Bavarian State Opera: Der fliegende Holländer Tickets | Event Dates & Schedule | GoComGo.com

Der fliegende Holländer Tickets

Bavarian State Opera, Munich, Germany
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Available Dates: 25 - 31 Mar, 2025 (3 events)
Important Info
Type: Opera
City: Munich, Germany
Duration: 2h 15min
Acts: 3
Sung in: German
Titles in: English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Richard Wagner
Staging: Peter Konwitschny
Librettist: Richard Wagner
Overview

Peter Konwitschny is one of the definitive innovators in the operatic staging field – constantly rethinking old stories into the present and finding unconventional scenic solutions. A plea for Wagner, Der fliegende Holländer and the sacred element in art.

Every seven years the Dutchman is allowed back on land. There this tepest-tossed creature can only be redeemed by a woman, Otherwise his endless odyssey continues. Will Senta be that woman? After all, she longs to break free from the confining world of her father. All he ever thinks about is money. Isn't the wealthy Dutchman just what the doctor ordered? Wagner's gripping early work: a psycho-thriller of operatic literature. Peter Konwitschny has already provoked audiences to delight and disgust with his spectacular Parsifal and Tristan und Isolde productions. This Munich Holländer is something you just "have" to see. A sea and see journey on the waves of the orchestra.

History
Premiere of this production: 02 January 1843, Königliches Hoftheater, Dresden

The Flying Dutchman (German: Der fliegende Holländer) is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater in Dresden in 1843. Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. However, in his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski).

Synopsis

Act One

The vessel of the Norwegian merchant Daland has run into a severe storm shortly before reaching harbour and drops anchor in the little cove of Sandwike on the Norwegian coast. Daland decides to wait for the storm to abate and sends the crew to get some rest. Only the steersman is left to keep watch on deck. He, however, is also soon overcome by sleep and does not notice the mysterious things which are happening around him.

A second ship approaches. The captain goes ashore. It is the Flying Dutchman, who bemoans his fate: he had once wanted to sail around a cape in a furious gale and sworn that he would accomplish this feat even if he had to keep on sailing forever. The devil took him at his word and condemned him to sail the sea until Judgement Day. The only hope he has of being saved from this terrible fate is if an angel were to intercede for him: every seven years the Dutchman can go ashore. If he manages to find a woman who will redeem him by promising to love him forever, the curse will be broken and he will be able to die.

Daland discovers the strange vessel and its captain. The Dutchman asks him if he might be his guest for a while. The merchant is happy to agree when he learns of the treasures this mysterious man offers him in return. He is also willing to give his daughter’s hand in marriage to the Dutchman when the latter asks his permission to woo her.
Meanwhile the storm has subsided and the wind has changed direction. The sails are quickly hoisted and Daland sails away, the Dutchman following him.

Act Two

Unlike the girls around her, Daland’s daughter Senta is absorbed in dreamy contemplation of the Flying Dutchman, whose portrait she has with her always. The girls tease her about this. Tired of listening to their silly teasing, Senta sings them the ballad of the Flying Dutchman, finally proclaiming that she is the woman who will deliver the condemned sailor from his curse with her love. At that moment Erik, who has loved Senta for a long time, enters. He brings news of the return of Senta’s father. The girls set off quickly to greet the sailors.

Erik pleads with Senta to ask her father for his consent to their marriage. She, however, tries to make him understand that the fate of the Flying Dutchman affects her more deeply than his pleas. As a warning, Erik tells her of his dream in which Senta meets a stranger, a weird sailor. Senta interprets this as a sign that her secret wish will be fulfilled.

Daland and the Dutchman enter. The father introduces his daughter to the stranger whose wife she is to become. He shows her the Dutchman’s treasures to convince her that she is making a good match. He then leaves the two of them alone.

Senta and the Dutchman are immediately attracted to each other and realise that they have each found the answer to their deepest longings in the other. Although the Dutchman warns Senta not to underestimate the sacrifice she is making for him, she is determined to become his wife and swears to be faithful to him until death.
Daland returns and invites them both to join in the celebrations with the sailors, at which he plans to announce Senta’s betrothal to the Dutchman.

Act Three

The Norwegians taunt the weird crew of the Dutch vessel, who do not want to take part in the celebrations. Finally the Dutch sailors retaliate, and everybody flees to escape the violence of their reaction.

Erik pleads with Senta but she does not respond to his reproaches. He reminds her of how she once said she loved him, which made him believe she would always be faithful. The Dutchman overhears this conversation and can no longer believe Senta truly means to keep her promise to him. Without giving her the chance to explain, the Dutchman turns to leave. In an act of despair, Senta confirms her pledge of fidelity.

