Theater am Kornmarkt 8 July 2022 - Premiere L`Italiana in Algeri Premiere | GoComGo.com

Premiere
L`Italiana in Algeri Premiere

Theater am Kornmarkt, Bregenz, Austria
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Friday 8 July 2022
7:30 PM
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Important Info
Type: Opera
City: Bregenz, Austria
Starts at: 19:30
Acts: 2
Intervals: 1
Duration: 2h 30min
Sung in: Italian
Titles in: German

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Overview

Together with stage designer Dietrich von Grebmer, Brigitte Fassbaender sets the action on a yacht where the extravagant group pursues their turbulent amorous adventures. Originally planned for 2021, the young ensemble of the Opera Studio will set the stage for an exceptional summer with Rossini’s classic.

Mustafa longs for a vivacious Italian girl. He is bored with his own wife, Elvira, and plans to marry her off to his favourite slave Lindoro, who was taken into captivity in Algiers some years before. Lindoro, however, is still in love with Isabella, who has come to find him. After running aground with her ship, she is brought to Mustafa. Radiating with self-confidence, she schemes daring intrigues in an attempt to free Lindoro.

Rossini’s feel for situational comic and witty onomatopoeic effects, his inexhaustible inventiveness when it comes to fresh melodies and cheerful and colourful orchestral sounds: the vivacity and exuberance of L’italiana in Algeri show that the composer was already a Master of comedy when the opera buffa premiered in 1813.

When Gioachino Rossini creates this original comedy within a short period of time, he is only 21 years old, hence even younger than the singers of the Opera Studio coached by Kammersängerin (honorary title) Brigitte Fassbaender. Following the great success of The Barber of Seville at the 2018 Bregenz Festival, she once again demonstrates her imaginative sense of humour.

History
Premiere of this production: 22 May 1813, Teatro San Benedetto, Venice

L'Italiana in Algeri (The Italian Girl in Algiers) is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

Synopsis

Place: Algiers
Time: The past

Act 1

The palace of the Bey of Algiers

Elvira accompanied by her slave Zulma regrets the loss of the love of her husband, the Turkish Bey Mustafà. Left alone with Haly (since the Italian 'h' is silent, this corresponds to the name Ali, more familiar in the English-speaking world), Captain of the Corsairs, Mustafà reveals his plan to marry Elvira off to Lindoro, his Italian slave. The Bey is bored with his submissive harem, desiring a new challenge to his virility: he wants an Italian girl, and Haly must find one! Lindoro enters alone and sings about Isabella, his true love (Languir per una bella). Mustafà comes in to explain Lindoro's impending marriage. The enthusiastic Bey describes the attractions of the match, while Lindoro struggles to refuse (Se inclinassi a prender moglie).

The seashore

A ship has been wrecked in a storm. Its passengers include Isabella, in search of Lindoro, and Taddeo, her travelling companion and would-be lover. Isabella enters with a sorrowful cavatina Cruda sorte! Amor tiranno!, however she is not afraid (Già so per pratica) and will master the situation. Haly and his men take them prisoner. She passes off Taddeo as her uncle. Haly is delighted to learn she is an Italian – exactly what the Bey wanted! Left to consider their fate, Isabella is irritated by Taddeo's jealousy of Lindoro (Ai capricci della sorte), but they resolve to join forces.

The palace

Back in the palace, Lindoro and Elvira do not wish to marry, but Mustafà offers Lindoro passage on a ship returning to Italy if he takes Elvira. Lindoro agrees, admitting a vague possibility of marrying her in Italy. Haly enters with news of the arrival of the Italian beauty. Mustafà is elated (Già d'insolito ardore nel petto agitare).

Surrounded by eunuchs (Viva, viva il flagel delle donne), Mustafà receives Isabella in a grand hall. He is enchanted, though she is rather amused by his appearance (Oh! Che muso, che figura!). At that moment, Lindoro, Elvira and Zulma arrive to say goodbye to Mustafà (Pria di dividerci da voi, Signore). Lindoro and Isabella are astonished to come face to face. Recovering herself, Isabella asks about Elvira, learning she is Mustafà's ex-wife, to be remarried to Lindoro! The act ends with an ensemble of confusion (Confusi e stupidi).

Act 2

In the palace

Elvira and Zulma (who have remained in Algiers after all) note Isabella's skill with men. Mustafà reveals his strategy for seducing Isabella: he installs Lindoro as Isabella's servant and his informer, and Taddeo will also be induced to help. Elvira and Zulma must tell Isabella he is coming to take coffee with her.

