times in the legendary destiny of "Preface to the Lanting Collection" spanning more than a thousand years; using dance as a carrier, we can discover the artistic charm, cultural heritage and spiritual connotation of calligraphy; using dance as a window, we can see the power of calligraphy. One of the most representative symbols of traditional Chinese culture is "creative transformation and innovative development". Emotions follow the flow of ink, and dance follows emotion. In terms of stage presentation, aesthetics and romance will be used as the keynote, and technological innovation will be used to create a new stage space where time and space blend, creating a visual feast rich in the beauty of the Jiangnan landscape for the audience; in terms of performance form and dance vocabulary, it will also Breaking the audience's inertial imagination of dance dramas, especially classical-themed dance works, through the group portraits of men who combine hardness and softness, and are elegant and unrestrained, the aesthetic ideals and interests in "The Preface to the Lanting Collection" are fully displayed, and an unconventional and unique character is outlined. The style of Wei and Jin. Through this thousand-year-old historical scroll, we praise the great creation, endless transmission and inheritance, and continuous innovation and development of Chinese traditional culture.

Dance and calligraphy have the same origin and different origins. The brushwork and gestures can be seen in dance, and the dance postures can also be seen in calligraphy. Many of the dance sequences in the dance drama are inspired by calligraphy, and they strive to show the essence of calligraphy. For example, in the heroic and majestic dance of the group dance "Eight Methods of Yongzi", the charm of calligraphy is fully displayed. The dance drama also subtly incorporates calligraphy elements into every visual aspect. When Wang Xizhi was in the Orchid Pavilion, he could not help but think of his personal experiences and the love and hatred of his family and country from the beauty in front of him as he drank and chanted. He combined his respect for life, cherishing the present, advocating for freedom, and pursuing the value of life. They are all injected into the "Preface to the Lanting Collection" and give it life. In this group dance, the smart and elegant ink-colored sleeves are free and easy, showing tenacity. The famous character "Zhi" in the preface is presented through multimedia imagery, complementing the dancers' endlessly changing sleeves, and Wang Xizhi's splashing ink "Preface to the Orchid Pavilion Collection" The peak state of calmness, calmness, flowing water, and hearty content can be seen before your eyes.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Ballet
City: Beijing, China
Starts at: 19:30
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