Arena di Verona tickets 27 July 2024 - La Bohème | GoComGo.com

La Bohème

Arena di Verona, Arena, Verona, Italy
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9:15 PM
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US$ 103

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Verona, Italy
Starts at: 21:15
Acts: 4
Intervals: 1
Duration: 2h 20min
Sung in: Italian
Titles in: Italian,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Tenor: Vittorio Grigolo (Rodolfo)
Chorus: Chorus of the Arena di Verona
Conductor: Daniel Oren
Soprano: Eleonora Bellocci (Musetta)
Soprano: Juliana Grigoryan (Mimì)
Baritone: Luca Micheletti (Marcello)
Orchestra: Orchestra of the Arena di Verona
Creators
Composer: Giacomo Puccini
Director: Alfonso Signorini
Librettist: Giuseppe Giacosa
Poet: Henri Murger
Librettist: Luigi Illica
Festival

Arena Opera Festival 2024

Arena presents the programs of the 2024 and 2025 Festival. 7 opera titles and 5 evening events in 2024 with a tribute to Puccini and de Bosio on their respective centenaries for 46 appointments from 8 June to 7 September.

Overview

Opera by Giacomo Puccini

Set in Paris in 1830, the poet Rodolfo, the painter Marcello, the philosopher Colline, and the musician Schaunard revel in the carefree lives of young artists. On Christmas Eve, Rodolfo meets his neighbour, Mimì (a seamstress afflicted with tuberculosis) and it's love at first sight. However, their passionate romance faces the harsh realities of poverty and illness.

History
Premiere of this production: 01 February 1896, Teatro Regio, Turin

La bohème is an opera in four acts, composed by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger. The world premiere of La bohème was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, La bohème has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide.

Synopsis

Place: Paris
Time: Around 1830.

Act 1

In the four bohemians' garret (Christmas Eve)

Marcello is painting while Rodolfo gazes out of the window. They complain of the cold. In order to keep warm, they burn the manuscript of Rodolfo's drama. Colline, the philosopher, enters shivering and disgruntled at not having been able to pawn some books. Schaunard, the musician of the group, arrives with food, wine and cigars. He explains the source of his riches: a job with an eccentric English gentleman, who ordered him to play his violin to a parrot until it died. The others hardly listen to his tale as they set up the table to eat and drink. Schaunard interrupts, telling them that they must save the food for the days ahead: tonight they will all celebrate his good fortune by dining at Cafe Momus, and he will pay.

The friends are interrupted by Benoît, the landlord, who arrives to collect the rent. They flatter him and ply him with wine. In his drunkenness, he begins to boast of his amorous adventures, but when he also reveals that he is married, they thrust him from the room—without the rent payment—in comic moral indignation. The rent money is divided for their evening out in the Quartier Latin.

Marcello, Schaunard and Colline go out, but Rodolfo remains alone for a moment in order to finish an article he is writing, promising to join his friends soon. There is a knock at the door. It is a girl who lives in another room in the building. Her candle has blown out, and she has no matches; she asks Rodolfo to light it. She is briefly overcome with faintness, and Rodolfo helps her to a chair and offers her a glass of wine. She thanks him. After a few minutes, she says that she is better and must go. But as she turns to leave, she realizes that she has lost her key.

Her candle goes out in the draught and Rodolfo's candle goes out too; the pair stumble in the dark. Rodolfo, eager to spend time with the girl, to whom he is already attracted, finds the key and pockets it, feigning innocence. He takes her cold hand (Che gelida manina—"What a cold little hand") and tells her of his life as a poet, then asks her to tell him more about her life. The girl says her name is Mimì (Sì, mi chiamano Mimì—"Yes, they call me Mimì"), and describes her simple life as an embroiderer. Impatiently, the waiting friends call Rodolfo. He answers and turns to see Mimì bathed in moonlight (duet, Rodolfo and Mimì: O soave fanciulla—"Oh lovely girl"). They realize that they have fallen in love. Rodolfo suggests remaining at home with Mimì, but she decides to accompany him to the Cafe Momus. As they leave, they sing of their newfound love.

