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L’elisir d’amore Tickets

Bavarian State Opera, Munich, Germany
Important Info
Type: Opera
City: Munich, Germany
Duration: 2h 45min with 1 interval
Acts: 2
Intervals: 1
Sung in: Italian
Titles in: English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
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Overview

Variety is a scarce commodity in the glum little village depicted by Gaetano Donizetti and his librettist Felice Romani – the only prospects beyond the stifling confines of this backwater seem to be the illusion of a hero’s life as a soldier, even if it might lead to an untimely death.

But what wonders a little bottle of Bordeaux can work! Shrinking violet Nemorino really turns up the volume courting Adina after just a couple of sips of the love elixir he purchased from miracle doctor, Dulcamara. And the potion promptly takes effect. Nemorino turns into a daredevil, preferring to die in battle rather than see his beloved Adina fall into the hands of strapping Sergeant Belcore. The ambitious Adina cannot resist the charms of the bold Nemorino – and even Dulcamara is flabbergasted at the energy and transformation released by his deception: this woebegone world of dolorous yearning is suddenly filled with color and fantasy.

And the listeners are left with the hope that this music might be able to transform them, too.

History
Premiere of this production: 12 May 1832, Teatro della Canobbiana, Milan

L'elisir d'amore (The Elixir of Love) is a comic opera (melodramma giocoso) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's Le philtre (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan.

Synopsis

Act One

Nemorino is in love with Adina but has nobody in whom he can confide, least of all the woman he adores. He is full of admiration for her: she seems to him to be so clever and, above all, so very beautiful. He laments about himself, however, for being stupid and without means. For her part, Adina is interested in what she has just been reading, the story of Tristan and Isolde. She has also taken a fancy to Belcore, one of a detachment of soldiers stationed in the area. Belcore loses no time in proposing marriage to Adina the first time they meet – he urges her rapid acceptance – the wedding tomorrow and back to the battlefield the day after.
Nemorino is now forced to act: he begs for a word with Adina and tells her how desperately he loves her. But Adina rejects him, saying that his feelings are in vain and he should rather look after his sick old uncle.

A glimmer of hope now appears on the horizon for Nemorino, however,  in the person of Dulcamara, who claims to be able to cure all the ailments in the world with his potions. Nemorino asks Dulcamara about the magic potion, an elixir of love, which he has heard Adina reading about in the story of Tristan and Isolde. Dulcamara, who never misses a chance to do business, sells the delighted Nemorino a love potion and promises him that the object of his passion will be his within twenty-four hours. Nemorino has hardly swallowed the elixir – which is a pure Bordeaux – before his self-esteem begins to grow. Nemorino  no longer seems worried  at the thought of Adina’s imminent wedding. This change in Nemorino, his seeming indifference, merely makes Adina defiant. She decides to marry Belcore that same day. Nemorino is horrified as he sees time working against him.

Act Two

As part of the wedding celebrations Dulcamara wants to entertain the guests by singing a barcarolle with Adina; the story tells of how a young gondoliera, Nina, rejects a senator’s wealth in order to marry instead the poor young man, Zanetto, whom she loves.

Nemorino – now under pressure – asks Dulcamara for another dose of the elixir, but Dulcamara will not sell him one for less than 20 scudi and Nemorino no longer has enough money. Belcore, who sees in this a good opportunity to get rid of his rival, offers Nemorino 20 scudi if he will enlist in his regiment. Nemorino signs up with no hesitation.

When the rumour spreads that Nemorino’s uncle has died, leaving him a fortune, he suddenly becomes a good catch as a husband. Nemorino, who still has not heard the news, puts the amazing behaviour of the village girls down to the fact that the potion he has just bought and drunk is working. Adina, who also has no idea that Nemorino has become so wealthy, is astonished to see how popular he is with the girls – and learns from Dulcamara the supposed reason for Nemorino’s behaviour: the elixir. He also offers her a love potion but she declines with thanks – saying she prefers to rely on her own powers of judgement. Out of pity for Nemorino she buys him out of his contract with the military. Nemorino, however, would rather die on the battlefield than live without Adina. Adina finally admits her feelings for Nemorino and breaks her engagement to Belcore, who has no alternative than to follow orders and go off to war. Nemorino is overjoyed and puts his unexpected success with Adina down to Dulcamara’s potion – and the latter is also completely amazed by the miracles which his elixir has brought about.

