Warsaw Grand Theatre - Polish National Opera (Teatr Wielki) 9 April 2021 - Werther | GoComGo.com

Werther

Warsaw Grand Theatre - Polish National Opera (Teatr Wielki), Moniuszko Auditorium, Warsaw, Poland
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Friday 9 April 2021
7 PM
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Important Info
Type: Opera
City: Warsaw, Poland
Starts at: 19:00
Acts: 4
Duration:
Sung in: French
Titles in: Polish,English

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Overview

Werther is sung by Piotr Beczała, who performed the role in Barcelona in 2017 and has recently portrayed Jontek in Mariusz Treliński’s production of Moniuszko’s Halka. Partnering him will be Iryna Zhytynska, a regular of the Wrocław Opera who can also be heard at Madrid’s Teatro Real, Vienna’s Theater and der Wien, and the Finnish National Opera.

When The Sorrows of Young Werther, an epistolary novel by Johann Wolfgang Goethe, was first published in 1774, the public lost its mind for the eponymous solitary poet who is idealistically in love with a woman involved with a different man. ‘The Werther effect’ was observed all over Europe: young people would fall hopelessly in love and follow in Goethe’s protagonist’s footsteps taking their own life in a grand gesture. Early Romanticism found the perfect embodiment of its ill-adjustment and unconscious desire for death.  

Over a hundred years later when people have long brushed off Romantic love stories and the belle époque grew bedazzled with advancements in technology, French composer Jules Massenet, the sole continuator of the French opera tradition following the death of Bizet, became intrigued by the love triangle of Charlotte, Werther and his rival Albert. He saw the old story as a relevant representation of the conflict between genuine feeling and the strain of bourgeois conventions.

It took Massenet seven years (1880–1887) to complete the libretto and music. He spent the following five arranging for the opera to be staged. In the meantime, five other operas he wrote saw their world premieres, including the famed Manon. Today, there is no denying that Werther is a masterpiece. It culminates in Act 3 when the lovers confront their feelings over the poetry of Ossian, which the composer conveyed through Werther’s beautiful aria Pourquoi me réveiller. Act 4, when the focus shifts to Charlotte and her wonderful mezzo-soprano role, is deeply compelling. 

Unlike in the German original, Massenet’s Charlotte is in love with Werther but chooses to obey by her the wishes of dead mother, who wanted her to marry the practical Albert. Werther, who believes in l’amour eternel wants to die. Charlotte sends him away for six months until Christmas. She cannot forget him, though; she reads his letters and cannot hide her love when he returns suddenly. She nevertheless breaks away when he takes her in his arms. Rejected, Werther decides to kill himself (Soit! Adieu donc! Charlotte a dicte mon arret! – So be it! Farewell then! Charlotte has decreed my death!). She dashes to town to stop him, but arrives too late – Werther is fatally wounded. He dies in her arms to the sound of a Christmas carol and she returns the kiss she had refused him in her small-mindedness before. Let your soul dissolve in my heart are the last words of their duet, which – let’s be frank – can bring tears to anybody’s eyes. 

In his much publicized 1996 production of Werther, which scored triumphs in Amsterdam, Rome, Geneva, Antwerp, Frankfurt, Barcelona (starring Piotr Beczała) and Prague, German stage director Willy Decker focuses on the psychological aspects of obsessive love and internal entrapment. The wide planes of the vivid set design, so characteristic for the director, are divided into two zones: the limited space of the protagonists’ psyche and the natural world reflecting the changing seasons of the year.

History
Premiere of this production: 16 February 1892, Hofoper, Vienna (in German)

Werther is an opera (drame lyrique) in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe, which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802).

Synopsis

Time: Within the period July to December, in an undefined year in the 1780s.
Place: Wetzlar in Germany.

Act 1

In July, the widowed Bailiff (a Magistrate, rather than one who comes to seize property), is teaching his six youngest children a Christmas carol ("Noël! Jésus vient de naître"). His drinking companions, Johann and Schmidt, arrive as Charlotte, the eldest daughter, dresses for a ball. Since her fiancé Albert is away, she is to be escorted by Werther, whom the Bailiff and his companions find gloomy. Werther arrives ("O Nature, pleine de grâce"), and watches as Charlotte prepares her young siblings' supper, just as her mother had before she died. He greets her and they leave for the ball. Albert returns unexpectedly after a six-month trip. He is unsure of Charlotte's intentions and disappointed not to find her at home, but is reassured and consoled by Charlotte's younger sister Sophie. He leaves after promising to return in the morning. After an orchestral interlude, Werther and Charlotte return very late; he is already enamoured of her. His declaration of love is interrupted by the announcement of Albert's return. Charlotte recalls how she promised her dying mother she would marry Albert. Werther is in despair.