Act 2

Quartier Latin (same evening)

A great crowd, including children, has gathered with street sellers announcing their wares (chorus: Aranci, datteri! Caldi i marroni!—"Oranges, dates! Hot chestnuts!"). The friends arrive; Rodolfo buys Mimì a bonnet from a vendor, while Colline buys a coat and Schaunard a horn. Parisians gossip with friends and bargain with the vendors; the children of the streets clamor to see the wares of Parpignol, the toy seller. The friends enter the Cafe Momus.

As the men and Mimì dine at the cafe, Musetta, formerly Marcello's sweetheart, arrives with her rich (and elderly) government minister admirer, Alcindoro, whom she is tormenting. It is clear she has tired of him. To the delight of the Parisians and the embarrassment of her patron, she sings a risqué song (Musetta's waltz: Quando m'en vo'—"When I go along"), hoping to reclaim Marcello's attention. The ploy works; at the same time, Mimì recognizes that Musetta truly loves Marcello. To be rid of Alcindoro for a bit, Musetta pretends to be suffering from a tight shoe and sends him to the shoemaker to get her shoe mended. Alcindoro leaves, and Musetta and Marcello fall rapturously into each other's arms.

The friends are presented with their bill. However, Schaunard's purse has gone missing and no one else has enough money to pay. The sly Musetta has the entire bill charged to Alcindoro. The sound of a military band is heard, and the friends leave. Alcindoro returns with the repaired shoe seeking Musetta. The waiter hands him the bill and, dumbfounded, Alcindoro sinks into a chair.

Act 3

At the toll gate at the Barrière d'Enfer (late February)

Peddlers pass through the barriers and enter the city. Mimì appears, coughing violently. She tries to find Marcello, who is currently living in a little tavern where he paints signs for the innkeeper. She tells him of her hard life with Rodolfo, who abandoned her the night before, and of Rodolfo's terrible jealousy (O buon Marcello, aiuto!—"Oh, good Marcello, help me!"). Marcello tells her that Rodolfo is asleep inside, and expresses concern about Mimì's cough. Rodolfo wakes up and comes out looking for Marcello. Mimì hides and overhears Rodolfo first telling Marcello that he left Mimì because of her coquettishness, but finally confessing that his jealousy is a sham: he fears she is slowly being consumed by a deadly illness (most likely tuberculosis, known by the catchall name "consumption" in the nineteenth century). Rodolfo, in his poverty, can do little to help Mimì and hopes that his pretended unkindness will inspire her to seek another, wealthier suitor (Marcello, finalmente—"Marcello, finally").

Out of kindness towards Mimì, Marcello tries to silence him, but she has already heard all. Her weeping and coughing reveal her presence, and Rodolfo hurries to her. Musetta's laughter is heard and Marcello goes to find out what has happened. Mimì tells Rodolfo that she is leaving him, and asks that they separate amicably (Mimì: Donde lieta uscì—"From here she happily left"); but their love for one another is too strong for the pair to part. As a compromise, they agree to remain together until the spring, when the world is coming to life again and no one feels truly alone. Meanwhile, Marcello has found Musetta, and the couple quarrel fiercely about Musetta's flirtatiousness: an antithetical counterpoint to the other pair's reconciliation (quartet: Mimì, Rodolfo, Musetta, Marcello: Addio dolce svegliare alla mattina!—"Goodbye, sweet awakening in the morning!").

Act 4

Back in the garret (some months later)

Marcello and Rodolfo are trying to work, though they are primarily talking about their girlfriends, who have left them and found wealthy lovers. Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. The men both express their nostalgia (duet: O Mimì, tu più non torni—"O Mimì, will you not return?"). Schaunard and Colline arrive with a very frugal dinner and all parody eating a plentiful banquet, dance together and sing, before Schaunard and Colline engage in a mock duel.

Musetta suddenly appears; Mimì, who took up with a wealthy viscount after leaving Rodolfo in the spring, has left her patron. Musetta found her that day in the street, severely weakened by her illness, and Mimì begged Musetta to bring her to Rodolfo. Mimì, haggard and pale, is assisted onto a bed. Briefly, she feels as though she is recovering. Musetta and Marcello leave to sell Musetta's earrings in order to buy medicine, and Colline leaves to pawn his overcoat (Vecchia zimarra—"Old coat"). Schaunard leaves with Colline to give Mimì and Rodolfo some time together. Mimì tells Rodolfo that her love for him is her whole life (aria/duet, Mimì and Rodolfo: Sono andati?—"Have they gone?").

