Baths of Caracalla 21 July 2023 - La traviata | GoComGo.com

La traviata

Baths of Caracalla, Rome, Italy
All photos (7)
Friday 21 July 2023
9 PM
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Important Info
Type: Opera
City: Rome, Italy
Starts at: 21:00

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Festival

Festival Di Caracalla 2023

Opera, dance, cinema, theatre, magnificent symphonic music, jazz and pop, the Teatro dell’Opera’s summer programme becomes a festival: the Caracalla Festival 2023, with 50 events from 30 May to 10 August. The offer is expanded, but also the spaces available are increased: to the usual 4,500-seat arena, the Teatro Grande near the ancient Baths, is added the Teatro del Portico, in the area of the so-called Temple of Jupiter, suitable for hosting new and different kinds of performances.

Overview

Libretto by Francesco Maria Piave based on the play La Dame aux Camélias by Alexandre Dumas Jr.

A Teatro dell’Opera di Roma production

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Baths of Caracalla - Rome
Location   Viale delle Terme di Caracalla

On 27 July 1937, the Governor of Rome Piero Colonna had summoned the representatives of the press to illustrate the previously deliberated initiative, which envisaged the construction of an open-air theater within the archaeological complex of the Baths of Caracalla and the consequent performances of operas starting from the following August 1st.

The Roman summer of the "twenty years" was enriched with a further space dedicated to music and in particular to melodrama, since, it should be remembered, that the orchestra of S. Cecilia performed, during the summer period, at the Basilica of Maxentius.
In reality it was born as an experiment, according to the words of the Governor, which turned into an unmissable appointment both for citizens and for especially international tourism. It was also decisive for the definitive arrangement of the structures of the then Royal Opera House and for the working continuity of all the technical and artistic employees.
Defined with the wording "Teatro del popolo" it became increasingly connoted as an expression of a rediscovered and affirmed popular taste. In this regard, it is fair to recall that in 1937 Verona inaugurated its twenty-first opera season at the Arena.
The stage with its technological systems, designed and set up by Pericle Ansaldo, was positioned inside one of the classrooms located next to the tepidarium , due to its size, 1500 square meters of surfaces and a 22 m proscenium, it became the largest stage of the world. The stalls had 8,000 seats, divided into six sectors.
The first season was actually short, just eight days with five performances in total, three of Lucia di Lammermoor and two of Tosca. “Unforgettable show in a unique setting in the world; of such a suggestive power as to seem unreal”, with these words began the article that appeared in Il Giornale d'Italia on 8 August 1937.
The following year the works increased to six ( La Gioconda , Mefistofele , Aida , Lohengrin , Isabeau directed by Mascagni himself, and Turandot ) for a total of 28 performances, starting from June 30th and ending on August 15th. The substantial change however was that of the new and definitive location of the stage inside the exedra of the calidariumand the expansion of the stalls which was brought to a capacity of 20,000 seats. Because of the war, the summer opera season in Caracalla was suspended until 1944. It will resume in 1945 in a triumphal way. From that year until 1993 it was a very important point of reference for musical culture and perhaps the most evocative place among those dedicated to open-air entertainment.
Unfortunately, on August 14, 1993 the curtain finally fell on the Theater at the Baths of Caracalla.
Since 2001 the shows have resumed at the Theater at the Baths of Caracalla with a new logistical situation, in which the monumental ruins are no longer an integral part of the stage and therefore of the show itself, remaining in any case a unique and extraordinary setting for the Summer Opera Season and of Ballet of the Teatro dell'Opera of Rome.

Important Info
Type: Opera
City: Rome, Italy
Starts at: 21:00
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