Place: On the coast of Norway

Act 1

On his homeward journey, the sea captain Daland is compelled by stormy weather to seek a port of refuge near Sandwike in southern Norway. He leaves the helmsman on watch and he and the sailors retire. (Song of the helmsman: "Mit Gewitter und Sturm aus fernem Meer" — "With tempest and storm on distant seas.") The helmsman falls asleep. A ghostly vessel appearing astern is dashed against Daland's vessel by the sea and the grappling irons hold the two ships together. Invisible hands furl the sails. A man of pale aspect, dressed in black, his face framed by a thick black beard, steps ashore. He laments his fate. (Aria: "Die Frist ist um, und abermals verstrichen sind sieben Jahr" — "The time has come and seven years have again elapsed") Because he once invoked Satan, the ghost captain is cursed to roam the sea forever without rest. An angel brought to him the terms of his redemption: Every seven years the waves will cast him upon the shore; if he can find a wife who will be true to him he will be released from his curse.

Daland wakes up and meets the stranger. The stranger hears that Daland has an unmarried daughter named Senta, and he asks for her hand in marriage, offering a chest of treasure as a gift. Tempted by gold, Daland agrees to the marriage. The southwind blows and both vessels set sail for Daland's home.

Act 2

A group of local girls are singing and spinning in Daland's house. (Spinning chorus: "Summ und brumm, du gutes Rädchen" — "Whir and whirl, good wheel") Senta, Daland's daughter, dreamily gazes upon a gorgeous picture of the legendary Dutchman that hangs from the wall; she desires to save him. Against the will of her nurse, she sings to her friends the story of the Dutchman (Ballad with the Leitmotiv), how Satan heard him swear and took him at his word. She vows to save him by her fidelity.

The huntsman Erik, Senta's former boyfriend, arrives and hears her; the girls depart, and the huntsman, who loves the maiden, warns her, telling her of his dream, in which Daland returned with a mysterious stranger, who carried her off to sea. She listens with delight, and Erik leaves in despair.

Daland arrives with the stranger; he and Senta stand gazing at each other in silence. Daland is scarcely noticed by his daughter, even when he presents his guest as her betrothed. In the following duet, which closes the act, Senta swears to be true till death.

Act 3

Later in the evening, the local girls bring Daland's men food and drink. They invite the crew of the strange vessel to join in the merry-making, but in vain. The girls retire in wonder; ghostly forms appear at work upon the vessel The Flying Dutchman, and Daland's men retreat in fear.

Senta arrives, followed by Erik, who reproves her for deserting him, as she had formerly loved him and vowed constancy. When the stranger, who has been listening, hears these words, he is overwhelmed with despair, as he thinks he is now forever lost. He summons his men, tells Senta of the curse, and to the consternation of Daland and his crew declares that he is the "Flying Dutchman".

As the Dutchman sets sail, Senta throws herself into the sea, claiming that she will be faithful to him unto death. This is his salvation. The spectral ship disappears, and Senta and the Dutchman are seen ascending to heaven.

Venue Info

Bavarian State Opera - Munich
Location   Max-Joseph-Platz 2

The Bavarian State Opera or the National Theatre (Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house and the main theatre of Munich, home of the Bavarian State Opera, Bavarian State Orchestra, and the Bavarian State Ballet.

During its early years, the National Theatre saw the premières of a significant number of operas, including many by German composers. These included Wagner’s Tristan und Isolde (1865), Die Meistersinger von Nürnberg (1868), Das Rheingold (1869) and Die Walküre (1870), after which Wagner chose to build the Festspielhaus in Bayreuth and held further premières of his works there.

During the latter part of the 19th century, it was Richard Strauss who would make his mark on the theatre in the city in which he was born in 1864. After accepting the position of conductor for a short time, Strauss returned to the theatre to become principal conductor from 1894 to 1898. In the pre-War period, his Friedenstag (1938) and Capriccio were premièred in Munich. In the post-War period, the house has seen significant productions and many world premieres.

First theatre – 1818 to 1823
The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building.

The new theatre finally opened on 12 October 1818 with a performance of Die Weihe by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of Die beyden Füchse by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris Odéon itself burnt down in 1818.

Second theatre – 1825 to 1943
Designed by Leo von Klenze, the second theatre incorporated Neo-Grec features in its portico and triangular pediment and an entrance supported by Corinthian columns. In 1925 it was modified to create an enlarged stage area with updated equipment. The building was gutted in an air raid on the night of 3 October 1943.

Third theatre – 1963 to present
The third and present theatre (1963) recreates Karl von Fischer's original neo-classical design, though on a slightly larger, 2,100-seat scale. The magnificent royal box is the center of the interior rondel, decorated with two large caryatids. The new stage covers 2,500 square meters (3,000 sq yd), and is thus the world's third largest, after the Opéra Bastille in Paris and the Grand Theatre, Warsaw.

Through the consistent use of wood as a building material, the auditorium has excellent acoustics. Architect Gerhard Moritz Graubner closely preserved the original look of the foyer and main staircase. It opened on 21 November 1963 with an invitation-only performance of Die Frau ohne Schatten under the baton of Joseph Keilberth. Two nights later came the first public performance, of Die Meistersinger von Nürnberg, again under Keilberth.

Important Info
Type: Opera
City: Munich, Germany
Duration: 2h 15min
Acts: 3
Sung in: German
Titles in: English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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$ 129
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