Adrienne Arsht Center tickets 28 March 2026 - Spring Mix 1 "Your Perfect Golden Hour" | GoComGo.com

Spring Mix 1 "Your Perfect Golden Hour"

Adrienne Arsht Center, Ziff Ballet Opera House, Miami, USA
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Select date and time
Saturday 28 March 2026
7:30 PM
From
US$ 115

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Miami, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Miami City Ballet
Creators
Choreographer: Jerome Robbins
Composer: Arcangelo Corelli
Composer: Duke Ellington
Composer: George Gershwin
Composer: Henry Cowell
Composer: Malloy Miller
Choreographer: Durante Verzola
Choreographer: Paul Taylor
Choreographer: Stephanie Martinez
Overview

Let the glow of golden hour wash over you in this radiant program, blending timeless classics with fresh perspectives.

Jerome Robbins’ Moves flips the script on ballet with choreography performed in total silence, highlighting pure movement in its rawest form. Durante Verzola’s World Premiere, set to George Gershwin’s irresistible jazz rhythms, is filled with playful, captivating energy. Driven by the legendary music of Duke EllingtonStephanie Martinez’s World Premiere brings her distinctive voice to the stage with a style that’s both powerful and deeply human. And the company premiere of Paul Taylor’s Cloven Kingdom turns the spotlight on the many sides of human nature, all set to a surprising score that mixes classical music with a touch of untamed wild.

Jerome Robbins’ Moves strips away the usual elements of ballet—costumes, sets, and music—to focus entirely on the raw power of movement. The dancers themselves generate the sounds, adding an unexpected layer of intensity to this minimalist piece. Without the usual musical cues or scenic distractions, Moves invites the audience to experience the dance purely for what it is: the movement itself. By removing external influences, Robbins creates a space where the audience can fully engage with the choreography, responding directly to the gestures, energy, and curiosity of the dancers. It’s a bold exploration of the connection between movement and perception, where the dance speaks for itself.

Durante Verzola’s World Premiere, set to George Gershwin’s irresistible jazz rhythms, is filled with playful, captivating energy.

Driven by the legendary music of Duke Ellington, Stephanie Martinez’s World Premiere brings her distinctive voice to the stage with a style that’s both powerful and deeply human.

“Man is a social animal.” - Spinoza

Beneath our polished exteriors lies something more primal—an untamed nature that refuses to be ignored. Set at a grand cotillion ball, this work begins with high society in full display: men in elegant tailcoats, women in flowing gowns and mirrored headpieces. A baroque score intertwines with urgent, percussive 20th-century music, echoing the tension between refinement and instinct.

As the dance unfolds, civility unravels. The women plant seeds and give life, while the men’s tails become something more than fabric. They prowl on all fours, their movements evoking the primal ancestors from whom we’ve evolved. Totemic friezes suggest a time when instinct ruled over etiquette. Though the piece closes in triumph, social order seemingly restored, one truth lingers—we are not separate from animals. We are animals.

Venue Info

Adrienne Arsht Center - Miami
Location   1300 Biscayne Blvd

The Adrienne Arsht Center for the Performing Arts is a performing arts center located in Miami, Florida. It is one of the largest performing arts centers in the United States.

The Center opened as the Carnival Center on October 5, 2006, with performers, politicians and, movie stars attending, including Gloria Estefan, Jeb Bush, Andy García, and Bernadette Peters.

On January 10, 2008, it was announced that philanthropist and business leader Adrienne Arsht donated $30 million to the facility that would make it financially stable. In recognition for the gift, the former Carnival Center for the Performing Arts was renamed "The Adrienne Arsht Center for the Performing Arts of Miami-Dade County," or the Arsht Center for short.

In December 2008, M. John Richard joined the center as president and CEO after more than 20 years at the New Jersey Performing Arts Center (NJPAC).

Founded in 2011, the Town Square Neighborhood Development Corporation (“TSNDC”) was planned to oversee the development of the Arsht Center district. TSNDC's volunteer board: Armando Codina, chairman of Codina Partners, as chair; Manny Diaz, former City of Miami mayor, as vice chair; Michael Eidson, chairman of the Performing Arts Center Trust Board of Directors and partner of the South Florida law firm Colson Hicks Eidson, as treasurer; and Parker Thomson, founding chair of the Performing Arts Center Trust Board of Directors, as secretary. In 2019, Johann Zietsman succeeded John Richard as president and CEO after ten years in the same role at Arts Commons in Calgary.

Interior of the concert hall
The center was designed by César Pelli and occupies two 570,000 square feet (53,000 m2) sites straddling Biscayne Boulevard connected by a pedestrian bridge. Acoustics were designed by Russell Johnson of Artec Consultants company. He also worked on the Meyerson Symphony Center in Dallas.

There are three main venues all of which can be rented for event space by the public:

  • The Sanford and Dolores Ziff Ballet Opera House seats 2,400.
  • The John S. and James L. Knight Concert Hall seats 2,200. Its stage extends into the audience and there is seating behind the stage for 200 additional spectators or a chorus. The orchestra level can be transformed into a "Grand Ballroom" with a festival floor configuration for dining and dancing for up to 850 people. The floor is installed over the seats.
  • Carnival Studio Theater is a flexible black-box space designed for up to 250 seats.

In addition, there are two smaller multi-purpose venues:

  • The Peacock Rehearsal Studio holds 270 people.
  • Parker and Vann Thomson Plaza for the Arts is an outdoor social and performance space linking the two main houses across Biscayne Blvd.
Important Info
Type: Modern Ballet
City: Miami, USA
Starts at: 19:30
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