Bavarian State Opera 13 April 2024 - Onegin | GoComGo.com

Onegin

Bavarian State Opera, National Theatre, Munich, Germany
All photos (10)
Saturday 13 April 2024
7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Munich, Germany
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Perhaps John Cranko's most famous ballet was created in 1965 and has been in the repertoire of the Bayerisches Staatsballett since 1972. 

The story of the young Tatyana, who falls in love with the arrogant dandy Onegin and is cruelly rejected by him, continues to fascinate audiences to this day. Onegin has been danced in Munich for over fifty years, and many of the great dancers have given the roles their own unmistakable character. Unlike almost any other narrative ballet, the various characters open up a wide range of possibilities for role creation: Tatyana, for example, develops over the course of the two-and-a-half-hour evening from a naive, dreamy teenager into a mature woman who ultimately has to make a decision between passion and duty in a dramatic confrontation. In contrast, Onegin's existence gradually disintegrates, leaving him in a desperate and lonely situation.

History
Premiere of this production: 13 April 1965, Staatstheater Stuttgart

Onegin is a ballet created by John Cranko for the Stuttgart Ballet in 1965. It was restaged for the Royal Ballet at the Royal Opera House in 2001 and remains in that company's repertoire as of 2015. The ballet is being revived in January 2020.

Synopsis

Act I, Scene 1 – Madame Larina’s Garden. Madame Larina, Olga, and the nurse are finishing off the party dresses and gossiping about Tatiana’s coming birthday festivities. Madame Larina speculates on the future and reminisces about her own lost beauty and youth. Girls from the neighbourhood arrive, their greetings and chatter are interrupted by gunshots.

Lensky, a young poet engaged to Olga, arrives and tells them there is no cause for alarm, he was hunting with a friend from St. Petersburg. He introduces Onegin, who, bored with the city, has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin, on the other hand, sees only a coltish country girl who reads too many romantic novels.

Scene 2 – Tatiana’s Bedroom Tatiana, her imagination aflame with impetuous first – love dreams of Onegin, writes him a passionate love – letter which she gives the nurse to deliver.

Act II, Scene 1 – Tatiana’s Birthday The provincial gentry have come to celebrate Tatiana’s birthday. They gossip about Lensky’s infatuation with Olga, and whisper prophecies of a dawning romance between Tatiana and the newcomer. Onegin finds the company boring. Stifling his yawns, he finds it difficult to be civil to them; furthermore he is irritated by Tatiana’s letter which he regards merely as an outburst of adolescent love. In a quiet moment, he tears up her letter. Tatiana’s distress, instead of awaking pity merely increases his irritation.

Prince Gremin, a distant relation, appears. He is in love with Tatiana, and Madame Larina hopes for a brilliant match; But Tatiana troubled with her own heart, hardly notices her kindly and elderly relation.
Onegin, in his boredom, decides to provoke Lensky by flirting with Olga who lightheadedly joins in the teasing. But Lensky takes the matter with passionate seriousness. He challenges Onegin to a duel.

Scene 2 – The Duel Tatiana and Olga try to reason with Lensky, but his high romantic ideals are shattered by the betrayal of his friend and fickleness of his fried beloved; he insists that the duel take place. Onegin kills his fried and for the first time his cold heart is moved by the horror of his deed. Tatiana realized that her love was an illusion, and that Onegin is self – centered and empty.

Act III, Scene 1 – St. Petersburg. Years later, Onegin having travelled the world in an attempt to escape from his own futility returns to St. Petersburg where he is received at a ball in the place of Prince Gremin. Gremin has recently married, and Onegin is astonished to recognize in the stately and elegant young princess, Tatiana, the uninteresting little country girl whom he once turned away. The enormity of his mistake and loss engulfs him. His life now seems even more aimless and empty.

Scene 2 – Tatiana’s Boudoir.Tatiana reads a letter from Onegin which reveals his love. Suddenly he stands before her impatient to know her answer. Tatiana sorrowfully tells him that although she still feels her passionate girlhood love for him, she is now a woman, and she could never find happiness or respect with him. She orders him to leave her forever.