Place: A small village in the Basque Country
Time: The end of the 18th century

Act 1
Nemorino, a poor peasant, is in love with Adina, a beautiful landowner, who torments him with her indifference. When Nemorino hears Adina reading to her workers the story of Tristan and Isolde, he is convinced that a magic potion will help him to gain Adina's love. The self-important Sergeant Belcore appears with his regiment and immediately sets about courting Adina in front of everyone. Nemorino becomes anxious (although, Adina meanwhile secretly derides Belcore's complacency) and, alone with Adina, reveals his love for her. Yet Adina rebuffs him, saying she wants a different lover every day and following her example would do Nemorino better. Nemorino declares that his feelings will never change. The travelling quack doctor, Dulcamara (the self-proclaimed Dr. Encyclopedia), arrives, selling his bottled cure-all to the townspeople. Nemorino innocently asks Dulcamara if he has any of Isolde's love potion. Despite failing to recognise the name "Isolde", Dulcamara's commercial talents nevertheless enable him to sell a bottle of the cure-all – in reality only cheap wine – to Nemorino, withdrawing all his savings.

To make a safe escape, Dulcamara tells Nemorino the potion needs 24 hours to take effect – by which time, the doctor will be long gone. Nemorino drinks the potion in a haste in order to watch the effect tomorrow. Emboldened by the "elixir" (in fact, drunk), Nemorino feigns indifference when he encounters Adina, as he expects that the elixir will facilitate his conquest of Adina the following day. She becomes increasingly annoyed; perhaps she has feelings for Nemorino after all? Belcore returns and proposes marriage to Adina. Still riled by Nemorino and wishing to give him a lesson, Adina falsely promises to marry Belcore in six days' time. Yet Nemorino only laughs in response: such confidence is sustained in the belief in the magic potion. However, when Belcore learns that his regiment must leave the next morning, Adina promises to marry him before his departure. This of course panics Nemorino, who cries out for Dr. Dulcamara to come to his aid. Adina, meanwhile, invites everyone to the wedding.

Act 2
Adina and Belcore's wedding party is in full swing. Dr. Dulcamara encourages Adina to sing a duet with him to entertain the guests. The notary arrives to make the marriage official. Adina is annoyed to see that Nemorino has not appeared, for the whole deal has been intended only to punish him. While everyone goes to witness the signing of the wedding contract, Dulcamara stays behind, helping himself to food and drink. Having seen the notary, Nemorino appears, depressed, as he believes that he has lost Adina. He sees Dulcamara and frantically begs him for a more powerful, faster-acting elixir. Although Dulcamara is proud to boast of his philanthropy, upon discovering that Nemorino now has no money he changes his tune and marches off, refusing to supply him anything. Belcore emerges, musing about why Adina has suddenly put off the wedding and signing of the contract. He spots Nemorino and asks his rival why he is depressed. When Nemorino says he needs cash, Belcore suggests joining the army, as he'll receive funds on the spot. Belcore tries to excite Nemorino with tales of military life, while Nemorino only thinks of getting the potion and thus winning Adina, if only for a day before departure. Belcore produces a contract, which Nemorino signs in return for the money. Nemorino privately vows to rush and buy more potion, while Belcore muses about how sending Nemorino off to war has so easily dispatched his rival.

After the two men have left, Giannetta gossips with the women of the village. Swearing them all to secrecy, she reveals that Nemorino's uncle has just died and left his nephew a large fortune. However, neither Nemorino nor Adina is yet aware of this. Nemorino enters, having spent his military signing bonus on – and consumed – a large amount of the fake elixir from Dr. Dulcamara. Hoping to share his fortune, the women approach Nemorino with overly friendly greetings. So out of character is this that Nemorino takes it as proof of the elixir's efficacy. Adina sees Nemorino with the women, is rattled by his newfound popularity, and asks Dr. Dulcamara for an explanation. Unaware that Adina is the object of Nemorino's affection, Dulcamara explains that Nemorino spent his last penny on the elixir and joined the army for money to get more, so desperate was he to win the love of some unnamed cruel beauty. Adina immediately recognises Nemorino's sincerity, regrets her behaviour and realises that she has loved Nemorino all along. Although Dulcamara seizes the opportunity to try to sell her some of his potion to win back Nemorino, Adina declares that she has full confidence in her own powers of attraction.