Isabella and Lindoro are alone. He explains that he had no intention of marrying Elvira. They agree to escape together and Lindoro sings of his happiness (Ah come il cor di giubilo). Mustafà enters with a reluctant Taddeo, acclaimed by the Turks as "Lord Kaimakan" (Viva il grande Kaimakan). He dislikes interceding with Isabella for the Bey, but is frightened to refuse (Ho un gran peso sulla testa).

In her apartment

Isabella is dressing in Turkish style. Zulma and Elvira deliver Mustafà's message: he is coming for coffee. Isabella orders three cups. Elvira should wait in a side room. As Mustafà approaches, Isabella sings a romantic cavatina, Per lui che adoro - she will receive him. Mustafà tells Taddeo to leave when he sneezes (Ti presento di mia man). Isabella greets Mustafà warmly and he sneezes, but Taddeo ignores the signal. Isabella calls for coffee and then – to Mustafà's horror and amazement – invites Elvira to join them.

Elsewhere in the palace

Haly sings in praise of the women of Italy (Le femmine d'Italia). The Italians enter, and Taddeo reveals to a surprised Lindoro that he is not her uncle but her lover (he himself is unaware of the other man's true identity). Lindoro tells Mustafà that Isabella will declare him her adored pappataci (literally a "silent eater": a man unable to resist the opposite sex). This, as Lindoro explains (Pappataci! Che mai sento!), is an Italian custom and a great honour, as the pappataci enjoy an idyllic life dedicated to eating, drinking and sleeping. Zulma and Haly speculate about Isabella's real intentions and the quantity of alcohol ordered for the ceremony.

Isabella's apartment

She addresses the Italian slaves who will be pappataci in the ceremony - she will lead them to freedom (Pensa alla patria). The ceremony begins (Dei pappataci s'avanza il coro); Mustafà is delighted with his new honour and changes into appropriate costume. Isabella explains his obligations. He must swear an oath of eating, drinking, and keeping silent, repeating the words after Taddeo. Following that his oath is tested, under provocation by Isabella and Lindoro.

A European ship lies alongside the palace: time to escape! Taddeo finally realizes who Lindoro is, but decides to go along with them anyway. Elvira, Zulma and Haly find the Bey still acting as a mad pappataci. Suddenly recovering his sanity, Mustafà calls his troops but they are all drunk. The Italians bid farewell and Mustafà begs Elvira's forgiveness. No more Italian girls for him!

Venue Info

Theater am Kornmarkt - Bregenz
Location   Kornmarktstraße 2

The Vorarlberger Landestheater is a theater with a permanent acting ensemble and numerous guests in Bregenz. From September to June it offers a fixed schedule for the city of Bregenz and the state of Vorarlberg.

The Theater for Vorarlberg was founded in 1945. The parent company is the Theater am Kornmarkt in Bregenz. In addition, the theater plays at several guest performance locations in the state of Vorarlberg. The program is characterized by contemporary and classic plays, plus performances for young people and children. One opera production is shown per season.

The main venue is the Bregenzer Kornhaus, built on the Kornmarkt between 1838 and 1840 according to the plans of the architect Josef Hirn. The building is located on the Kornmarktplatz, which was redesigned in 2010-2013. The main gable facade is sober and has an open arcaded porch on sandstone pillars and side blind arcades. From 1951 to 1955, the Kornhaus was converted into a regular theater - today's Vorarlberger Landestheater - according to plans by Willibald Braun and Wilhelm Braun. The interior and the design of the foyer were taken over by the painter Hubert Berchtold in 1956 with a mosaic and the painter Fritz Krcal1957 with a painting. Conversion and renovation work took place between 1993 and 1995 under the direction of the architect Helmut Kuess. Since then, the SMALL HAUS has also been available as a second venue. The building is under monument protection ( list entry ).

The theater building on the Kornmarkt was managed by the Bregenz Cultural Office until 2013. Since then, the building has been rented out to the Landestheater by the city of Bregenz all year round. With 9 to 10 premieres in the GROSSEN HAUS, the theater offers a varied program throughout the year, which includes a Christmas play for families and an opera production in cooperation with the Vorarlberg Symphony Orchestra.

Important Info
Type: Opera
City: Bregenz, Austria
Starts at: 19:30
Acts: 2
Intervals: 1
Duration: 2h 30min
Sung in: Italian
Titles in: German
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