Act 1

Madame Larina's garden

In the garden, Madame Larina, her daughters Olga and Tatiana, and the nurse are finishing party dresses and discussing Tatiana's upcoming birthday celebrations. They think about the future, and the local girls play an old folk game: whoever looks into the mirror will see her beloved. Lensky, a young poet engaged to Olga, arrives with a friend from Saint Petersburg. He introduces Eugene Onegin, who has come to the country to see if it can offer him any distraction from city life. Tatiana falls in love with the handsome stranger, who seems so different from the country people she knows, while Onegin only sees a naive, romantic girl.

Tatiana's bedroom

That night, Tatiana dreams of Onegin, her first love. She writes him a passionate love letter, which she asks her nurse to deliver.

Act 2

Tatiana's birthday

The local gentry have all arrived to celebrate Tatiana's birthday. Onegin finds the company boring and is struggling to be polite. He is also annoyed by Tatiana's letter, which he thinks is just an outburst of adolescent love. He seeks Tatiana out and tears up her letter, telling her that he cannot love her. Prince Gremin, a distant relative of Tatiana who is in love with her, appears. Madame Larina hopes they will make a good match, but Tatiana hardly notices him as she is so distressed. Onegin decides to provoke Lensky by flirting with Olga, hoping it will relieve his boredom. Olga joins in with the joke, but Lensky takes it seriously and challenges Onegin to a duel.

The duel

Tatiana and Olga try to reason with Lensky but he insists the duel must go ahead. Onegin kills his friend.

Act 3

St Petersburg

Years later, Onegin returns to St. Petersburg after travelling the world. He goes to a ball at the palace of Prince Gremin. Onegin is surprised when he recognises the beautiful Princess Tatiana as the country girl he once turned away. He realises how much he lost through his previous actions.

Tatiana's boudoir

Onegin writes to Tatiana and reveals his love. He asks to see her but she does not wish to see him. She pleads with her husband not to leave her alone that evening. Onegin comes and declares his love for her. Tatiana feels Onegin's change of heart has come too late. And even if she still loves him she has now a new life with Prince Gremin and also after having killed Lensky she would never want Onegin again. She tears up his letter and orders him to leave her forever.

Venue Info

Bavarian State Opera - Munich
Location   Max-Joseph-Platz 2

The Bavarian State Opera or the National Theatre (Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house and the main theatre of Munich, home of the Bavarian State Opera, Bavarian State Orchestra, and the Bavarian State Ballet.

During its early years, the National Theatre saw the premières of a significant number of operas, including many by German composers. These included Wagner’s Tristan und Isolde (1865), Die Meistersinger von Nürnberg (1868), Das Rheingold (1869) and Die Walküre (1870), after which Wagner chose to build the Festspielhaus in Bayreuth and held further premières of his works there.

During the latter part of the 19th century, it was Richard Strauss who would make his mark on the theatre in the city in which he was born in 1864. After accepting the position of conductor for a short time, Strauss returned to the theatre to become principal conductor from 1894 to 1898. In the pre-War period, his Friedenstag (1938) and Capriccio were premièred in Munich. In the post-War period, the house has seen significant productions and many world premieres.

First theatre – 1818 to 1823
The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building.

The new theatre finally opened on 12 October 1818 with a performance of Die Weihe by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of Die beyden Füchse by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris Odéon itself burnt down in 1818.

Second theatre – 1825 to 1943
Designed by Leo von Klenze, the second theatre incorporated Neo-Grec features in its portico and triangular pediment and an entrance supported by Corinthian columns. In 1925 it was modified to create an enlarged stage area with updated equipment. The building was gutted in an air raid on the night of 3 October 1943.

Third theatre – 1963 to present
The third and present theatre (1963) recreates Karl von Fischer's original neo-classical design, though on a slightly larger, 2,100-seat scale. The magnificent royal box is the center of the interior rondel, decorated with two large caryatids. The new stage covers 2,500 square meters (3,000 sq yd), and is thus the world's third largest, after the Opéra Bastille in Paris and the Grand Theatre, Warsaw.

Through the consistent use of wood as a building material, the auditorium has excellent acoustics. Architect Gerhard Moritz Graubner closely preserved the original look of the foyer and main staircase. It opened on 21 November 1963 with an invitation-only performance of Die Frau ohne Schatten under the baton of Joseph Keilberth. Two nights later came the first public performance, of Die Meistersinger von Nürnberg, again under Keilberth.

Important Info
Type: Ballet
City: Munich, Germany
Starts at: 19:30
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