Nemorino appears alone, pensive, reflecting on a tear he saw in Adina's eye when he was ignoring her earlier. Solely based on that, he convinces himself that Adina loves him. She enters and asks why he has chosen to join the army and leave the village. When Nemorino explains that he was seeking a better life, Adina responds that he is loved and that she has purchased back his military contract from Sergeant Belcore. She offers the cancelled contract to Nemorino and reassures him that, if he stays, he will be happy. As he takes the contract, Adina turns to leave. Nemorino believes she is abandoning him and flies into a desperate fit, vowing that if he is not loved he might as well go off and die a soldier. Deeply moved by his fidelity, Adina finally declares that she will love Nemorino forever. Nemorino is ecstatic. Adina begs him to forgive her, which he does with a kiss. Belcore returns to see Nemorino and Adina in an embrace. When Adina explains that she loves Nemorino, the Sergeant takes the news in stride, noting that there are plenty of other women in the world. Adina and Nemorino learn about the inheritance from his uncle. Dulcamara returns and boasts of the success of his elixir: Nemorino is now not only loved but also rich. He exults in the boost this will bring to the sales of his product. As he prepares to leave, everyone queues up to buy the elixir and hails Dulcamara as a great physician.

Venue Info

Bavarian State Opera - Munich
Location   Max-Joseph-Platz 2

The Bavarian State Opera or the National Theatre (Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house and the main theatre of Munich, home of the Bavarian State Opera, Bavarian State Orchestra, and the Bavarian State Ballet.

During its early years, the National Theatre saw the premières of a significant number of operas, including many by German composers. These included Wagner’s Tristan und Isolde (1865), Die Meistersinger von Nürnberg (1868), Das Rheingold (1869) and Die Walküre (1870), after which Wagner chose to build the Festspielhaus in Bayreuth and held further premières of his works there.

During the latter part of the 19th century, it was Richard Strauss who would make his mark on the theatre in the city in which he was born in 1864. After accepting the position of conductor for a short time, Strauss returned to the theatre to become principal conductor from 1894 to 1898. In the pre-War period, his Friedenstag (1938) and Capriccio were premièred in Munich. In the post-War period, the house has seen significant productions and many world premieres.

First theatre – 1818 to 1823
The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building.

The new theatre finally opened on 12 October 1818 with a performance of Die Weihe by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of Die beyden Füchse by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris Odéon itself burnt down in 1818.

Second theatre – 1825 to 1943
Designed by Leo von Klenze, the second theatre incorporated Neo-Grec features in its portico and triangular pediment and an entrance supported by Corinthian columns. In 1925 it was modified to create an enlarged stage area with updated equipment. The building was gutted in an air raid on the night of 3 October 1943.

Third theatre – 1963 to present
The third and present theatre (1963) recreates Karl von Fischer's original neo-classical design, though on a slightly larger, 2,100-seat scale. The magnificent royal box is the center of the interior rondel, decorated with two large caryatids. The new stage covers 2,500 square meters (3,000 sq yd), and is thus the world's third largest, after the Opéra Bastille in Paris and the Grand Theatre, Warsaw.

Through the consistent use of wood as a building material, the auditorium has excellent acoustics. Architect Gerhard Moritz Graubner closely preserved the original look of the foyer and main staircase. It opened on 21 November 1963 with an invitation-only performance of Die Frau ohne Schatten under the baton of Joseph Keilberth. Two nights later came the first public performance, of Die Meistersinger von Nürnberg, again under Keilberth.

Important Info
Type: Opera
City: Munich, Germany
Duration: 2h 45min with 1 interval
Acts: 2
Intervals: 1
Sung in: Italian
Titles in: English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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