To Mimì's delight, Rodolfo presents her with the pink bonnet he bought her, which he has kept as a souvenir of their love. They remember past happiness and their first meeting—the candles, the lost key. Suddenly, Mimì is overwhelmed by a coughing fit. The others return, with a gift of a muff to warm Mimì's hands and some medicine. Mimì gently thanks Rodolfo for the muff, which she believes is a present from him, reassures him that she is better and falls asleep. Musetta prays. Schaunard discovers that Mimì has died. Rodolfo rushes to the bed, calling Mimì's name in anguish, weeping helplessly as the curtain falls.

Venue Info

Arena di Verona - Verona
Location   Piazza Bra, 1

Arena di Verona - the name by which the ancient Roman amphitheater is known, built in Verona around 30 ad. Arena di Verona is a world-famous concert venue. The amphitheatre in Verona is the fourth largest among similar Roman buildings in Italy (after the Colosseum, the amphitheatre in Santa Maria Capua vetera and the amphitheatre in Pozzuoli). One of the best preserved buildings of this type. In 2000, as part of other historical monuments of Verona, the amphitheater was included in the world heritage list. Arena di Verona located on the main square of the city — Piazza Bra.

History of the amphitheater

The amphitheatre was built about 30 years for holding Gladiator fights, naval battles (of navlakhi) and circus performances. After the earthquake of 1117, which almost completely destroyed the outer ring of the amphitheater, it was used as a source of stone for other buildings. In the Middle ages in its arena burned heretics, organized tournaments, festivals, and in the XVIII—XIX centuries — bullfights.

Since 1913, the amphitheater has become a regular venue for Opera performances.

The architecture of the amphitheatre

The building was built outside the city limits and consisted of four elliptical rings (inner axis 44,43 and 73,68 meter; external (including unpreserved fourth ring) — 109,52 and is 138,77 m). The original facade was faced with white and pink limestone from Valpolicella. The preserved facade of the amphitheater is made of stone, cement, river pebbles and pieces of brick.

Inside the amphitheater is completely preserved Cavea. The structure was designed for more than 30,000 spectators, the seats are made according to the Greek custom in the form of marble stairs in 44 tiers.

Opera production

The amphitheater is known for its Opera and concert performances held in it. It is the largest Opera concern in the world, receiving up to 600,000 spectators a year.

Due to the exceptional acoustics of the building, its use was resumed in 1913. To mark the centenary of Giuseppe Verdi, the Opera singer and impresario Giovanni Zenatello and his colleague Ottone Rovato staged the Opera Aida here. Since then, the festival has been held more than 70 times, eventually becoming an annual event.

Nowadays, there are usually four different stage productions each year between June and August. In mid-July, performances are given almost every day. During the winter months, Opera and ballet are performed at the

Philharmonic theatre.

Seats on the stone steps of the amphitheater are much cheaper than specially installed chairs at the bottom. After sunset, candles are lit. The capacity of the arena for Opera performances until recently was 20,000 guests, but for security reasons it is reduced to 15,000.

The arena has become a venue for performances of many world Opera celebrities. It was here that Maria Callas made her debut on the Italian stage, singing Gioconda in Ponchielli's Opera of The same name in the Arena in 1947. In addition to Callas, Giuseppe di Stefano, Tito Gobbi, Luciano Pavarotti, Placido Domingo, Renata Tebaldi, Anatoly Solovyanenko, Vladimir Atlantov, Evgeny Nesterenko, Christian Johansson, and many other performers took part in the festival in different years.

The operas were staged by conductors such as Donato Renzetti, M. Eklund, Z. Peshko and others.

Among the variety performers, the most famous concert was presented by singer Adriano Celentano in 2012, who performed his main songs for two evenings. Tickets for both concerts were sold out in 30 minutes, with a total of more than 30,000 people attending the amphitheater. The concert was a significant event not only for Verona, but also for the whole of Italy.

Important Info
Type: Opera
City: Verona, Italy
Starts at: 21:15
Acts: 4
Intervals: 1
Duration: 2h 20min
Sung in: Italian
Titles in: Italian,English
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