Arena di Verona tickets 16 August 2025 - Nabucco | GoComGo.com

Nabucco

Arena di Verona, Arena, Verona, Italy
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9 PM
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E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Verona, Italy
Starts at: 21:00
Acts: 4
Duration: 3h 54min
Sung in: Italian
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Chorus: Chorus of the Arena di Verona
Orchestra: Orchestra of the Arena di Verona
Creators
Composer: Giuseppe Verdi
Composer: Temistocle Solera
Director: Stefano Poda
Overview

The centrepiece of the season will be a major new staging of Nabucco, a choral drama and Arenian par excellence, which will open the Festival 2025 on two evenings. 

"Va, pensiero, sull'ali dorate" (Fly, my thoughts, on wings of gold) will be heard again among the thousand-year-old stones of the Arena, in a new production of Giuseppe Verdi's first masterpiece by Stefano Poda opening the 102 Arena di Verona Opera Festival with a double date.

History
Premiere of this production: 09 March 1842, Teatro alla Scala, Milan

Nabucco is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself.

Synopsis

Time: 587 BC
Place: Jerusalem and Babylon

Act 1: Jerusalem

'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)
Interior of the Temple of Solomon

The Israelites pray as the Babylonian army advances on their city ("Gli arredi festivi giù cadano infranti" / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God ("D'Egitto là su i lidi" / "On the shores of Egypt He saved the life of Moses"). The presence of a hostage, Fenena, younger daughter of Nabucco, King of Babylon, may yet secure peace ("Come notte a sol fulgente" / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors ("Viva Nabucco" / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.

Act 2: The Impious One

'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)
Scene 1: Royal apartments in Babylon

Nabucco has appointed Fenena regent and guardian of the Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to play a role in the war with the Israelites and recalls past happiness ("Anch'io dischiuso un giorno" / "I too once opened my heart to happiness"). The High Priest of Bel informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne").

Scene 2: A room in the palace

Zaccaria reads over the Tablets of Law ("Vieni, o Levita" / "Come, oh Levite!"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to Judaism, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Bel and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine ("Non son più re, son dio" / "I am no longer King! I am God!"). There is a crash of thunder and Nabucco promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.

Act 3: The Prophecy

'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein'. (Jeremiah 50:39)
Scene 1: The Hanging Gardens of Babylon

Abigaille is now Queen of Babylon. The High Priest of Bel presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. When Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life ("Oh di qual onta aggravasi questo mio crin canuto" / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.

Scene 2: The banks of the River Euphrates

The Israelites long for their homeland ("Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.

Act 4: The Broken Idol

'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)
Scene 1: The royal apartments, Babylon

Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered ("Dio di Giuda" / "God of Judah!"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.

Scene 2: The Hanging Gardens of Babylon

Fenena and the Israelite prisoners are led in to be sacrificed ("Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death. Nabucco rushes in with Abdallo and other soldiers. He declares that he will rebuild the Temple of Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Bel. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.

Venue Info

Arena di Verona - Verona
Location   Piazza Bra, 1

Arena di Verona - the name by which the ancient Roman amphitheater is known, built in Verona around 30 ad. Arena di Verona is a world-famous concert venue. The amphitheatre in Verona is the fourth largest among similar Roman buildings in Italy (after the Colosseum, the amphitheatre in Santa Maria Capua vetera and the amphitheatre in Pozzuoli). One of the best preserved buildings of this type. In 2000, as part of other historical monuments of Verona, the amphitheater was included in the world heritage list. Arena di Verona located on the main square of the city — Piazza Bra.

History of the amphitheater

The amphitheatre was built about 30 years for holding Gladiator fights, naval battles (of navlakhi) and circus performances. After the earthquake of 1117, which almost completely destroyed the outer ring of the amphitheater, it was used as a source of stone for other buildings. In the Middle ages in its arena burned heretics, organized tournaments, festivals, and in the XVIII—XIX centuries — bullfights.

Since 1913, the amphitheater has become a regular venue for Opera performances.

The architecture of the amphitheatre

The building was built outside the city limits and consisted of four elliptical rings (inner axis 44,43 and 73,68 meter; external (including unpreserved fourth ring) — 109,52 and is 138,77 m). The original facade was faced with white and pink limestone from Valpolicella. The preserved facade of the amphitheater is made of stone, cement, river pebbles and pieces of brick.

Inside the amphitheater is completely preserved Cavea. The structure was designed for more than 30,000 spectators, the seats are made according to the Greek custom in the form of marble stairs in 44 tiers.

Opera production

The amphitheater is known for its Opera and concert performances held in it. It is the largest Opera concern in the world, receiving up to 600,000 spectators a year.

Due to the exceptional acoustics of the building, its use was resumed in 1913. To mark the centenary of Giuseppe Verdi, the Opera singer and impresario Giovanni Zenatello and his colleague Ottone Rovato staged the Opera Aida here. Since then, the festival has been held more than 70 times, eventually becoming an annual event.

Nowadays, there are usually four different stage productions each year between June and August. In mid-July, performances are given almost every day. During the winter months, Opera and ballet are performed at the

Philharmonic theatre.

Seats on the stone steps of the amphitheater are much cheaper than specially installed chairs at the bottom. After sunset, candles are lit. The capacity of the arena for Opera performances until recently was 20,000 guests, but for security reasons it is reduced to 15,000.

The arena has become a venue for performances of many world Opera celebrities. It was here that Maria Callas made her debut on the Italian stage, singing Gioconda in Ponchielli's Opera of The same name in the Arena in 1947. In addition to Callas, Giuseppe di Stefano, Tito Gobbi, Luciano Pavarotti, Placido Domingo, Renata Tebaldi, Anatoly Solovyanenko, Vladimir Atlantov, Evgeny Nesterenko, Christian Johansson, and many other performers took part in the festival in different years.

The operas were staged by conductors such as Donato Renzetti, M. Eklund, Z. Peshko and others.

Among the variety performers, the most famous concert was presented by singer Adriano Celentano in 2012, who performed his main songs for two evenings. Tickets for both concerts were sold out in 30 minutes, with a total of more than 30,000 people attending the amphitheater. The concert was a significant event not only for Verona, but also for the whole of Italy.

Important Info
Type: Opera
City: Verona, Italy
Starts at: 21:00
Acts: 4
Duration: 3h 54min
Sung in: Italian
Titles in: English
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