Act 2

It is three months later, and Charlotte and Albert are now married. They walk happily to church to celebrate the minister's 50th wedding anniversary, followed by the disconsolate Werther ("Un autre est son époux!"). First Albert and then Sophie ("Du gai soleil, plein de flamme") try to cheer him up. When Charlotte exits the church, he speaks to her of their first meeting. Charlotte begs Werther to leave her, though she indicates that she would be willing to receive him again on Christmas Day. Werther contemplates suicide ("Lorsque l'enfant revient d'un voyage"). He encounters Sophie but the tearful girl does not understand his distressing behavior. Albert now realizes that Werther loves Charlotte.

Act 3

Charlotte is at home alone on Christmas Eve. She spends time rereading the letters that she has received from Werther ("Werther! Qui m'aurait dit ... Ces lettres!"), wondering how the young poet is and how she had the strength to send him away. Sophie comes in and tries to cheer up her older sister ("Ah! le rire est béni"), though Charlotte is not to be consoled ("Va! laisse couler mes larmes"). Suddenly Werther appears, and while he reads to her some poetry of Ossian ("Pourquoi me réveiller?"), he realizes that she does indeed return his love. They embrace for a moment, but she quickly bids him farewell. He leaves with thoughts of suicide. Albert returns home to find his wife distraught. Werther sends a messenger to Albert, requesting to borrow his pistols, explaining he is going on an extended trip. After the servant has taken them, Charlotte has a terrible premonition and hurries to find Werther. An orchestral intermezzo ("La nuit de Noël") leads without a break into the final Act.

Act 4

"The death of Werther": At Werther's apartment, Charlotte has arrived too late to stop him from shooting himself; he is dying. She consoles him by declaring her love. He asks for forgiveness. After he dies, Charlotte faints. Outside children are heard singing the Christmas carol.

Venue Info

Warsaw Grand Theatre - Polish National Opera (Teatr Wielki) - Warsaw
Location   plac Teatralny 1

The Grand Theatre in Warsaw is a theatre and opera complex situated on the historic Theatre Square in central Warsaw. The Warsaw Grand Theatre is home to the Polish National Ballet and is one of the largest theatrical venues in the world.

The Theatre was built on Theatre Square between 1825 and 1833, replacing the former building of Marywil, from Polish classicist designs by the Italian architect Antonio Corazzi of Livorno, to provide a new performance venue for existing opera, ballet and drama companies active in Warsaw. The building was remodeled several times and, in the period of Poland's political eclipse from 1795 to 1918, it performed an important cultural and political role in producing many works by Polish composers and choreographers.

It was in the new theatre that Stanisław Moniuszko's two best-known operas received their premieres: the complete version of Halka (1858), and The Haunted Manor (1865). After Frédéric Chopin, Moniuszko was the greatest figure in 19th-century Polish music, for in addition to producing his own works, he was director of the Warsaw Opera from 1858 until his death in 1872.

While director of the Grand Theatre, Moniuszko composed The Countess, Verbum Nobile, The Haunted Manor and Paria, and many songs that make up 12 Polish Songbooks.

Also, under Moniuszko's direction, the wooden Summer Theatre was built close by in the Saxon Garden. Summer performances were given annually, from the repertories of the Grand and Variety (Rozmaitości) theatres. Józef Szczublewski writes that during this time, even though the country had been partitioned out of political existence by its neighbors, the theatre flourished: "the ballet roused the admiration of foreign visitors; there was no equal troupe of comedians to be found between Warsaw and Paris, and Modrzejewska was an inspiration to drama."

The theatre presented operas by Władysław Żeleński, Ignacy Jan Paderewski, Karol Szymanowski and other Polish composers, as well as ballet productions designed by such choreographers as Roman Turczynowicz, Piotr Zajlich and Feliks Parnell. At the same time, the repertoire included major world opera and ballet classics, performed by the most prominent Polish and foreign singers and dancers. It was also here that the Italian choreographer Virgilius Calori produced Pan Twardowski (1874), which (in the musical arrangement first of Adolf Sonnenfeld and then of Ludomir Różycki) has for years been part of the ballet company's repertoire.

During the 1939 battle of Warsaw, the Grand Theatre was bombed and almost completely destroyed, with only the classical façade surviving. During the Warsaw Uprising of 1944 the Germans shot civilians in the burnt-out ruins. The plaque to the right of the main entrance commemorates the suffering and heroism of the victims of fascism.

Important Info
Type: Opera
City: Warsaw, Poland
Starts at: 19:00
Acts: 4
Duration:
Sung in: French
Titles in: Polish,English
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